Dreamcast Reviews H-L

I don't tend to be very opinionated (HA!), but I firmly believe House of the Dead 2 (HOTD2) is the greatest light gun game ever conceived. It's pure adrenaline as you blast the limbs off hideous undead while exploring a gothic-looking city inspired by Venice. You can't control your movement directly, but your path branches based on the innocent civilians you save (or don't save). The shooting action is nonstop mayhem. Depending on where you shoot a zombie, an arm may fly off, a huge hole could be blown in his chest, or his head could be blown clean off. HOTD2 exudes all the cheesiness of a low budget horror flick, complete with pathetic cardboard acting and hilarious dialogue. I absolutely relish lines like "Don't come! Don't come!" "James, go and stop the confusion in the city", and of course the classic "Suffer like G did?" Power-ups and bonus items are revealed by destroying barrels and other containers, so keep an eye out. I play HOTD2 with friends every Halloween, and we're still discovering new areas and hidden goodies. Grotesque bosses include a headless knight, a hydra, and a "bleeding heart" lizard. The ultimate boss is a white guy decked out in a suit and tie. Yes, he's your worst nightmare - a Republican! In addition to the arcade mode, there's an "original" mode that lets you employ items you've collected in previous missions. An extensive option menu allows you adjust the number of continues, difficulty, and controller configuration. A normal controller can be used, but I'd highly recommend a light gun. Two people can play cooperatively, or better yet, one player can go solo holding two guns! Quirky, action-packed, and loaded with unintentional humor, House of the Dead 2 provides the most satisfying light gun shooting action I've experienced. NOTE: Dreamcast light guns don't tend to be very accurate, but it helps to crank up the contrast and brightness of your TV. © Copyright 2006 The Video Game Critic.

Ten years ago, when 2D fighters were a dime-a-dozen, it was hard to get excited about JoJo's Bizarre Adventure. Its gameplay was hard to grasp, thanks to a "stand" mechanism that's never sufficiently explained. And if you're among the 99% of gamers not familiar with the Japanese comic, the game can feel like an inside joke nobody bothered to let you in on. The manual doesn't bother to explain much of anything. Judged purely as a 2D fighter however, JoJo's Bizarre Adventure is original, stylish, and visually pleasing. The game has its share of effeminate dudes sashaying around with pink hair and flamboyant outfits, but you can chalk that up to its anime influence. The playable characters also include two hotties, a cowboy, and an aged Indiana Jones. Alessey is the arguably the cheapest of the bunch considering he's armed with a gun! Who brings a gun to a fighting game anyway?! As an indication of how over the top this game is, you can play as a yapping little dog or a freakin' bird! Most of the characters have a "stand" mode initiated via the A button. Typically this causes an "alter ego" to appear and fight by your side. These entities tend are decidedly weird, and usually assume the form of a ghost, doll, robot, animal, or non-descript shape-shifter. The "stand" gives you new attack options but tends to confuse the action. With so much frenetic shape-changing, this game is more on par with Darkstalkers than Street Fighter. The action is chaotic but fun, and the moves are undeniably entertaining. As a prime example, the priestess can summon a pink Cadillac to sprout up under your feet (yes, we're talking about a car). The air juggling can be aggravating, but I like how you press multiple buttons to vary the intensity of your special attacks. The backgrounds are unspectacular yet clean and attractive. Even locations like the jail cell, office, and hotel room are aesthetically pleasing. The story mode has a slick comic-book style presentation, and even boasts a side-scrolling desert stage. High scores are saved to VMU. I'd be lying if I said I "get" JoJo's Bizarre Adventure, because it really doesn't make sense to me on any level. Still, it's one of the more interesting fighting games I've played in some time. And with 2D fighters becoming such as rare commodity as of late, this unorthodox title is looking better all the time. © Copyright 2010 The Video Game Critic.

I wasn't expecting much from Kao the Kangaroo; I would have been satisfied with a cutesy, easy-to-play platformer. But this... is awful. A butt-ugly Crash Bandicoot rip-off, Kao somehow manages to be both dull and infuriating. It's no surprise that Titus, creator of some of the worst games known to man, is responsible for this tripe. The gameplay is tediously slow, with badly designed stages and poor collision detection. As you painstakingly hop through each stage, you must defeat enemies by punching or swinging your tail. To break up the monotony, there are some simple puzzles, along with some hang-gliding and snowboarding stages. The very first thing that annoyed me about Kao was its jerky animation. Especially when you turn, the scenery rotates in a stilted manner that's not at all pleasing to the eye. The game adopts the same visual style as Crash Bandicoot, but with far less polish and attention to detail. The jungle environments look blocky and artificial, and their narrow passages make you feel boxed in. The idea of placing your own checkpoints seems nice on paper, but turns out to be a monumental pain in the ass. The so-called "bonus" stages are even more tedious than the regular stages, as you navigate narrow platforms to collect useless coins. The camera is normally trained behind your kangaroo, but occasionally it swings around to the front. Inexplicably, the controls don't adjust to compensate for the new angle, which is just confusing as hell. In addition to the unintuitive controls and awful graphics, Kao's clownish music provides the final nails in its cheaply fabricated coffin. Much of the music sounds as if it was generated by a Casio keyboard - it's revolting! I had always wondered why I heard so little about Kao the Kangaroo, but now I understand completely. Garbage like this gives the Dreamcast a bad name. © Copyright 2005 The Video Game Critic.

This one-on-one slugfest delivers just about everything a 2D fighting fanatic could ask for. King of Fighters Dream Match begins with an anime musical introduction that's a lot of fun to watch. The 38 beautifully-rendered fighters include all your SNK favorites like Terry Bogard, Chin the drunken boxer, androgenous King, sexy Mai Shiranui, and that mini Freddy Kreuger dude. The default three-on-three team battle is something King of Fighters pioneered, although one-on-one is also an option. Gotta love that ebullient female announcer ("Lound One! Leady... go!") Anybody who's played Street Fighter II (SNES, 1992) can dive right into Dream Match. It uses all the standard joystick maneuvers and it doesn't take long to get a feel for each fighter. Students of the game should appreciate the colorful, 30-page booklet which outlines all of the moves. The gameplay is heavy with combos and counters, although moves tend to be less over-the-top than similar games. Certain fighters do seem to have a distinct advantage, like Ralf with his rapid-fire "gatling" punches. Goro Daimon's ground pound is so powerful it even knocks down the spectators! You play until all your fighters are eliminated, and the winner of each round recoups some life. I love the artistry of the stages which perfectly blend 2D and 3D graphics. The Mid East features a bustling market and Spain's temple stage offers moody lighting. I like how sights on the horizon have a certain softness, conveying realism and depth. The Japan street stage would have been much better without that overpass obscuring the skyline. There's a bevy of options and the game saves high scores with initials. Even the loading is quick. King of Fighters Dream Match was released during the apex of 2D fighting technology, and it plays as well as its name would imply. © Copyright 2020 The Video Game Critic.

Released only a year after King of Fighters Dream Match (Dreamcast, 1999), Evolution tries to shake up the formula but the results are mixed. Like the previous game you assemble a trio of fighters, this selecting a fourth as well to play the "striker" role. Hitting the Z button during a match prompts your striker to swoop in and try to deal a strategic blow. If nothing else it amps up the chaos. The scoring has changed as well. Instead of a conventional points system you score "ability points" determined by some esoteric formula. It's disconcerting how my ability points go both up and down between matches. I don't get it. Accumulate enough points and you unlock additional strikers. This adds a sense of progression but undermines the short-term enjoyment. The screen layout is confusing as well; I'm still not sure what all these gauges and symbols mean. Moves tend to be on the hand-to-hand variety, or should I say foot-to-head? The fighting action is quite polished and there are 33 warriors to choose from. New to the crew are the stylish K Prime and powerful Maxima who delivers thunderous body slams. Certain characters are somewhat annoying like the little kid Bao and the girl named "Whip" who shrieks while jumping all over the place. And of course you get all your favorites like Joe Higashi, Terry Bogard, and everybody's favorite hottie Mai Shiranui. Not only are the stages works of art but each is introduced with a brief cinematic sequence. Locations include an amusement park, airport, museum, and sewer. The schoolyard stage looks amazing in a downpour, as does the huge airplane on the tarmac looming over you. There are several modes in this game but I favor the timed survival which takes you through a series of rapid-fire, one-round matches. It's a great way to tour the stages. Overall King of Fighters Evolution is uneven entry to the series but fans no doubt will take it in stride. © Copyright 2020 The Video Game Critic.

I like Last Blade 2, but I think I liked it better the first time around, when it was called Samurai Shodown. I'm being facetious but the games share a lot of traits. Both are scaling 2D fighters that feature Samurai fighters armed with weapons. Last Blade 2 is hardly original, but being an SNK title, you can rest assured the game will kick ass. There are 16 warriors to select from, each adorned in traditional Japanese garb. The one exception is Mukuro, who is draped with bandages like a freakin' mummy! The controls are pretty basic (weak slash, strong slash, kick, repel), but the instructions reveal a fighting system with tremendous depth. You can chain together some pretty elaborate attack combinations when your sword gauge is fully powered. The repel move is simple enough in theory (press just before your enemy attacks), but I found it hard to employ in the heat of battle. I also have to call character balance into question in light of my difficulty defeating Amano. This bathrobe-wearing brute is very grabby, and once he gets his big paws on you, major damage is headed your way. My personal character of choice is Zantetsu, who looks like Raiden (of Mortal Kombat fame) and dishes out some devastating kick combinations. In terms of graphics, Last Blade 2 features fluid animation and some of the more attractive stage designs I've seen. Some boast tremendous depth and detail, like the sunny trail that winds along a river with boats in the far distance. Other stages like the dreary battlefield are surprisingly bland. The musical score is only average, and some stages forgo music for "natural sounds" such as blowing wind (which sounds horrible) or chirping birds. The voice samples have not been translated in English, but that's probably for the best. Last Blade 2 isn't hard to play, but its appeal to button-mashers will be limited. This is an elegant, sophisticated title for those who take their fighting games seriously. © Copyright 2010 The Video Game Critic.

I happen to be fanatical about the Dreamcast and its 2D shooters, so when I heard there was a brand-new one available, I had to have it. After purchasing Last Hope from Play Asia, I was pleasantly surprised by how it loaded without the help of a special disk. Last Hope plays a heck of a lot like R-Type, offering the same brand of side-scrolling shooting with intricate layered visuals. It's a shame the game is borderline unplayable. One problem is obvious from the outset: there's too much "stuff" moving on the screen. The photo-realistic backgrounds, floating icons, explosions, raining debris, and layered walls look great, but they tend to clutter up the screen! You can't tell what objects are in the foreground or background! Even worse, enemy projectiles assume a number of shapes, from orange balls to jaggy metal objects. Some of the more irritating foes seem completely impervious to attack, so you'll just need to avoid them. Your cannon can fire rapidly or charge for a single powerful shot. You'll augment your firepower with missiles and a protective shield that rotates around your ship via the shoulder buttons. Last Hope's difficulty is best described as "impossible", even on so-called "very easy" skill level. There are checkpoints, but they are poorly placed. There should always be one right before a boss, but that's not the case here. That's a problem, because reaching the first boss is a frustrating ordeal, and the boss himself not only features a web of laser beams, but a gravity device that pulls you every which way. Needless to say, no one on this entire planet has ever seen the second stage. The best part of the game is its relaxing electronic soundtrack, which has an almost ethereal quality to it. But despite its fine presentation, Last Hope's staggering difficulty and general unplayability make it impossible to recommend. © Copyright 2007 The Video Game Critic.

The first edition of this side-scrolling shooter showed potential, but confusing visuals, insane difficulty, and poor checkpoint placement rendered Last Hope practically unplayable. The situation has been somewhat rectified by Pink Bullets, which is an enhanced version of the original game. Its gameplay is far more forgiving, the action seems about twice as fast, and plentiful power-ups make it easy to amass firepower. Enemy projectiles tend to be large and pink (hence the name), making them easier to spot. Don't get the wrong idea though - Last Hope: Pink Bullets is still an intense shooter that will kick your ass from here to next week. There's a lot of activity on the screen at any given time, and the multi-layered scenery tends to hide environmental hazards. Enemies tend to be large and can absorb quite an excessive amount of firepower. Another annoyance is how you're often forced into tight spaces for extended periods. Your ship is large, but a shield can be used to absorb all enemy fire coming from the front. For that reason it's often more effective to attack your foes head-on instead of weaving around. Weapon power-ups come early and often, including devastating cluster bombs that flare out from above and below your ship. The colorful, multi-layered backdrops have a cool sci-fi flavor that nicely complements the surreal electronic music. The first stage takes you through a generic space station, but I like how you can see tiny spacemen making repairs in the background. The second stage is more imaginative as you fly over (and into) water with a dramatic red sunset in the background. Last Hope: Pink Bullets isn't great, but it's a hell of a lot better than the original. High scores are saved automatically - providing you don't use any continues. The game is just average overall, but 2D shooter fans looking for a challenge will dig this. © Copyright 2009 The Video Game Critic.

Soul Reaver is massive adventure that introduces several innovative, original concepts. The excellent background story, revealed in an amazing introductory sequence, sets the stage nicely for a dark, twisted tale of vampire revenge. Gameplay involves making your way through ruins and caves, dispatching enemies, and defeating bosses to gain new powers. In order to destroy vampires, you must either impale them or toss them into sunlight or water. One cool new concept is the spectral plane versus material plane. The spectral plane is a parallel universe with the same basic landscape, but contain ghostly creatures and permit no object interaction. Within this plane you can move through water and perform certain powers such as passing through gates. Switching planes is strategic to accessing certain places or avoiding enemies, and it adds a new dimension to the game (literally!). While changing planes, the world changes before your eyes, and the morphing effect is a sight to behold. Besides battling creatures, there are occasional puzzles, mainly the lever-pulling/block-moving variety we got sick of in the Tomb Raider series. Another weakness is the lack of a map, and at times it's hard to figure out where to go next. The graphics look terrific, but although they are higher in resolution than the Playstation version, they don't offer any additional detail. I was disappointed that during cut-scenes, which feature top-notch voice acting, character's mouths do not move when they talk. The creatures in this game are truly scary and well designed, especially the hulking, loathsome bosses. The control is responsive, and you won't need to wrestle with the camera too much. Dramatic sound effects and music complement the hellish atmosphere. Soul Reaver is an adventure with style and originality, and if you haven't already played through the Playstation version, check out Soul Reaver. © Copyright 2000 The Video Game Critic.

If you're frustrated by the lack of good kart games for the Dreamcast, give Looney Tunes Space Race a try. Granted, it's technically a rocket racer, but you get the idea. This light-hearted (and underrated) game stars classic cartoon personalities who glide over elevated freeways in intergalactic locales. The all-star line-up includes Bugs Bunny, Sylvester, Daffy Duck, Elmer Fudd, Yosemite Sam, Wile E. Coyote, Marvin the Martian, and Porky Pig. These colorful characters retain their distinctive voices and mannerisms, and it's funny to hear them yell at each other during a race. Bugs is the smart-aleck, Yosemite Sam is constantly flying off the handle, and the silent Wile E. Coyote communicates by flashing signs that say things like "Drat". The artistic style should bring a smile to those who grew up watching Saturday morning cartoons ("presented in Techno-Color!"). Space Race plays like a typical kart racer with power-ups, weapons, turbo boosts, and ramps. The animation and frame-rate is silky smooth, even in the four-player split-screen mode. It's a little hard to see upcoming turns on the split-screen, but I like how you have the option of adding CPU players into the mix. Unconventional weapons include portable holes, instant storms, disintegrator pistols, and extensible boxing gloves. Unfortunately, one ill-conceived (and totally cheap) weapon nearly ruins the fun. The "remote control" causes heavy objects like safes, pianos, and pink elephants to be dropped directly on a nearby opponent. Although I'm told it's possible to dodge these, I didn't have much luck doing so. The twelve tracks take place on various planets but none are particularly memorable. Still, the controls are good, the racing is competitive, and ample bonus challenges give the replay value some legs. Looney Tunes Space Race is an irresistable racer that only seems to improve with age. © Copyright 2010 The Video Game Critic.