The wide selection of locations include the Rockies, Alaska, the Alps, the Himalayas, New Zealand, Siberia, Patagonia, and Antarctica. I had read in previews that the game was going to focus on realism, but realized that wasn't the case the first time I grinded a flying helicopter. The over-the-top courses are loaded with huge natural and man-made obstacles, and you quickly become desensitized to the spectacle of it all.
The controls are problematic, beginning with the overly sensitive steering. The good news is that you can turn on a dime to avert going over a cliff. The bad news is, you'll often find yourself swerving from side-to-side. Fortunately the course navigation is extremely forgiving. You'll never lose your balance as you ride up walls, glance off cliffs, or bounce on bare rock. Only hitting a tree head-on will slow your momentum.
The tricks are far too easy to perform. You catch ridiculous air with each jump, and you could tie your shoes, eat a sandwich, and call your mother before you finally land. By tapping buttons and moving sticks wildly you can perform outrageous combinations. Grinding is just a matter of holding in the left trigger - no balancing is involved.
The general lack of challenge makes death-defying stunts - like grinding a railroad track over a bridge, seem almost boring. The only real challenge is the deadly drop-offs introduced in the advanced tracks. Unfortunately you often can't see them coming, and that "rewind" feature is little consolation. Previous SSX games allowed me to play my friends via the split-screen mode, but apparently EA has lost the technology.
I did enjoy the pulsating musical score and how you're constantly unlocking new stuff. The game suffers from the lack of a manual. I never understood the difference between the three main modes, and the objectives during each run are often unclear. Long on style and short on substance, SSX is far less than the sum of its parts. © Copyright 2012 The Video Game Critic.
Once you get a feel for it, Sneak King is actually a fun little game. The wandering people sport Metal Gear-like "vision cones" that are clearly visible on the main screen (no need to check the radar display). This makes it easy to avoid detection, and once you begin to recognize their movements, you can pop out of barrels, crates, and bales of hay. Upon successfully surprising a person, King breaks into a little dance before presenting the sandwich. While comical at first, you'll soon grow weary of these animations and find yourself tapping buttons in a vain attempt to expedite the process.
The first stage takes place in a sawmill (odd!), but later stages include a neighborhood cul-de-sac and a city at night. The missions become trickier as you progress, and it can get pretty intense as you attempt to deliver a certain number of sandwiches within a short time limit. Sneak King has a certain charm and an addictive quality the other Burger King games lack. At $3.99, this one really took me by surprise. NOTE: This game also plays on a regular Xbox, with slightly degraded graphic quality. © Copyright 2006 The Video Game Critic.
Sonic Racing brings together characters from such beloved Sega franchises as Space Channel 5, House of the Dead, Super Monkey Ball, Crazy Taxi, Samba De Amigo, Billy Hatcher, Jet Set Radio, and naturally Sonic the Hedgehog. The gorgeous high-def stages take you through tropical lagoons (Sonic), snowy castles (Billy Hatcher), dark graveyards (House of the Dead), festive villages (Samba De Amigo), and modern cities (Jet Set Radio).
Not only is each track a visual treat, but the soundtrack leverages toe-tapping tunes from past titles like Sonic Adventure and Samba De Amigo. The lush tropical locations are loaded with references to classic Sonic titles, including the crabs and fish from the very first Sonic game! I love the eye candy, but Sega could take some pointers from Nintendo regarding course design. The Monkey Ball tracks have one 90-degree turn after another, and the House of the Dead courses are too dark to follow. Yeah, I know Sega's just trying to stay true to the subject matter, but running into walls is not fun.
Otherwise this game is a blast! The control scheme rewards drifting with a speed burst - a nifty concept used effectively back in Crash Team Racing (PS1, 1999). The races are ideal in length and the split-screen mode is terrific. In the single-player tournament mode, you only need to place in the top three to advance. The commentator is annoying and unnecessary, but you can easily shut him off via the options screen.
Credits earned can be used to buy additional characters, tracks, and music. Yes, for once there is actually useful stuff to buy! Amazing! I'm really happy to see Sega finally able to capitalize on their substantial catalogue. Sonic & Sega All-Stars Racing may not be as good as Mario Kart Wii, but it's awfully close. © Copyright 2010 The Video Game Critic.
The first two stages resurrect classic levels from Sonic 1 and 2 from the Genesis. These remastered renditions of the Green Hill and Chemical Plant zones play like a dream and are rendered with lavish 3D backdrops. You'll wish the rest of the game was this good. Sadly, many of the remaining stages are culled from much more recent Sonic titles that most gamers would just as soon forget. Many suffer from ubiquitous "dangerous drops" which are often located in the most illogical places (a parking garage?). When developers feel the need to pepper levels with big ugly red warning signs, that should have raised some concern.
I wasn't particularly stoked about the 3D variations but I will admit they turned out better than expected. The sense of speed is exhilarating at times and there's plenty of variety as well. One thing I'm not crazy about is how the stages are super long. Breaking them up into smaller, more manageable chunks would have made them more fun to explore. The controls are fine but a bit slippery. The audio is a pleasant surprise. Surround sound is used effectively and the soundtrack is absolutely sensational.
The normal stages are definitely on the easy side, but dozens of "challenge" stages will keep you busy with their special objectives. A cynical critic might see Generations as a missed opportunity, giving too much credence to recent outings (like Sonic Colors) instead of focusing on the classics. Judging the entire work however, I'd have to say Sonic Generations is a solid effort that offers the best of both worlds. © Copyright 2011 The Video Game Critic.
Unleashed introduces a one highly unoriginal and completely unwelcome new element: the ability to transform into a werewolf at night. The combat-heavy, puzzle-centric werewolf stages are always tedious and frequently unbearable. The jumping and grabbing controls are so counterintuitive that it feels like you're playing a first-generation 3D game. It's as if the developers tried to reinvent the wheel and it turned out square.
You'll contend with regenerating robots that linger on the screen after you defeat them, making it hard to determine who's left to attack. The camerawork is jerky, the controls are touchy, and the checkpoints aren't nearly frequent enough. The werewolf stages are a veritable chore, but even the lightning-fast Sonic stages barely register on the fun meter. There's no shortage of raw speed and lush scenery, but controls are so limited you feel as if you're having minimal impact on events. Expect a lot of confusing button prompts that are impossible to react to.
Is there anything good about this game? Well, I like the idea of collecting rings to replenish your life gauge, and the island stages feature some absolutely breathtaking scenery. Too bad you don't get to enjoy any of it! In addition to its fundamentally-flawed gameplay, Unleashed seems to go out of its way to irritate the player. The ability to walk around a town and chat with people ("Nice weather today") was never fun in the past, and never will be, no matter how pretty the scenery may be. The epic storyline is inappropriate for a Sonic title, and the endless, unskippable cut-scenes are torture to watch. The boss battles are too frequent, too long, and often too difficult. Was this game even play tested?
Irritating tightrope-walking sequences, confusing objectives, boring slide-the-block puzzles, frequent "you can't go here yet" messages, cutesy sidekicks, vomit-inducing voices, and fatal water are just a few of the torments Unleashed inflicts upon the player. Bad games happen, but to create something as supremely unlikeable as Sonic Unleashed, you really have to make the effort! © Copyright 2009 The Video Game Critic.
As if the developers were trying to emphasize the worst aspects of previous Sonic titles, you'll endure pointless chatting with townsfolk, brainlessly "bop" the heads of countless robots (just keeping pressing A), and barrel through stages while almost completely out of control. The idea of integrating the cartoon-ish Sonic characters with realistic human figures is as creepy as it is idiotic. The "touching" cut-scenes between Sonic and the shapely female character are so utterly embarrassing that they had me reaching for a barf bag ("All I need... is your smile").
Back in the day, the Sonic games featured light-hearted themes, imaginative stages, crisp controls, and simple gameplay. This new Sonic, on the other hand, is bogged down with pointless dialogue, confusing objectives, idiotic stage designs, and abysmal control. The "hub" of the game is a little town where you buy items from LL Cool J and chat with people who have nothing interesting to say. The "action" stages aren't much better, thanks to a spastic camera that makes it impossible to keep your bearings. In the desert stages, you instantly drown when you touch the sand!! Think about how stupid that is!
Still, it was quite amusing to hear a friend yell, "Oh no!! SAND!!" The new "ring attacks" are a confusing mess, and the boss battle with "Silver" is the worst ever ("Take that! It's no use!!"). The ill-advised new "super speed" stages have you whizzing through long stretches so fast that you can't properly steer or anticipate obstacles. Evidently, Sega fired their entire Quality Assurance department, because the game's obvious bugs and general lack of polish is astounding.
Besides the jumpy camera, there are collision detection glitches, inexcusable pop-up, clipping problems galore, and kung-fu quality lip-syncing. It's not unusual to suddenly lose control of your hedgehog as he momentarily moonwalks in place. The loading screens are so excessive that I had to sit through a 15-second load screen just to watch a lame, 5-second clip. The graphics are high-definition, but no more detailed than the Dreamcast titles - only sharper. I find it hard to believe that somebody at Sega thought this game was a good idea. This is a disgrace. Sonic the Hedgehog has been defeated. © Copyright 2007 The Video Game Critic.
By the looks of it, Sonic 4 was developed by Sega's bored intern who had never actually played the original games but had seen a few screenshots. For a real Sonic fan, it takes all of about five seconds of play to realize that Sonic 4 feels all wrong. The original Sonic boasted simple controls coupled with a palpable sense of speed and momentum. In Sonic 4, when Sonic is propelled through the air, taking your thumb off the directional pad causes him to stop abruptly in mid-air and drop like a bag of bricks! WTF!? Likewise pressing the jump button in mid-air will interrupt his flight and send him lurching in a random direction!
Instead of being fast and smooth, Sonic's movements are awkward and stilted. The physics are borderline non-existent! These controls would be terrible in any game, much less a high-profile sequel. Instead of simply pouncing on a foe, you're forced to perform a "homing attack" made un-popular by the marginal 3D Sonic titles of recent years. Who in the [expletive] asked for that?! These attacks are especially problematic when the red target symbol obscures the spikes sticking out of the creature you're about to hit!
Sonic 4's stages made me physically nauseous. Long and redundant, you often feel as if you're moving in circles (and in many cases, you are). I never felt the urge to explore, but I did want each stage to end as soon as possible! The "Splash Hill" zone tries to rekindle the tropical beauty of the old games, but despite the high-def makeover the scenery looks plastic and boring. The Lost Labyrinth zone has a Temple of Doom vibe, but having your heart ripped out is more fun than playing it. That torch puzzle is brutal, and that mine-cart ride? Really Sega?
Trying to hop between the cogs in the Mad Gear zone is a nightmare, and the lack of physics makes the pinball-inspired Casino zone a chore. It should come as no surprise that the rotating bonus stage is less visually appealing than the one in the original Sonic, and a lot less fun! As the final insult, the "Episode I" subtitle suggests Sega intends to string you along so they can dip into your wallet again and again. When I heard Sega was making this long-awaited follow-up, I was hoping they would take it seriously. Instead, it was treated like some half-hearted side project. © Copyright 2011 The Video Game Critic.
While playing Streets of Rage with my wife, I noticed many subtle details undetectable in the original version, such as the reflections of buildings in store windows. My wife noted that the colors are much deeper. When you stop to savor all of the artistic details in the scenery (like posters blowing in the wind), you gain a whole new appreciation for these old games.
The Sonic titles look brighter and more inviting than ever, and memorable 16-bit soundtracks like the one in Ecco the Dolphin have never sounded better. The collection contains a few marginal titles like Flicky, Alex Kid, and Bonanza Bros., but most of these games have aged extremely well. I personally rediscovered a few obscure gems like the action-packed police shooter E-Swat and the macabre platformer Decap Attack. The action/adventure Beyond Oasis boasts lush tropical scenery and impressively large animated characters.
Role-playing game (RPG) fans will flip over the inclusion of rare titles like Phantasy Star 1 thru 4 (!) and Shining Force 1 and 2 (!!). You can save any game in progress, and in some cases high scores are retained as well. Unlockables include interviews and arcade-perfect hits like Congo Bongo, Zaxxon, Space Harrier, and Shinobi. And no, they are not hard to unlock (thankfully).
Does this collection have any faults? Well, the 360 controller is not ideal for these kinds of games, and after a while your fingers will long for a Genesis control pad. The emulation is not perfect, but it's very close. I noticed some subtle slow-down and slight control lag, but it's barely worthy of mention. Sonic's Ultimate Genesis Collection is a treasure trove of fun from the 90's. With so many games, you could play this all night, and that's really not a bad idea. I just hope this isn't the last Genesis collection, because there's a lot more where this came from! © Copyright 2009 The Video Game Critic.
SC4 has a nice pick-up-and-play vibe, with intense action and minimal load times. The basic controls are simple enough, but the string of movements required to perform certain attacks borders on the extreme. Button mashing isn't always a bad option. Being aggressive gains you the momentum, and your opponent's guard move is only partially effective. Most battles take place on raised platforms, and it's annoying how you can pummel an opponent teetering on the edge, yet they refuse to fall off!
The roster includes martial artists, knights, jesters, and of course some scantily clad females. I think the developers have finally gone over the edge with Ivy - it looks like she has two bowling balls hanging off her chest! She's gone from a sex goddess to a freak! Sometimes landing a blow it will break off some of your opponent's armor. "Hey look guys, her clothes are coming off!" "Quick, hit her again!!"
Besides the new on-line modes, the biggest news is that Star Wars characters have been introduced, including Vader, Yoda, and a Jedi Apprentice. This may add some variety, but they seem oddly out of place, and I don't appreciate how they use the force to toss me around like a rag doll. The stages are diverse, but if you've played Soul Calibur before, areas like the cathedral, volcano, and floating raft will seem awfully familiar. My personal favorites are the bright, exotic pirate ship stage and the moonlit glacier. The story mode spices up the action by incorporating power-ups and pitting you against three opponents in a row.
But the storylines themselves are crap. They begin with a text crawl (and I mean crawl), and end with an incomprehensible cut scene. The melodramatic dialogue tries to sound profound but it means absolutely nothing. "Her resolution gives her the strength to face her destiny." Whatever! The arcade mode lets you play for points, but sadly, they aren't recorded unless you're on-line, and that sucks. A rich create-a-fighter mode is included, which may appeal to some. Soul Calibur IV is still a quality fighter, but unless you want to play on-line, this edition has little new to offer. © Copyright 2009 The Video Game Critic.
Soul Calibur's elegant control scheme consists of four buttons: horizontal slash, vertical slash, kick, and guard. Special moves are combinations of button presses and joystick movements. A player can orchestrate elaborate combos or button mash, and most of the time it's a combination of both (admit it). Once you get a few special moves under your belt, playing this game feels like playing a musical instrument. The moves are always at your fingertips (via pause menu), but the button mappings are confusing. When K maps to the B button and B maps to Y, something's not right.
The fighters consist of knights, monsters, freaks, and sexy chicks. Some of the costumes are outrageous. The scenery looks crisp and a lush orchestrated score adds weight to the proceedings. The fights are best-of-five rounds, but I personally prefer the best-of-three format. It's possible to "ring out" your opponent by forcing him off the fighting platform, but I wish it wasn't such a rare occurrence. Soul Calibur V is one of the more accessible fighters out there, so even novice players will enjoy it.
The previous installment was focused on on-line play, so I was pleased to see several off-line modes available in Soul Calibur V. The story mode is a snore-fest, but the "quick battle" mode lets you earn titles. The arcade mode records your best time, although I would have preferred an old-fashioned high score. There's even a one-player "Legendary mode" you can unlock. The idea of registering rivals is cool, but the whole "license" concept is confusing and unnecessary. As with most modern fighters, Soul Calibur V looks amazing but under the surface is just an incremental improvement. © Copyright 2013 The Video Game Critic.
The Line takes place in Dubai after a series of cataclysmic sandstorms have transformed the city into a half-buried ghost town. It's a surreal sight to see the shiny, ultra-modern structures rising from an ocean of sand. The story begins as a rescue mission, but things take a dark turn when you find yourself battling other American troops. The Line is a morality tale of sorts, presenting you with a lot of no-win decisions.
The game conveys the horrors of war with grisly scenes of death, and it's heavy handed but effective. The third-person action is pretty standard as you run for cover while enemies pour out of the woodwork. Taking them out using a systematic approach works best, but sometimes you can trigger an avalanche of sand to stun (or bury) enemies. I like how you can instruct your fellow soldiers to focus on a particular target; it's a real lifesaver when you're pinned down. The "take cover while sprinting" feature comes in handy as well, letting you quickly slide behind a barricade.
The game is occasionally frustrating, especially when your soldier refuses to take cover behind an object. It only takes one enemy shot to trigger the "You are dead" message, followed by a lengthy reload-checkpoint process. The language is strong, but the dialog is believable. At one point I eavesdropped on a pair of soldiers ("Hey Bradley, you got any gum?" "Yeah - last piece." "I don't want to take you last piece!" "Go ahead - take it") just before mowing them down. I guess that really was his last piece!
The checkpoints and saves are well placed. There are no split-screen modes, but the on-line multiplayer is not a bad way to pass the time (the sandstorms add an interesting twist). Spec Ops: The Line is never as spectacular as the Modern Warfare games, but it's certainly good enough to hold you over until the next one. © Copyright 2012 The Video Game Critic.
Bruce Campbell provides snarky narration and character voices are provided by the actual actors including Tobey Maguire, James Franco, and that nutty guy who plays Jameson. I found it odd how the game inexplicably incorporates a gang of chicks decked out in gray skirts. I don't know if that's weird or cool or both.
The missions are diverse. Some have a fun arcade vibe, like swinging about the city with Mary Jane while collecting floating hearts. Others are more stealthy, like trying to snap photos of the elusive Lizard Man. Web-slinging feels effortless on the streets of Manhattan but navigating indoor environments is another story. Even when you know exactly where you need to go the spastic camera makes it hard to maintain your bearings. If you're accustomed to gravity pulling you down, you may be in for a rude awakening!
The combat system lets you quickly dart from thug to thug, but without that decisive "death blow" sound you end up pounding on lifeless bodies like rag-dolls. Spider-Man 3 is very much a tale of two games. When you're outdoors it's glorious but indoors is just a world of hurt. © Copyright 2020 The Video Game Critic.
Like the original, the basic gameplay involves moving from room to room while bashing regenerating demons with weapons (or your fists). There are plenty of attacks to mix things up, but it's hard to tell who's taking damage - you or the creatures! The button-mashing gets old in a hurry, and the collision detection is so poor that I once punched a creature and hit the one standing behind him instead.
The stages are very inconsistent in terms of graphics and quality, and the first boss would look more at home in a Transformers game. The graphics aren't bad, with plenty of shadowy hallways, plush furniture, and clammy demon skin. The controls are overly complicated and there are too many one-hit deaths. After losing a life you'll need to wait a full minute for the last checkpoint to load, and it feels like an eternity! And just when you thought the game couldn't sink any lower, you find yourself collecting nude photos of your girlfriend.
There are a few side-scrolling stages that try to recapture the old 2D magic - in vain. The single saving grace of this disc is the inclusion of three original Splatterhouse games, including the arcade original and the two Genesis sequels. These classic side-scrollers are so good that it's almost worth playing through this miserable, ill-conceived game just to unlock them. © Copyright 2011 The Video Game Critic.
Most games let you earn turbo, but here you earn the ability to wreak havoc on the course, systematically knocking out your competitors. You'll trigger incidents like helicopters dropping girders, trucks backing out into traffic, cranes swinging out of control, and buildings collapsing. Blue or red icons appear over opponents who are properly positioned to be the target of your carnage. Just be sure to keep some distance or you might just plow into the mess you've made.
The captivating action combines the thrill of an arcade title with the richness of a simulation. The cars are not particularly easy to drive (it's easy to over-drift), but that just adds to the challenge and realism. The season mode mixes normal races with elimination events, survival races, and special challenges like helicopter showdowns. A split-screen mode is also included, and it's superb.
Split Second also offers a number of clever innovations. As a race begins you're immediately off to a rolling start. There's no countdown, and you won't miss it one bit. I also love how your power meter and vital information are displayed on your back bumper, allowing you to glance at them without taking your eyes off of the road. If there's one area where Split Second does not live up to its name, it's the load times. It's like playing a PS3 game for crying out loud! My friend Scott complained that they "take you out of the moment".
Fortunately it's worth the wait. And in an era when companies routinely release buggy games, I have to commend Disney's quality control department. This game is so smooth and polished, I can only assume they play-tested the hell out of it! My friend Jonathan even raved about the menus! The freakin' menus! Boldly original and perfectly executed, Split Second elevates racing excitement to a whole new level.
. © Copyright 2010 The Video Game Critic.
Instead of coming up with inventive uses for this "explosion" mechanic, it basically serves as a glorified jump button. The game's 2D stages are hopelessly generic as you vault between walls, leap between floating platforms, and activate switches to reach the end of each stage. It's every platform game you've ever played in your life, minus the fun.
The stages are cookie cutter in design, and finishing each feels unsatisfying and pointless. I was holding out hope for the multiplayer mode, but that requires to you synchronize your jumps with a friend (1...2...3...GO!) which is just a monumental pain in the ass. If this game is getting good ratings, gamers must be desperate for some 2D action on their 360. Splosion Man had mad potential, but it suffers from a complete lack of imagination. © Copyright 2011 The Video Game Critic.
The main story puts you in the role of a Jedi-in-training with already considerable powers. As you forge through Imperial freighters you'll dislodge Tie Fighters and topple Stormtroopers like bowling pins. You'll need every bit of force power because enemies are armed to the hilt! Some stormtroopers even have chain guns!
Force Unleashed excels in terms of presentation. The soundtrack could have been lifted from a film and the cutscenes have a polished, cinematic quality. You can save your progress at any time - always a welcome feature. But while the game starts with a bang it struggles to maintain that level of excitement. Part of the problem is its repetitive stages. You face the same groups of enemies in the same hallways and hangars, making you wonder if you're making progress or moving in circles.
Mixing up your force powers helps break the monotony, but targeting is clumsy and inexact. It's frustrating when you're trying to pick up a particular object while taking fire from all sides. It makes you want to go buck-wild, tossing everything around with reckless abandon. That kind of chaos is what makes Force Unleashed feel flawed, but also what makes it worth playing. © Copyright 2016 The Video Game Critic.
The opening stage attempts to walk you through the basic controls. You're housed in a claustrophobic cockpit with three other soldiers. You are literally surrounded with gears, monitors, buttons, levers, and handles. As the game demonstrates the function of each, it tries to ease the process by displaying a ghostly hand or flashing the controls that require attention. Getting through this training exercise does not inspire confidence. In fact, it makes you wonder how the [expletive] you're supposed to remember all this stuff!!
Even if you could, Heavy Armor will drive you crazy with its lack of responsiveness and poor precision. In the heat of battle you'll find yourself waving all over the place, often triggering the controls you did not want to push. Sometimes the game seems to have a mind of its own, changing your view and activating controls at random. Once I attempted to look out of my tiny window, only to have a hand close the shutter over it instead. And for all the headaches the motion controls entail, guess what? You'll still need to use a regular controller! That's right, it's used to fire, look around, and perform other actions.
Using your binoculars requires you to hold up your hands to your face, which makes sense until you realize you have to move the right thumbstick to look around! It's as though the game couldn't be properly played with a controller or the Kinect, so we get the worst of both worlds. The overall tone of the game is ill-advised as well. The original Steel Battalion was generally serious, but this one tries to be Saving Private Ryan-serious with its gruesome gore and over-the-top profanity. I cannot believe Capcom gave this project the green light. This is embarrassing. © Copyright 2013 The Video Game Critic.
The big selling point of Stoked is the promise of skiing freely down a huge open mountain. Most snowboarding titles limit you to narrow courses, and if you're like me, you've been tempted to travel off the beaten path. Stoked allows you to do that, but sadly, there's not much to see! Yes the wide-open powdery hills look inviting at first, but there's little sense of speed even as you careen down the steepest slopes. Worse yet, some mountains have immense slushy sections and bare spots that send you tumbling head over heels.
I struggled through the game's tutorial and was frustrated by my lack of progress on the first mountain. Each mountain offers a series of "challenge points" which require you to perform specific tricks while meeting a scoring threshold. They are not easy at all, especially when you're asked to pull off chicken salad/backside 360 combinations at the drop of a dime. Many of the moves are never explained anywhere. Okay, I'm supposed to perform a hucked or styled landing?? Ummm... how?? Little help here!! The controls are mainly limited to the two triggers and thumbsticks, but there's little room for error, and the concept of "winding up" a jump is hard to wrap your mind around.
Even when I knew exactly what I had to do, I struggled to find a ramp that would give me sufficient air to complete the trick. Probably the best aspect of the game is its diverse, eclectic soundtrack. While none of the songs sounded familiar, they all had a nice, laid-back groove. Soundtrack aside, Stoked is a major letdown. Some may appreciate its realistic slant, but the game is entirely too inaccessible to recommend to the casual player. © Copyright 2010 The Video Game Critic.
SF4 adopts the classic Street Fighter 2 format, from its colorful selection screen, to its best-of-three matches, to the obligatory winner's quote ("What's up with that outfit? Did you lose a bet or something?") The new "focus attacks" add depth, but the new "Ultra" moves (grab your opponent and jump a mile in the air) are just overkill. SF4 really should come packaged with a full-sized joystick, because the 360 controller is not conducive to button tapping. Unfortunately, from what I hear the official SF4 joystick won't be widely available until late 2011 (did Capcom outsource to Nintendo or something?!)
I congratulate Capcom for nailing SF4 in the style and gameplay department, but they really messed up on a few important details. I'm glad they brought back the old characters, but Chun Li is saddled with the same enormous thighs she picked up during her Alpha days (not to mention man-hands). Rose's hard facial features prompted my friend Steve to do his best Austin Powers impression ("She's a man baby yeah!")
As for the four new characters, could Capcom possibly come up with a more unattractive group? Not likely! Viper is a lesbian with red braided hair and a bigger package than the guys! Abel is a generic muscleman, Rufus is an overweight biker, and El Fuerte is a short Mexican wrestler who hops around like a flea. Equally devoid of imagination are the backgrounds, most of which are instantly forgettable. The jungle and diner scenery is probably the best, but that's not saying much.
The music on the character selection screen has a sweet 1992 vibe, but the overall soundtrack is a mixed bag. Is that Justin Timberlake singing the title track? One tune sounds like that annoying Six Flags commercial (ugh). An irritating (and unnecessary) commentator is always tossing out platitudes like "The weak lose and the strong win! Who will prove the axiom today?" Each character has a short animated intro, and you'll get really tired of skipping them.
Playing this game with friends is a total blast, but the one-player experience rings hollow. In the arcade mode, the final boss (the shape-changer "Seth") is so damn cheap you'll have to play on the "easy" difficulty just to unlock characters. The challenge mode is not very exciting, and the arcade mode only records your high scores if you're on-line! For a game that prides itself as old school, that just plain sucks. Sorry, but I have no desire to compare my scores with some 17-year-old in Boise Idaho! I suspect Capcom is just trying to force people on-line in the hopes they'll shell out a few bucks for a new Chun Li outfit. No thank you! Street Fighter IV definitely has a lot of muscle under the hood, but ill-advised design decisions prevent this one from attaining classic status. © Copyright 2009 The Video Game Critic.
I like being able to play as King from Tekken, especially since his nifty throw moves have been incorporated. The contests are two-on-two battles and you can swap characters at the drop of a dime. Besides your "vitality" gauge, a second meter shows how much health your partner can regain while "standing by". Another interesting feature is gems that provide you with different advantages under various battle conditions. You can choose a gem combination beforehand, and when they activate your fighter glows the color of the gem.
The graphics feature that polished, semi-realistic look that made Street Fighter IV such a hit. Some of the stages are amazing, like the Jurassic Park-inspired jungle, the mammoth chase in Antarctica, and the space ship that launches as you fight inside of it. The rest of the stages are not nearly as interesting. A lot of the newer characters are downright hideous (Hugo, Rufus), but Poison is drop-dead gorgeous.
In terms of pure gameplay, the 2D action here is superior to most 3D fighters. The controls feel tighter and it's just more fun. The bouncy, uptempo music is appealing and I like how the voices are Japanese. This game is tailored to two-player and on-line action. The arcade mode is lame because there's unlimited continues, no score, and the AI is suspect. The Akuma boss is pretty cheap - the screen goes black, fireworks go off, and you're dead. If you do win, you are rewarded with a "Thank you for playing" message. You're not welcome! The "challenge mode" is just plain tedious. Lousy single-player support and a prominent on-line "store" give this one the look of a money grab. Still, Street Fighter X Tekken is a blast if you're playing on-line or head-to-head. © Copyright 2013 The Video Game Critic.
As a fighting game, Super Street Fighter 4 is superb, combining the simplicity of 2D controls with the rich visuals of 3D graphics. It feels exceptionally polished and well tuned. The fighting action is intense, and if you haven't invested in a good joystick yet, now is the time. Playing with a normal 360 controller is not kind to your hands! There are ten new characters to select from, bringing the grand total to whopping 35.
Newcomers include old favorites from Street Fighter 2, less familiar faces from Street Fighter 3, and a few brand new characters. You can now play as Dee Jay the Jamaican, T. Hawk the Native American, Adon the Kickboxer, Dudley the English boxer, Cody the handcuffed convict, and the ever-so-generic Guy. Juri is a sexy Asian chick, Ibuki is a schoolgirl, Makoto is a kid, and Hakan is a Turkish dude who enjoys rubbing himself down with oil.
I was hoping for a lot of cool new stages, but only a few stand out like the diner scene and the elephant stage. The arcade mode now incorporates classic bonus stages including the one where you beat the hell out of a car. The commentator has been dramatically upgraded and the glossy instruction manual is first-class all the way. I'd stop short of calling this a mandatory upgrade, but Super Street Fighter 4 clearly represents the current state-of-the-art for fighting games. © Copyright 2010 The Video Game Critic.
Four new minor characters are included. Yun and Yang are twin skate punks, Oni is a flaming boss, and Evil Ryu is a flammable variation of my favorite Street Fighter character. The fighters have allegedly been "rebalanced" to some degree, but it's hard to notice. So, is this so-called "arcade edition" worth the upgrade? Not a chance, but if you don't own Street Fighter IV yet, you should buy this.
Street Fighter IV delivers the most fluid fighting action around, combining the visual splendor of 3D graphics with the razor-sharp precision of 2D gameplay. As a gamer who prefers to play offline, it kind of irks me how this franchise seems so geared toward online play. The arcade mode records my high score, but I wish it was displayed during the game so I knew what to shoot for.
I should also mention that no manual is included, despite the fact that previous SF4 games came with beautiful, glossy instructions. Super Street Fighter IV Arcade Edition is clearly a cash-grab, but the sheer excellence of its gameplay cannot be denied. © Copyright 2014 The Video Game Critic.