Publisher: Electronic Arts (1983)
Publisher: Atari (1983)
Atari Tennis really caught me off-guard with its tight controls and intuitive gameplay. It's like playing Virtua Tennis
(Dreamcast, 2000) with early-80's graphics! The visuals may be blocky, but the square ball bounces smoothly and a shadow makes it easy to judge its height. Players swing their rackets automatically, but holding down the fire button lets you angle your shot. The controls are responsive, but it's hard to put any "mustard" on the ball. As a result, contests tend to degenerate into endless, boring volleys. Even when playing the net, your returns are awfully weak. The only way you can "smash" the ball is by standing far back and letting it bounce very
high before hitting it. It's possible to execute lobs, but those aren't very effective either. Despite its flaws however, Tennis offers some interesting features. You can display your full name on top of the screen, which was pretty nifty in 1983 (not so much now). There's a doubles mode, but sadly, two human players can't team up against the CPU. Atari seemed to be on the right track with Tennis, but just came up a little short. © Copyright 2007 The Video Game Critic.
Publisher: Imagic (1983)
To be honest, I'm somewhat disappointed with this Atari XE version of Atlantis. It's not bad, but considering the power of the system, I was expecting more than a slightly modified version of the Atari 2600 game. I was looking for something more on par with the sophisticated Intellivision edition. Oh well, Atlantis is a fun but shallow shooter where you fire three cannons to protect an undersea kingdom. As alien ships cruise side-to-side overhead, you'll need to blast them before they get low enough to vaporize the structures of the city. It's pretty easy to take care of business with the center cannon in place, but once you lose that, your life becomes more complicated. The left cannon fires right and vice versa, which takes some getting used to. Once all is lost, a little saucer whisks the survivors to safety and the game ends. The graphics are only slightly
enhanced from the 2600 game, with more detailed structures (cannons sit atop platforms), and more detailed enemy ships. There are actually fewer
game variations however, and the lack of a co-op mode is glaring. Atlantis is fun enough for a quick shoot-out, but it doesn't pack much replay value. Imagic was definitely "mailing it in" with this tepid effort. © Copyright 2008 The Video Game Critic.
Publisher: Cosmi (1983)
I am so fed up
with this game! Aztec Challenge looks deceptively simple as you jump your way through a side-scrolling obstacle course. My friends and I spent a good chunk of the summer trying to beat this! Your warrior runs at a steady pace as you press the fire button in conjunction with the joystick to leap high, low, or medium. Height is critical, because banging your head on a stalactite or high platform costs you a life. Each stage has a unique set of colorful platforms, and it's always fun to see what the next level has in store. The layout of each stage is randomly generated, which was probably pretty mind-blowing in 1983! Also innovative for its time (but somewhat annoying today) is the instant replay feature that kicks in every so often. It's great how two players can play this game at the same time - one running right behind the other! That's probably worth a letter grade in of itself! The scoring system awards points for each jump, so it's possible to rack up hundreds of extra points by jumping like crazy when you don't really need to. My only real issue with Aztec Challenge is its difficulty. Even after my friend Brendan discovered the unlimited continue feature, we could never reach the grand finale, which is a mythical pyramid stage. According to legend, this pseudo-3D stage has your warrior running towards a looming pyramid while avoiding spears thrown from both sides! We never got there, but Aztec Challenge certainly lived up to its name. © Copyright 2009 The Video Game Critic.
Our high score: BM 19,120
1 or 2 players
Publisher: LucasFilm (1987)
If you weren't video gaming in the early 1980's, it's probably hard to grasp just how mind-blowing Ballblazer was in its time. In those days, 3D graphics, split screens, and "first person" viewpoints were new concepts. Not only did LucasFilm deliver these technologies in spades, but this futuristic sports contest has style to burn. Ballblazer's ultra-funky synthesized theme song ranks as one of the greatest of all time. The action takes place on an expansive green checkerboard field as two hovercraft-like vehicles vie for control of a floating ball. To score, you must gain control of the ball and fire it through goalposts moving along opposite sides of the field. While in your possession, the ball floats side-to-side in your field of vision, making it possible to angle your shots. Objects are rendered with graceful scaling sprites, and the framerate never stutters. Since you turn in 90 degrees increments and automatically face the direction of the ball, the constant reorientation can be confusing - especially to novice players. Ballblazer offers nine skill levels and adjustable game lengths. New players may have a hard time getting a feel for this, but when two Ballblazer veterans face each other, it can get pretty intense. © Copyright 2006 The Video Game Critic.
Publisher: Atari (1987)
When the original Battlezone arcade game hit the scene in 1980, it wowed gamers with its first-person viewpoint and innovative 3D vector graphics. Although its objects were rendered in wire frames, the fact that you were freely moving around a real three-dimensional space was pretty amazing for the time. It was even possible to take cover behind barriers! This ill-advised Atari XEGS edition tries to emulate Battlezone's groundbreaking visuals with standard raster graphics, but it's a mess. Instead of razor-sharp objects that fluidly scale in and out, everything looks pixelated and moves in a jerky manner. It's even worse when objects overlap, creating shapeless blobs on the horizon. The animation is choppy as well, so when your tank turns everything shifts in an abrupt, unsightly manner. Firing a missile causes a small circle to appear in the center of the screen, but it's hard to tell if that missile is outgoing or incoming! The gameplay is far too easy in early stages, but nearly impossible in advanced stages as enemy tanks begin to outpace the poor frame-rate. There are a few good versions of Battlezone out there, but this is not one of them. © Copyright 2007 The Video Game Critic.
Publisher: Broderbund (1983)
Blue Max is a veritable institution when it comes to Atari 8-bit gaming. Everybody who had an Atari computer in the early 80's has fond memories of this rapid-fire airplane game. In it, you're a WWI flying ace in a war-torn Europe, shooting down planes and bombing ground targets. The isometric view is similar to Zaxxon, but unlike that game, Blue Max is more wide open with less obstacles. You can easily gauge your height using your plane's shadow, and you know you're lined up with enemy planes when the bottom of the screen turns blue. In addition to shooting and bombing, you can even fly low to perform air-to-ground strafing, and the destruction you unleash is quite satisfying. Your plane will take damage during its mission, but there are periodic runways where you can easily land, repair, and reload. You only have one life so there's little room for error. At the end of the game you're awarded a score and rank. The planes and tanks in Blue Max are small but super sharp and high in resolution. The scenery, most of which surrounds of river, is rather sparse but attractive. Blue Max is deeper than most arcade titles, but just as addicting and fun as hell. It's a must-have for Atari 8-bit fans. © Copyright 2003 The Video Game Critic.
Publisher: First Star Software (1984)
Here's an oldie that never got the credit it deserved. Boulder Dash is an old favorite of mine, and seeing its mesmerizing title screen instantly transports my state of mind back to 1984. That catchy title screen music loops and interweaves melodies in the most infectious way. If attractive graphics are eye candy, this tune is pure ear
candy. The gameplay is similar to Dig Dug
(Atari 5200, 1983) in that you burrow through dirt to collect gems and drop rocks on baddies. Boulder Dash however has a very unique look and feel. Your character resembles a little alien who quickly scoots around the screen in search of gems. The expansive stages scroll in all directions, and there are so many boulders that it's hard to move without knocking a few loose. And it's best to keep
moving as explosive chain reactions occur in your wake. Sometime you'll need to purposely trigger an avalanche to access buried gems or destroy pursuing enemies. The animation is a little choppy, but that contributes to the frenzied pace. As the stages progress they tend to get a little less arcade-like and a little more puzzle-oriented. It is possible to become "stuck" between rocks, at which time you'll need to hit the escape key on the keyboard. A level select is available via the main menu. This is a game more people need to discover. Far more than the sum of its parts, Boulder Dash is a rare combination of strategy and frantic arcade fun. © Copyright 2014 The Video Game Critic.
Our high score: 2,567
1 or 2 players
Publisher: Datasoft (1984)
Groundbreaking for its time, Bruce Lee kicks as much ass today as it did in 1984. Upon booting up the game you're immediately presented with an excellent illustration of the legendary martial artist himself, accompanied by a nice Asian theme song. Bruce Lee is an ideal combination of fighting action and platform jumping. Our hero is relentlessly pursued by two foes, which are rendered with chunky but nicely animated sprites. The "black ninja" wields a sword, and the "Green Yamo" is an aggressive sumo wrestler. Bruce can jump, climb, punch, duck, and perform devastating jump kicks. The first few screens feature attractive traditional Chinese architecture with scenic mountains in the background. Once the action moves underground, you're faced with perilous traps and moving vines. It's always satisfying to lure your unsuspecting enemies into the traps. Should you reach the final screen, you'll face off against a mysterious wizard in an epic battle. Bruce Lee's attention to detail is exceptional and often surprisingly so. The scenery is remarkably rich, with elaborate structures and statues that appear to have depth. You might expect that jumping onto a ladder would allow for an easy escape from foes, but those crazy SOB's will try to kick you off of it! I also love how dropping down on enemies knocks them on their butts. The game has no serious flaws, although the controls can be tricky when navigating moving vines. Long appreciated by 8-bit computer users but virtually unknown to console gamers, Bruce Lee is fun to play even after you've mastered it. © Copyright 2006 The Video Game Critic.
Publisher: Atari (1987)
Bug Hunt is a very minor game that's only mildly amusing. It was included with the Atari XE game system just so people would have a use for the included light gun. Taking the metaphor of "computer bug" literally, the screen consists of a 2x4 "circuit board" grid. Your job is to shoot the insects that appear and crawl around each square. For a pack-in game, Bug Hunt hardly shows off the capabilities of the XE system. In addition to blocky graphics, everything is rendered in putrid shades of green
. Man, this may be the ugliest video game ever made! The gameplay is good enough to keep you coming back for a few rounds. To advance to the next wave (6 in all), you need to maintain a certain accuracy percentage. Unfortunately, I'd rate the accuracy of the XE light gun as fair at best. Overall Bug Hunt is a pretty lame effort by Atari. Even Duck Hunt for the NES was more compelling. © Copyright 2002 The Video Game Critic.
Publisher: Bryan Edewaard (2003)
Publisher: Muse (1983)
Caverns of Khafka
Publisher: Cosmi (1983)
I used to play computer games with a friend named Eric F. back in the early 80's, and in his mind no platformer could ever live up to the lofty standards established by Caverns of Khafka. "Just look at those graphics!" he would exclaim. In retrospect, Eric was young, naive, and 100% correct!
Khafka is a feast
for the eyes and offers a unique style of play you won't find anywhere else. You guide a tiny explorer through a scrolling network of twisting tunnels with ladders, bubbling lava pits, moving floors, and timed traps. The green walls look properly granular, and the network of tunnels is intricately designed. Your goal is to collect all of the golden treasures scattered throughout, and a number at the top of the screen counts down how many remain. Your character is a nimble guy who can quickly scamper over the narrow cracks and scuddle up ladders. It's hilarious how he turns into a small box when he ducks! Clearing a stage results in a flashy display of colors, followed by a slightly harder version of the maze with more obstacles like flying bats and spears. Khafka is crazy fun despite some very sloppy
collision detection. Sometimes you'll jump through a wall unexpectedly, and it shows a certain lack of polish. It's not perfect, but I still regard Caverns of Khafka as a hidden gem in the Atari XEGS library. © Copyright 2009 The Video Game Critic.
Our high score: SLN 243,854
Publisher: Atari (1981)
This early Atari game is an oddity in that it only appeared for the Atari 8-bit computers. I'm not crazy about Caverns of Mars. The large objects and tight control gave me some false hope initially, but the repetitive gameplay soon got on my nerves. You control a large blue ship in this multi-stage, vertically scrolling shooter. You shoot double-shots, and can hold down the button for continuous fire. Some stages resemble a vertical Scramble, where you blast fuel and rockets as you navigate caverns. The real challenges here are the disappearing "laser gates", which are frustratingly hard to avoid. Other stages are wide open, and you have to blast or dodge ships and rockets approaching from the bottom of the screen. This particular stage goes on for far too long, and I couldn't wait for it to end. Eventually you reach a large orange ball which is apparently supposed to be some sort of bomb that you detonate. Then you have to navigate caverns to escape as a timer ticks away. It all sounds a lot more exciting than it really is. The blocky graphics, like the static mess that appears when your ship explodes, aren't very inspired, and the sound effects are practically non-existent. With four difficulty settings, there's plenty of challenge, but it's just not much fun. © Copyright 2003 The Video Game Critic.
Publisher: Atari (1982)
Usually the 8-bit versions of Atari's games are fairly comparable to their arcade counterparts, but this one really falls short. Perhaps because it was programmed earlier than other versions, it really doesn't compare to the Atari 5200 or Colecovision editions. The graphics are plain, with solid-colored mushrooms. The centipede moves in a somewhat choppy manner, and the sad-looking spider isn't nearly as aggressive as he should be. In general, the game seems too slow and easy. I was able to rack up scores that far exceeded anything I could do in the arcade (over 37K!). Using the Atari 2600 track ball makes the game feel more arcade-like, but it's also more work on your arm. There's only one skill level. Despite the problems, this is still Centipede, one of the best video games of all time. But there are better, more challenging versions out there. © Copyright 2002 The Video Game Critic.
Publisher: Datasoft (1984)
A gamer's dream in 1983, Conan delivers multi-screen platform adventure with beautiful, high-resolution graphics. It's still strangely compelling today, thanks mainly to its well-designed screens. Although rendered in a mere four colors, the visuals look more aesthetically pleasing than many modern games. It's the attention to detail that makes all the difference - the developers obviously put a lot of TLC into each screen. The castle interiors feature flickering candles, each tree is meticulously detailed down to individual leaves. Even the cave screens contain all sorts of subtle nooks and crannies. Although adversaries like bats, scorpions, and dragons tend to be small, they are nicely animated and easy to discern. In addition to its terrific graphics, Conan features an absolutely killer soundtrack. The upbeat, harmonized tunes are catchy as hell, and I never got tired of hearing them. The main character is chunky but agile, able to perform jump-flips and fling swords at enemies. The control lags slightly and collision detection could be tighter, but overall the game plays very well. The screens are progressively more difficult and most require some degree of strategy. Conan does possess one major flaw however, and that would be the heinous slowdown that occurs in later screens (notable screen five). When too many objects are moving at once, the action becomes painfully slow, and even old school junkies will find it hard to tolerate. Other than that, Conan is a good-looking and thoroughly engaging adventure. © Copyright 2005 The Video Game Critic.
Publisher: Atari (1988)
Our high score: 14,175
1 or 2 players
David's Midnight Magic
Publisher: Broderbund (1982)
When Atari was assembling a library of carts for its new XE game system, it decided to recycle this old Broderbund pinball relic. But although Midnight Magic may have turned some heads in 1982 with its high-resolution graphics, it was hardly anything to get excited about in 1987. The table is rendered in green and pink - a hideous combination. Most of your targets are the "drop target" or "rollover" variety, in the form of tiny dashes and squares. To be frank, there's not much to see or do. The table never changes, and apparently your only goal is to run up your bonus multiplier. There are four flippers, two on the top and two on the bottom, triggered by moving the joystick left or right. You can move all of them at once by pressing up, but too much of this could cause a tilt to occur. The physics isn't so hot. The ball seems to "stick" to the sides instead of caroming around, and the game has little sense of momentum or flow. Midnight Magic is a dull affair that really pales in comparison to so many other great Atari 8-bit titles out there. © Copyright 2004 The Video Game Critic.
Publisher: Atari (1982)
In most space games of the early 80s, the playing field was a single screen in size, so when the side-scrolling Defender appeared in the arcades, it was completely original. And the number of buttons on the arcade cabinet was daunting. There was a lever to move up and down and buttons for thrust, reverse, shoot, hyperspace, and smart bomb. The home versions use a normal joystick, which simplifies the control scheme quite a bit. This Atari 8-bit version is excellent, maintaining the same graphics, cool explosions, and frantic pace of the original game. It's great to trigger a smart bomb with a screen full of aliens, and watch everything be obliterated. There is some slow-down when the screen gets too busy, but nothing major. Although this version of Defender looks identical to the 5200 one, here you have the advantage of using a normal joystick and keyboard. The spacebar sets off a smart bomb, and any other key initiates hyperspace. I'd have to say that this is the best home version of Defender I've played. © Copyright 2003 The Video Game Critic.
Publisher: Synapse (1984)
Publisher: Atari (1983)
As the VGC, one of the most common questions I'm asked is, "What's the best home version of Donkey Kong?" The answer is not so obvious considering decent versions have appeared on a number of classic systems. For my money though, this Atari 8-bit version takes the cake. Its sharp graphics, smooth animation, and arcade-perfect audio make the game an absolute joy to play. Even the intro sequence is included with Kong jumping on the girders. But the number one reason
for its superiority is the fact that it contains all four of the screens
. Yes, you heard me right. All the other home versions only have three, omitting the stage with pies on moving conveyer belts. Granted, it's not the best stage in the world, but if you're a fan of the game, it's a real treat. Oh, and did I mention this game is hard as a bastard
? But it's not due to "usual suspects" of poor control, bad collision detection, or cheap hits. No, the difficulty level is just plain tough, but it's that relentless challenge that made the arcade game so great to begin with. In other versions you're practically invincible while holding the hammer, but that's definitely not
the case here. If you have the option, I'd advise you to pick up this fantastic translation of Donkey Kong. Cheap and readily available, it's the definitive home version. © Copyright 2006 The Video Game Critic.
Publisher: APX (1981)
Downhill doesn't look luck much. Viewed from directly overhead, your skier looks like a red letter H and the trees are ugly green splotches. The gates resemble barbells and they are spaced extremely close, making this feel more like slalom than downhill. What makes this game playable is its amazing paddle controls. The analog knob lets you turn on a dime, navigating the narrow paths with pinpoint precision. Each run is about 20 gates which a skilled player can complete in well under a minute. What holds Downhill back is its brutal collision detection. In real life skiers bang into the gate poles all the time, but in this game it will bring you to a screeching halt! Worse yet, it takes forever
to get back up to speed. Scraping against a tree has the same effect. Finding an ideal game variation can be a challenge. You can enter in any slope value, with 30 degrees being the default. Personally I found 45 to offer the right balance of maneuverability and danger. You select between novice, intermediate, expert, and random courses. The game slowly
previews each hill before you begin, but you can hit the start button to expedite the process. The random option sounds appealing but its courses tend to be too easy. If you want a real challenge you'll need to stick with the expert trail and its densely-packed trees. Downhill's controls makes it a worth a go but its all-or-nothing collision detection drags down the fun factor. © Copyright 2018 The Video Game Critic.
Recommended variation: expert
Our high score: 5081
Publisher: Atari (1987)
Publisher: Synapse (1983)
Recommended variation: novice
Our high score: 46,400