Dreamcast Reviews Sn-Sz

Sno-Cross Championship Racer probably doesn't deserve as much attention as I give it, but hey, I'm a sucker for snow games. When I gaze out the window on a cold winter night and see the first flakes of a coming snowstorm, it's Sno-cross time! This snowmobile racer features scenic tracks running through Aspen, Sweden, Calgary, and Murmansk, Russia. Aspen looks like a winter wonderland with its falling snowflakes, quaint villages, cozy lodges, and snow-covered evergreens. The snow on the ground looks photo-realistic and I love how it "crunches" as you slice through it. The weather conditions are variable, and some races even take place at night. The sense of speed is good, and the bouncy physics is fun in a halfway-out-of-control sort of way. Sno-Cross is most playable from a third-person point-of-view, but the first-person lets you really feel the chill of getting snow kicked up in your face. You'll race against three opponents per race, and if you're lucky two of them will collide with each other early on. The championship mode is challenging and adds a lot of replay value. Although the tracks may appear to have shortcuts here and there, they always turn out to be dead ends so don't bother. Best times are saved to VMU, and a status screen between races lets you easily repair and upgrade your vehicle. The only problem with Sno-Cross is its imprecise controls. I realize we're riding over snow and ice here, but I have driven a snowmobile before (or snow-machine as they call it in Vermont). In the game there's a perceivable lag in the response time and you'll find yourself over-steering all over the place to compensate. Even when you upgrade your vehicle, it never feels quite right. Making matters worse, when the vehicles incur damage they tend to pull to one side, making your life absolutely miserable. On narrow trails you may find yourself bouncing around like a pinball! A two-player split-screen mode is available, but when you combine mediocre controls with a lousy frame-rate, the results are not pretty. Still, if you stick to the solo mode there's just enough challenge and winter goodness to keep you coming back year after year. © Copyright 2011 The Video Game Critic.

Sonic the Hedgehog was a legitimate phenomenon on the Genesis, but after a string of quality sequels he struggled to make the leap to 3D. In his Saturn outings, the hedgehog was reduced to a shadow of his former self. With Sonic Adventure however, the thrill is back! This game proves that Sonic's frenetic brand of platform action can indeed be done effectively in 3D. The game is divided into action and adventure stages. The action stages play like traditional Sonic zones as you dash through tunnels, hop between platforms, leap over spikes, and bounce off bumpers. These imaginative stages take you to tropical islands, a highway metropolis, an iceberg, and an Indiana Jones-style lost temple. In the flying egg carrier stage, the entire ship turns on its side, allowing you to play from an entirely different perspective. The camera can be an issue at times, but this is compensated for by wide platforms and floaty jumps. Spinner mechanisms will propel Sonic to insane speeds, at which time you'll just push up on the joystick and enjoy the eye candy. While admittedly shallow, these sequences are used sparingly enough that they don't tarnish the gameplay. The "adventure" stages focus on exploration, talking to bystanders, and solving simple puzzles. They tie things together story-wise, but really drag down the pace of the game. You can play through most stages using multiple characters, each providing a unique experience. While playing with other characters is generally less fun, it does give the game substantial replay value. Their stories intertwine, giving the game a cohesive quality. Spicing things up are snowboarding, airplane shooting, and pinball stages. Sonic Adventure is surprisingly long, and just when you think it's over, you're off to a new stage. There's even a virtual pet-style "Chao" game you can download to your VMU. The musical score is eclectic, ranging from the heavy metal of the intro to the mesmerizing African beats of the Mystic Ruins. The character voices are less appealing, and it's unfortunate they were given voices at all. Even so, this ambitious game is a triumphant blend of fast action, simple controls, and stunning graphics. Even ten years after its release, playing Sonic Adventure is a breathtaking experience. © Copyright 2010 The Video Game Critic.

This high-quality sequel attempts to duplicate the magic of the first Sonic Adventure without bogging things down with tedious "adventure" segments. Sonic Adventure 2 offers two separate story modes that follow either Sonic or his nemesis look-alike, Shadow. The platform stages play out much like the first game, sending Sonic whizzing through corkscrews, bouncing off bumpers, and performing homing-attacks on enemies. The opening stage has him skateboarding down the steep hills of San Francisco and fleeing from a rampaging 18-wheeler. It's non-stop action, and I really dig that "Escape From the City" song that plays throughout the stage. In Metal Harbor, Sonic leaps between industrial platforms and cranes over the water. Some of the more unusual stages include the claustrophobic "Prison Lane" and the Halloween-themed Pumpkin Hill. The semi-automated speed sequences are back, but they are somewhat overused, making stages like the lush jungle less satisfying than they should be. Sonic Adventure 2 brings two optional gameplay elements from the first game to center stage - with mixed results. Tails stomps around in a mech walker in stages that focus on shooting. He has the ability to lock-on to several targets before unleashing missiles, and the carnage is terrific. On the flip side, Knuckles is relegated to tedious "find the gem" stages that are time-consuming and frustrating. His ability to glide and climb doesn't make these wild goose chases any more tolerable. The droning rap tunes (which sound like LL Cool J) don't help matters. Throughout the game the camera tends to pull in extremely tight. While this makes you feel "closer to the action", your limited periphery is problematic when you're trying to locate gems or shoot off-screen robots. Last and certainly least, those worthless "Chao" virtual pets are back with some new VMU games. With the exception of the Knuckles stages, Sonic Adventure 2 is a fast-moving, enjoyable journey. Every stage offers something new, and there are plenty of surprises. It may not match the original game, but Sonic Adventure 2 is still quite the spectacle to behold. © Copyright 2010 The Video Game Critic.

One of the system's original "launch" titles, this one-on-one fighter is regarded by many to be the greatest Dreamcast game of all time. It's difficult to argue. Although technically a sequel to the excellent Soul Blade (Playstation, 1998), Soul Calibur's level of graphic detail, fluid animation, and rich gameplay eclipsed all that came before it. It's an absolute work of art, and to this day I'm still blown away by its magnificent backdrops and responsive controls. The ten-fighter roster contains some memorable characters including Ivy the sexy vixen, the blindfolded freak Voldo, the ninja assassin Taki, and the hulking Nightmare with his "winking" sword. Each character possesses a distinct weapon and fighting style. Calibur's gameplay is remarkably deep, incorporating a guard move, "soul charges", throws, side-steps, and eight-way directional movement. The battles are quite a spectacle. It's possible to knock a fighter out of the "ring" for an easy victory, but that's pretty rare. I find it amusing how you can continue to whack away at an opponent after he's been defeated. It's also a great opportunity to talk trash, like "How (whack!) many (whap!) times (kapow!) have I told you (bam!) to take out (thunk!) that (thwack!) damn (bap!) trash! (bonk!)" Soul Calibur's lush backgrounds appear almost photo-realistic, and a high quality orchestrated soundtrack contributes to the game's epic scope. If there's one thing that's annoying about this game, it's the idiotic dialogue. "Ivy was seriously wounded, but the soul still burns!" What the [expletive] does that mean exactly? Soul Calibur features brief load times, an assortment of unlockable items, and a number of playing modes. I especially enjoy "Mission Battle", which spices up the action with diverse objectives for each round. Soul Calibur is a truly a great fighter that's managed to withstand the test of time. It may be old, but the soul still burns! Whatever that means! © Copyright 2006 The Video Game Critic.

It's not fair to dismiss South Park Rally as a collection of crass poop and fart jokes, because you'd be forgetting about the vomit. This cell-shaded racer contains all of the gross humor and political incorrectness the series is known for, but its gameplay sucks beyond words. Navigating the menus generates fart noises, and sadly, this is the highlight of the game. The fact that South Park Rally is rated "Mature" is irony of the highest magnitude. Most kart racers are simple by nature, but Rally goes out of its way to needlessly complicate everything. This may be the single most confusing racing game in existence. Most of the track layouts look like spaghetti, and you're forced to hit scattered numbered checkpoints in order. This makes completing a single lap feel like an absolute chore! The steering is fine, but collisions often turn you the wrong way, and getting back on track is a pain. Some stages take a break from racing to offer tantalizing challenges like the chance to fight over Cartman's dirty underwear. In the Valentine's Day stage you must collect bow and arrow icons and then shoot the other players. The problem is, the mob converges on you before you ever get a chance to take aim. It seems like each stage degenerates into a chaotic mess. The courses run through uninteresting locales like a farmyard and sewer, and even the amusement park is boring. Having holiday-themed stages is a good concept that's totally wasted here. The weapons are more incomprehensible than they are irreverent. The hooker gives other drivers herpes, the taco unleashes explosive diarrhea, and a "spooky vision" clouds your opponent's view with digitized images of Saddam Hussein. That last weapon might be a little more funny if the guy wasn't dead! Some weapons are so ineffective that you can't even tell if you used them or not. A lot of repetitive, unfunny voice samples are heard during each race like "I'll kick your ass!" South Park fans may be mildly amused by the game's wacky themes, but for everyone else, this kart-racer is about as fun as irritable bowel syndrome. © Copyright 2010 The Video Game Critic.

This lavishly-produced rhythm game exemplifies the exuberant spirit of the Dreamcast era. The star is a sassy space reporter named Ulala saving the universe by strutting her stuff and performing dance moves in one of several stylish orange outfits. Space Channel 5's bright arcade graphics are irresistible, with retro-futuristic spaceports, upbeat music, squishy aliens, and ridiculous dialog. You mimic moves by performing a series of perfectly-timed button presses. There are only a few moves: up, down, left, right, and "shoot" (although it sounds more like chu!). It looks more like you're exercising than dancing. There are two ray gun buttons; one to shoot aliens and one to save humans. It's not enough to repeat "left left right right shoot shoot shoot"; you need perform in the exact same cadence including pauses. Fortunately the controls are super responsive so you can really get into a groove. Anyone who loved Parappa the Rapper (PS1, 1997) or Bust A Groove (PS1, 1999) will feel right at home with this one. Humans you save will dance behind you for the remainder of the stage. The cast of characters includes hot rival reporter Pudding and the King of Pop himself: Michael Jackson! He looks so pale!! It's easy to dismiss Space Channel 5 as style over substance but the game is well constructed. The pacing is just right, giving the player periodic breaks through enjoyable intermissions. The difficulty is a bit uneven, with tricky sequences often mixed in with easy ones. It's very forgiving however, so you can survive even after stumbling through the last few moves. Space Channel 5 is wispy and carefree, which is why I like it so much. It's one of those distinctive Dreamcast classics that reminds us that games don't need to take themselves seriously. © Copyright 2019 The Video Game Critic.

I have fond memories of watching Spawn in the theater with friends George, Steve, and Brendan back in 1997. It was pretty cool at the time, but a recent DVD viewing revealed the film has not aged well. Its once-mind-blowing special effects look a little cheesy these days, and the rest of the film is marginal. Still, it made me want to give Spawn for the Dreamcast a try. This game's intro features heavy metal music playing over grainy full-motion video - two relics of a bygone age. Instead of a beat-em-up style adventure (as I expected) Spawn is just a series of free-for-all battles in dreary, confined areas. The entire premise is flawed, since it relegates Spawn to being just another character caught up in the fray. It's actually possible for Spawn and Al Simmons (his human incarnation) to fight in the same contest, which makes no sense. You get a choice of arcade and tournament modes, with the main difference being one is timed and the other is point-based. Up to four players can participate via split-screen, and the CPU controls any extra characters. Players will immediately notice that the Dreamcast controller is not conducive to this style of 3D mayhem. The analog stick is not supported, forcing you to use the digital pad to move. Enemies tend to be out of view, forcing you to constantly reposition the camera. Unfortunately, your camera control is limited to pressing the Y button to re-center it behind you. The drab stages have uninspired names like dark alley, secret sewer, forest of gloom, wasteland, path to wasteland, labyrinth 1, labyrinth 2, etc. Navigating the stages is confusing, especially when moving through doorways to new areas. The shooting and melee action is mind-numbing. Half the time you don't know what's shooting you or what you're shooting at (if anything). The CPU players are so dumb you can often sit back and unload on them from a distance as they pound on each other into oblivion. Spawn is a waste of a license. After suffering through this, my friend Scott asked me to put in another game immediately so he could "get the taste of Spawn out of his mouth." © Copyright 2013 The Video Game Critic.

Being a die-hard Star Wars fan, I picked up this piece of junk without giving it a second thought. However, had I scrutinized the packaging I would have noticed this ominous warning: "From the creators of Vigilante 8: 2nd Offense". That game sucked big time, and this is basically the same repackaged crap, only with Star Wars window dressing. That's really sad, because Star Wars provides all the characters, vehicles, weapons, and battlefields you'd ever need for a kick-ass vehicle combat game. Demolition's vehicle selection includes a landspeeder, snowspeeder, AT-ST, and battle tank. You can also play as Boba Fett in a jetpack or the hulking Rancor monster (from Return of the Jedi). Two things I cannot fault are Demolition's graphics and sound. The battlegrounds provide a diverse set of environments, including Hoth, Tatooine, Dagobah, Cloud City, Naboo, and the Death Star. The scenery looks attractive and provides plenty of recognizable landmarks and subtle details only Star Wars aficionados will notice. The musical score and sound effects are straight from the movies, so they're pretty good. Once you get past the presentation and begin delving into the gameplay, numerous problems surface, particularly with regard to the weapons. Your default laser weapon is practically useless, and all too often you get stuck with the ultra-annoying "tractor beam" weapon. The thermal detonators, which work like mines, are also a real drag. In general, it's far too difficult and time-consuming to destroy other vehicles, and you can't even determine if an opponent is taking damage! Making matters worse, shield repair portals can be found all over the freakin' place. Don't be surprised if after spending ten minutes wearing down your opponent, he enters a portal and reappears good as new! Did I mention that the control is horrendous? Star Wars Demolition totally sucks, and it's even more upsetting when you realize how good this game could have been. © Copyright 2005 The Video Game Critic.

Is Red Spot Games trying to impress me? Well... it's working! This slick side-scrolling shooter borrows elements from old favorites like Gradius (NES, 1986) and Axelay (SNES, 1992), while adding a slew of fresh new features. Sturmwind looks awesome. Some might compare its graphics to the Xbox 360, but you could argue they are better! In addition to an arcade mode, a "normal" mode lets you begin on any stage you've unlocked, and there are 16 incredible stages in all. The industrial stage features molten lava and massive iron walls that seem to transform as you fly past them. Frightening shadows are cast on the walls of the cave stage, and colossal radar dishes dominate the snow stage. The basic controls consist of a rapid-fire shot, a charged shot, and bombs. The action is satisfying and rarely overwhelming. You can toggle between three weapons and power up each to three degrees. Blue shots travel in an unusual arc that protects you from nearby foes. The red shot can be aimed in all directions, which is useful for enemies approaching from above or below. Your green shot is concentrated and narrow, and it's your most powerful weapon. You also have the option of directing your fire forward or backward. You can't really gain a true appreciation for Sturmwind until you learn how to effectively toggle the weapons and their directions in the heat of battle. When a bonus message appears in the center of the screen, you can actually shoot the text for an added bonus! That's just crazy. You might also spot some humorous objects like a snowman on a glacier or a soccer ball rolling through the depths. My main complaint is how it's sometimes hard to determine what part of the layered scenery can hurt you. More often than not I guessed wrong. Missiles often scale in from the background and occasionally blend into their surroundings. Fortunately taking a hit just reduces your weapon level. The end-of-stage bosses don't overstay their welcome, and these behemoths include a rampaging octopus, a hideous face, and a mech that seems borrowed from Axelay. The audio effects are understated but the sloshing sounds in the water stages are amazing. The soundtrack doesn't really stand out, but it does have a hypnotic vibe that helps you get into a zone. High scores are saved with your name. Extra features include accomplishments and unlockable concept art. Heck, Sturmwind even comes with a nice instruction manual printed on quality stock! The developers of this game should be proud of their work, which exhibits great artistry and outstanding production values. Sturmwind is what happens when modern know-how and classic fun collide. BOOM! © Copyright 2013 The Video Game Critic.

This rare Dreamcast racer lets you cruise freely around San Francisco while embarking on a series of timed missions. For a game that didn't get much press, this isn't half bad. If nothing else, Super Runabout does a nice job of modeling the actual city of San Francisco. Having visited the town several times, I found it easy to navigate the streets to locate distinctive landmarks like the Transamerica Pyramid, Lombard Street (the world's most crooked), and the Fisherman's Wharf - complete with sunbathing seals! Certain parts of town look a bit sparse, but most include some traffic and pedestrians. I noticed some pop-up issues with buildings in the distance, but nothing too offensive. You select from two storylines, each of which offer a series of harrowing missions, including chasing down vehicles, disarming bombs, or collecting condiments (that's right - ketchup and mustard). The game tries to maintain a whimsical tone throughout, and one story stars a cop clearly modeled after Dennis Rodman - complete with orange hair and basketball. Super Runabout encourages wanton destruction, so as you zoom down the streets don't hesitate to take out every mailbox or hot dog stand in sight. It's especially satisfying to plow through a busy Chinatown or subway station. It sounds like Crazy Taxi, but Runabout's physics are more realistic and less forgiving. Many vehicles handle very poorly, but you can build up some serious speed on the straight-aways. You have the option of viewing a replay after each mission, and unlike most games, they're actually a lot of fun to watch! The audio is probably the weakest aspect of the game. The folksy background music loops ad nauseum, and some of the cars sound more like vacuum cleaners. Super Runabout lacks the polish and addictiveness of Crazy Taxi, but it isn't a bad title if you can pick it up for a reasonable price. © Copyright 2007 The Video Game Critic.

This is a solid, if unspectacular, motorcycle racer for the Dreamcast. Suzuki Alstare has more of an arcade vibe than realistic racers like Sega GT and Sega Rally 2. Its twelve diverse courses are easy on the eyes, with locations like tropical beaches, snowy mountains, and rolling green orchards. There's even a New York City night track with winding freeways and skyscrapers illuminating the background. The frame-rate is excellent, so you'll enjoy a nice smooth ride. The analog steering is sensitive but well-suited to the windy tracks, allowing you to turn on a dime. Your turbo button initiates a wheelie, so you'll want to reserve that for straight-aways (which are few). Suzuki Alstare is rather forgiving, and I often found myself bouncing off walls or riding over embankments instead of crashing. An addictive tournament mode puts you up against CPU competitors, and a split-screen two-player mode is also available. The split-screen graphics are much degraded with ample draw-in, but hey, it's better than nothing. There's a lot to like about Suzuki Alstare. When you crash, your driver is ejected from the bike, and it's especially hilarious when he goes flying over a cliff. After crashing the game almost immediately puts you back on track, so there are no lulls in the action. In split-screen mode, a helpful indicator across the middle of the screen indicates the distance to the finish. My main gripe is how tracks tend to be excessively curvy. The New York track contains far too many right angles and U-turns. My friend Scott insists that "curves are what motorcycle games are all about!" What-ever! The tracks are inconsistent in length, and the longer ones tend to wear out their welcome. If there are any shortcuts to be found, they are well concealed. Ubi Soft didn't put much effort into soundtrack, which consists of sparse beats droning in the background. Suzuki Alstare Extreme is a little uneven, but I found myself attracted to its arcade graphics and pick-up-and-play style. © Copyright 2010 The Video Game Critic.