The Video Game Critic Presents
James Bond 007: The Games
Updated October 6, 2021
A motion picture institution for nearly 60 years, James Bond has also left a considerable mark on the world of video games. This review special attempts to commemorate all of the 007 adventures I have reviewed over the years. Primarily console titles, some of these games date all the way back to the early 1980's.
I have to confess that while putting this page together I was disturbed by all of the low grades! Apparently it took a while for gaming technology to become sophisticated enough do the frachise justice. 007's first blockbuster title was Goldeneye for the Nintendo 64 (1997), which arrived at a time when the market was thirsty for competitive first-person shooting action.
Goldeneye 64 featured a wildly-popular four-player split-screen mode which became the hallmark of the series. In the spirit of due diligence I recently convened a few friends to play and reassess the multiplayer modes in all of these games, resulting in bonus "multiplayer notes" at the end of certain reviews. What's fascinating is that while you would expect the multiplayer modes to improve over time, this was not the case!
Keep in mind that that these games are being graded against other titles for the same system, and many have not aged particularly well. Still, I think they all manage to embody the franchise in their own unique way. I'm just shocked there hasn't been any 007 games released in the last decade. Read on to find out why!
James Bond 007 (Parker Bros.,1983)System: Atari 2600
Your pod-shaped car is supposed to be some kind of all-terrain vehicle. As you cruise along the planet surface and "hop" over volcanic craters, satellites and helicopters drop bombs from overhead. The helicopter's searchlight looks cool, but it never even comes close to reaching the ground. Perhaps the pilot should consider flying below the satellite! Yes, that's right, the helicopters fly above the satellite orbit.
Your vehicle is armed with a cannon, but get this - you can't shoot your attackers! No, that might be fun, so it's not allowed. Instead, you can only shoot the periodic "diamonds" that appear in the sky. The second half of the stage takes place over water, where you'll witness enemy aircraft inexplicably bombing their own divers in the water below! Once you reach the oil rig (which is invisible half the time), you'll need to perform a complicated maneuver to bring the stage to a merciful conclusion. It only took me about 20 tries or so.
The second stage forces you to deal with "poison bombs" which spell instant death if you don't shoot them down at launch. That's as far as I got, but I can only assume that the subsequent stages are equally as idiotic. James Bond 007 is challenging, but only because you don't know what the [expletive] is going on half of the time. What a complete and utter waste of a movie license.
James Bond 007 (Parker Bros., 1984)System: Atari XEGS
A small yellow car materializes in front of him, wheels blinking on and off for no apparent reason. Somehow James manages to squeeze his huge body into the tiny car, which in turn transforms into an even smaller vehicle. Train tracks then roll out under the car. Can somebody please tell me what the [expletive] is going on here?!
The four stages are supposedly inspired by the films Diamonds Are Forever, The Spy Who Loved Me, Moonraker, and For Your Eyes Only. Each mission has you navigating this sorry-ass "all-terrain vehicle" across a side-scrolling landscape, jumping over craters and shooting aircraft in the sky like a poor man's Moon Patrol (Atari 5200, 1983). Is it possible for stages to be both inspired and uninspired at the same time? In Diamonds you shoot frogmen underwater before landing on an oil rig. Next you're pitted against a bomb-dropping helicopter that can't be destroyed even if you hit it dead on!
The Moonraker stage requires you duck underwater to avoid exploding satellites overhead. The explosions are pretty much non-stop with enough obnoxious flashing to trigger an epileptic seizure. Normally I'd wish for a stage select, but I don't think I'd want to select any of these stages! What ever happened to that tantalizing train shootout screenshot from the Parker Bros catalog? Now that's something I'd like to play!
James Bond 007 (Parker Bros., 1984)System: Sega SG-1000
Each of its stages are based on various Bond films like Diamonds are Forever and The Spy Who Loved Me, but they are "cookie cutter" in ever way. You drive a vehicle toward the right while firing missiles, tossing mines, and jumping/diving past hazards.
The graphics are terrible. Why am I being attacked by traffic cones? The best strategy is to fire with reckless abandon, which doesn't make your thumb feel very good. Failing to capture the spirit of the films to any degree, James Bond 007 strikes me as the worst kind of corporate dreck.
James Bond 007 (Parker Bros., 1984)System: Colecovision
The stages are loosely based on four old Bond flicks, but you'd never know unless I told you. For the record, the films are Diamonds Are Forever, The Spy Who Loved Me, Moonraker, and For Your Eyes Only. The stages do look different, but they all play the same and none are particularly enjoyable. 007's heinous graphics feature ugly color schemes and constantly flashing skylines. I hate how the blue diamonds in the sky don't even disappear when you shoot them (hey, maybe they really are forever!).
James Bond 007 is not a pretty sight, but remarkably, this version holds a slight edge over its pathetic Atari 5200 counterpart. The controls are better, the difficulty is lower, and you can actually shoot the satellites that attack from overhead. But make no mistake; James Bond 007 is still unadulterated crap.
James Bond 007 (Parker Bros., 1984)System: Atari 5200
The accompanying theme song is decent, but the visuals look positively half-assed. The intro is followed by a nausea-inducing first stage that perfectly embodies the game as a whole. Looking like a half-baked Moon Patrol knock-off, you jump over craters while shooting blue "diamonds" floating in the night sky. Bomb-dropping satellites fly just overhead, but inexplicably, you cannot shoot them!
Soon you find yourself moving over water while doing the same damn thing, except now you have to deal with shooting divers. If you're sadomasochistic enough to complete the stage, you can expect equally brain-dead gameplay in the stages to come. Each level is supposedly based on a different Bond film, but they all look and play pretty much the same - crappy! Did Parker Bros. really think the Bond license alone would justify this inexcusable tripe? I'm still waiting for them to issue a formal apology to the gamers of the world.
James Bond 007: The Living Daylights (Domark, 1987)System: Commodore 64
You have five lives to complete all eight stages with no chance to earn extra lives. It's all or nothing, just like Bond would have wanted! Each level consists of the same general play mechanic. Bad guys pop up and shoot at you as you jump over obstacles. You can fire back, but you must stop moving in order to aim, and that really sucks.
The first level has me confused thanks to an unhelpful (and sometimes inaccurate) instruction manual. As I mentioned, the biggest danger to Bond are rocks scattered across the landscape. Not only will touching them deal damage, but you'll be incapacitated for a few seconds as well. To jump over rocks you push your joystick diagonally, but consistently making these jumps is no easy feat. I trip over those damn things constantly.
You can select a "special" weapon before each new level via a laboratory screen that looks pretty nifty. For the second level you'll want to go with the infra-red vision. Now the rocks have been re-skinned as sewer grates as you attempt to escort an KGB agent to an opera house.
Next you're off to an industrial pipeline screen (special weapon: hard hat) where the grates have been reimagined as pipes. The fourth level has you avoiding potholes created by a helicopter above as a milkman hurls milk bottles your way! Was this in the movie??
Four stages was pretty much all I could take. I suspect the developers were short on time and had to crank out the quickest thing that might pass for a Bond game, incorporating a few minor elements from the namesake movie. Thus you can add Living Daylights to the steaming pile of tie-in games that seemed to focus more on acquiring the movie rights than producing a fun game.
James Bond 007: The Duel (Domark, 1993)System: Genesis
I'm not even sure what "the duel" refers to; this is a very conventional single-player platform-shooter. You shoot milk men, save a bunch of ladies in cocktail dresses, and head to the finish. The opening stage takes place on a sprawling cargo ship, and the orange steel and island backdrops look very nice. James can fire sideways or diagonally, and he can even fire while hanging on a ladder.
The lead character looks the part but the control is terrible. You have to make a concerted effort to finagle your way up ladders or simply turn to face attackers. Jumping is problematic because you can't tell what you can jump on or what's just part of the background. When you get shot you often fall off your current platform, and falling just about any distance is fatal. I do like how James automatically picks up any objects he runs by.
Enemies tend to mindlessly scamper back and forth. You'll get into the habit of shooting while running so if an enemy appears on the edge of the screen he'll run right into the bullet. In stage two Bond is jumping between trees like a monkey in a tuxedo and it looks ridiculous. The Duel plays so poorly that even when you know exactly what to do survival is largely a matter of luck. You'll find yourself inadvertently finishing stages but when you shut this game off it will be no accident.
Goldeneye 007 (Nintendo, 1997)System: Nintendo 64
I'm reviewing this game from a present-day perspective, so please don't get mad out there! The framerate is fairly smooth but the maze-like arenas are repetitive and the graphics look muddy. I found myself running in circles, struggling just to locate my friends. There's a slew of customization options but no way to add CPU opponents.
The single-player campaign has aged much better. It reprises exotic locations from the film like a massive dam, snowy Siberia, and an Egyptian temple. The attention to detail is commendable with sophisticated operating facilities, destructible environments, and satisfying explosions. The character models are angular but their digitized faces are notable. The blood is modest but I love how gunned-down soldiers scream and contort their bodies like ragdolls. It's like I'm fighting an army of Pinocchios for crying out loud!
The smooth framerate and ability to strafe makes navigating narrow corridors a breeze. Stealth is sometimes called for but it's hard to avoid frantic shootouts. The nifty auto-aim lets you mow down enemy soldiers with ease, piling up bodies in the doorways. The missions are short but the objectives are so specific it often takes several attempts to complete them properly.
The audio is outstanding, serving up crisp sound effects and a pulse-pounding musical score. Goldeneye may not be what it once was, but it will remain one of the most celebrated titles for the Nintendo 64. For fans I'd recommend its superior sequel, 007: The World Is Not Enough (Electronic Arts, 2000).
Multiplayer Notes: For all its chunky polygons and blurry textures, there's still something to be said for Goldeneye's basic brand of good-natured shooting fun. My friend's opinions vary widely, with grades ranging from D to B. Brent says it's aged terribly, but Chris feels Goldeneye still delivers the goods. Grade: C
007: Tomorrow Never Dies (Electronic Arts, 1999)System: Playstation
You play a 3D Pierce Brosnan with a close-cropped polygon hairdo undertaking ten missions that follow the plot of the film. The third-person shooting begins in snowy Siberia, where the purple twilight sky is really easy on the eyes. You'll move between camps while gunning down soldiers and collecting health and weapons. James Bond isn't capable of fighting without a weapon, believe it or not. You can always tell who the bad guys are because they have these big red and yellow targets superimposed over them. You commandeer a plane at the end of this mission, but sadly you don't get to fly it.
The analog controls are clumsy and inexact, and I found myself running in circles around a key card I was trying to pick up. The camera is unstable and jittery, and a nightmare in close quarters. I actually became queasy at times. At least the game is forgiving, offering plenty of ammo, checkpoints, and health packs. Certain stages let you ski or drive a car, and during one mission you gun down bad guys who fall into printing presses!
Fans of the movie will be interested to know that Bond does have an encounter with an angular Terry Hatcher. Multiplayer split-screen modes highlighted the Nintendo 64 Bond titles, but they are mysteriously absent here. This makes the box claim of "the most complete Bond experience" ring hollow. Once you beat the short missions of Tomorrow Never Dies, there's nothing here to keep you coming back.
007: The World Is Not Enough (Electronic Arts, 2000)System: Nintendo 64
The cut-scene exposition is painfully dry but the missions themselves are pretty intense. They involve rescuing hostages, defusing bombs in a subway, pursuing villains on a pier, and infiltrating an exotic villa. The most exciting stage takes place on ski slopes where you blow up fuel dumps and gun down enemies while careening down the mountain. I love it!
I also appreciate the attention to detail; when you shoot a picture on the wall, it falls down. I find it really difficult to avoid shooting fleeing hostages - that's something I need to work on. Unlike Goldeneye's roundish health meter, World gives you a more conventional health bar. Selecting items is awkward. The x-ray goggles seem cool until you realize enemies behind walls can see you too! What the hell?
I was worried about the missions that forbid you from killing guards until I realized it was still permissible to beat the living [expletive] out of them! What a relief! The multiplayer lets you deploy CPU-controlled "bots", allowing you to play solo (always a plus). The arenas are bright and spacious, set in small villages, snowy mountains, and the MI6 Headquarters.
My friends who were very critical of Goldeneye found this game to be a pleasant surprise. The soundtrack may not be as catchy as Goldeneye but it still maintains a high degree of intensity. When it comes to old first-person shooters, I'd have to say The World Is Not Enough has held up better than most.
Multiplayer Notes: The "updated" features of this game sometimes work against it. For example the auto-aim will sometimes point you in an unexpected direction, and shadowy environments can make it hard to see. One feature I love however are AI bots. Who needs friends?? Grade: B
007: Agent Under Fire (Electronic Arts, 2001)System: Playstation 2
A bigger problem with Agent Under Fire are its controls. They are reprehensible. Just trying to get from point A to B is exasperating. Eventually I learned you need to "point" the left stick to where you want to go. The button layout sucks too. Why would you assign X to shoot when you have a trigger available? You can modify the controls a bit but never to my satisfaction.
The missions are typical secret agent stuff as you infiltrate well-guarded facilities and save hot chicks tied to submarines. You'll encounter a lot of poorly-trained enemy soldiers who like to take cover behind the nearest red barrel. When you run out of ammo, just run up to a bad guy, punch him in the face, and take his gun. Just don't let him hit that alarm switch or your mission will come to an abrupt conclusion.
Under Fire's graphics are unimpressive with frequent glitches like soldiers floating or being partly embedded in walls. When Bond grabs some body armor, it sounds like he's zipping up his fly! It would be easy to write off Agent Under Fire... except for the driving stages. There are quite a few of these, and frankly, they are gangbusters. So much fun. Some give you the run of the town, causing mayhem as you plow through cafes and knock down fire hydrants.
The multiplayer mode suffers from quirky controls but its fast-paced, run-and-gun gameplay will appeal to some. Agent Under Fire may be a bit underdeveloped, but it served as a prelude to some quality 007 games EA would soon publish.
Multiplayer Notes: I was expecting the guys to really appreciate the improved graphics and framerate, but grades ranged from A to D-. Some were critical of the controls and hated how the game would automatically select the worst weapon you had. I thought the edgy music was cool until Brent pointed out it was a 3-second loop stuck on repeat. The game has a constant run-and-gun vibe, making it a decent pick-up-and-play party game. No bots in this one. Grade: B-
007: Nightfire (Electronic Arts, 2002)System: Playstation 2
I had to fiddle with the control scheme and even then the game managed to confuse me at times. So it's telling me to press the action button, but what is that?! As it turns out, it's the square (reload) button. Likewise using the right trigger to employ a gadget seemed counterintuitive. Nightfire's first-person shooting action is great fun though, partly due to the nifty auto-aim whose accuracy is a function of the skill level you choose. You'll need that auto-aim when trying to save cute geisha girls being held at gunpoint.
The enemy AI could be better. Shoot a bad guy and he just scoots over a few feet and reassumes his position. The lack of a map is glaring, especially in some of the maze-like stages. The game excels however in terms of graphics and exciting Call of Duty-ish stages. The first few areas feature breathtaking winter scenery and I could tell right away that snowy-castle-at-night was going to make an awesome multiplayer map. There's an exhilarating snowmobile ride followed by a break-neck car chase through a quaint snow-covered town.
Another visual highlight happens later in the game when you find yourself on the top floor of a skyscraper at night. The view of the city from the windows was so amazing all I could do was gawk. Heck, even the grungy industrial stages look cool because everything is so realistic. Unfortunately Nightfire's lack of movie license proves to be its downfall. The story doesn't make much sense and the acting is subpar to say the least. The dialog is laughable when it's not supposed to be, and embarrassing when it is.
The obligatory multiplayer split-screen mode is very challenging, as there's no auto-aim to rely on. I also like how you can fill out the missing players with bots. Nightfire isn't the best Bond game but it's pretty darn good. If you're a fan of Pierce Brosnan's Bond you'll enjoy watching him do his thing in this exciting original adventure.
Multiplayer Notes: Again, this was a split decision with grades ranging from B to D+. Unlike Agent Under Fire which seemed arcadish, this one's for seasoned gamers. No auto-aim but a lot more skill and strategy. This game is tough. Not only does it display how many kills you have, but how many deaths as well, adding a "shame" element. Bots are available! Grade: B-
007: Everything or Nothing (Electronic Arts, 2003)System: Playstation 2
The game's third-person perspective, combined with crisp lock-on controls make picking off bad guys a blast. The default difficulty is "agent" and you won't last long if you don't employ sensible tactics. Driving stages provide big thrills as you blast through burning facilities and speed under crumbling Egyptian ruins. Unfortunately the game was designed to use the PS2's ill-advised "pressure sensitive" buttons, so you'll feel the need to crush X the whole time just to maintain your speed. Your GPS is an effective tool, especially when you're tracking an adversary or trying to avoid local authorities.
The game has a lot of memorable moments, like a wild car chase through New Orleans and a shootout in a graveyard on a stormy night. Some of the missions are a bit confusing, like when you're told to rescue an agent during a car chase. You're told not to hurt her, yet you *will* need to shoot the car she's in! The acting is quite good and there's some cool plot twists. Even Bond's longtime nemesis Jaws even gets in on the fun. The stages are short and sweet, and between them your progress is saved via a simple ten-step process.
Everything or Nothing falters on the multiplayer front. You need to "unlock" this mode by completing co-op missions, and playing split-screen from a third-person view is awkward and hard to see. Otherwise Everything or Nothing may be the most polished PS2 game I've seen, with an elegant interface rendered in sleek silver colors. The game looks like a million bucks and even contains a making-of documentary. With so much variety, a sweeping orchestrated score, and real actors driving the narrative, this may be the ultimate single-player 007 experience.
Multiplayer Notes: Aptly named, we tried everything to get the multiplayer to work, but nothing was successful. Each player had to create a "profile" first, only to discover there were no arenas available. Later I discovered you had to "unlock" them by playing... the co-op mode?! Grade: F
Goldeneye: Rogue Agent (Electronic Arts, 2004)System: Playstation 2
Its bizarre premise provides an excuse to resurrect all the classic 007 villains like Dr. No, Oddjob, and Pussy Galore. Hell, even Xenia Onatopp gets in on the action. Christopher Lee reprises his role as Francisco Scaramanga, aka the Man with the Golden Gun. The "Goldeneye" title is a complete misnomer. Unrelated to the satellite weapon in the Pierce Brosnan movie, it instead refers to a bionic eye constructed for our rogue agent. Confused yet? Wait until you play.
The character models are chunky and the controls feel loose and imprecise. You aim a laser dot so tiny you'll often lose it on the screen. And yet there's something to be said for Rogue's brand of mindless run-and-gun action. Played from a first-person view, you wield weapons in both hands and can just shoot wildly in a general direction as bad guys fall all over each other.
I particularly enjoyed the Hong Kong level as you move from roof to roof on ziplines, mowing down one set of henchmen after the next. It's like James Bond meets Time Crisis 3 (Namco, 2003). Doors open automatically, and if you sustain damage you can take cover to "recharge". You can even use a bad guy as a human shield, although I've never seen the need to do that. Flammable red barrels abound and enemies tend to walk right into traps.
The multiplayer mode is a bust. The environments are ugly and you're forced to play on teams. There are no options for bots either.
It may be raw, but Rogue Agent's arcade style is refreshing. It's not particularly difficult and the thumping techno soundtrack is awesome. Rogue Agent sports a low-definition appearance, with muddy cut-scenes that don't even consume the whole screen. Sandwiched between pristine entries Everything or Nothing (EA, 2003) and From Russia with Love (EA, 2005), Rogue Agent lives up to its title. If you don't like James Bond games, maybe you should give this one a shot.
Multiplayer Notes: This was the most unpopular multiplayer experience yet. My friends hated the ugly, uninspired environments, one of which Brent referred to as "the hallway". It's difficult to move and shoot at the same time. You have to play teams and there are no bots. Good music though. Grade: D-
007: Everything or Nothing (Electronic Arts, 2003)System: Game Boy Advance
The well-designed missions require you to perform a set of tasks but there are secondary objectives as well, like clearing out all enemy guards. Each new location is introduced with a scenic photograph, setting the stage nicely whether it's a Cairo trainyard, a graveyard in New Orleans, or the Peruvian jungle.
You play via an isometric view of the action, and the realistic characters are impressively animated. It's so satisfying to sneak up on a bad guy and choke them, you'll actually prefer to use stealth! The action begins with Bond rappelling down the side of the Hoover Dam, picking off baddies along the way. Periodic car chase stages provide you with a slew of built-in weapons like machine guns, rockets, and oil slicks. The cars may be small but they look sharp and the explosions are nice.
There are certain limitations to the isometric format. Certain missions demand stealth, yet it can be hard to sneak around because by the time a guard appears on the screen you might already be in his line of sight. In addition, there's so much detail in the scenery that the visuals can be a little muddled, especially during hand-to-hand combat.
The saves are frequent and automatic. Between stages you can upgrade your gear to maximize your armor, damage, or speed. The orchestrated music is astonishing for a Game Boy title. Everything or Nothing is so elegant and sophisticated that you'll forget you're playing a portable system.
James Bond 007: From Russia With Love (Electronic Arts, 2005)System: Playstation 2
I expected a slow, deliberate spy adventure but From Russia With Love is anything but. The action is pretty much non-stop beginning with the prime minister's daughter (played by singer Natasha Bedingfield) being kidnapped by the "Octopus" crime syndicate. The game's auto-aim absolutely kicks ass as James goes to work picking off bad guys at every turn in an opulent palace.
The graphics are first-rate with realistic lighting and detailed scenery that's faithful to the time period. Next thing you know James is riding a jetpack picking bad guys off Big Ben before shooting down a helicopter. And that's before the opening credits! When that lavish musical intro kicks in you realize EA spared no expense with this one.
From Russia With Love generally follows the film's plot but expands upon it for dramatic effect. The game is played from a third-person view and you can pick up items by running right over them. The controls feel so responsive it's like the game is reading my mind. Naturally 007 is equipped with gadgets like a laser watch, sonic cufflinks, and remote control helicopter.
There are some exciting chase sequences but the driving controls could be better. The touchy steering has me swerving all over the road, and that's before the bad guys start ramming into me! That said, I love the car's "tire-punch" weapon which knocks off any vehicle that dares pull up alongside. The explosions in this game are tremendous.
The orchestrated score gives the film the weight of a motion picture, and it seems as if every stage culminates with a plot twist or epic confrontation. During one scene you're cruising through an underground reservoir, and it feels like being on the Pirates of the Caribbean ride - except you're picking off the pirates with a machine gun! Weapon effectiveness is suspect at times. While I shoot a guy in the face with a rocket launcher, I expect him to do more than flinch!
The multiplayer mode is probably not worth your while, mainly due to its disorienting third-person perspective. The disc also includes a series of bonus documentaries, including one about the making of the game. Clearly the people behind this game had a passion for the franchise and wanted to do it right. As a result this is the most authentic Bond game ever created, and quite possibly the most fun.
Multiplayer Notes: This one got off on the wrong foot beginning with the character selection screen. If you can't pick someone another player has chosen, why give me the option? There are only four characters for Pete sake! Even worse is the third-person gameplay. Yikes. You can't even see what's happening. Grade: F
007: Quantum of Solace (Activision, 2008)System: Playstation 3
Frankly the chronology of this game seems all over the place. The adventure begins with Bond kidnapping Mr. White from his mansion. This part was brief in the film, but here it's fleshed out with elaborate shootouts and explosions. James Bond's likeness and voice is clearly Daniel Craig but Mr. White is not the original actor. I guess they didn't have the rights to that guy. Anyway the exciting opening act segues into a classic 007 intro complete with original music and stylized images. I was a little disappointed you don't participate in the car chase that opens the actual film. No, this is strictly a first-person shooter with a few quick-time events thrown in to facilitate dramatic hand-to-hand combat.
I am impressed how action-packed each stage is. You barely have time to catch your breath with all the gunfire, explosions, and collapsing buildings. There are plenty of powerful weapons at your disposal, and gunning down bad guys is satisfying because they tend to hurl themselves off the nearest ledge. This game makes excellent use of audio. During the Italian rooftop chase you don't see the festival below, but the buzz of a crowd conveys a sense of activity. Likewise the Vienna Opera house is empty but the fact that opera music is playing adds a dramatic flair. My favorite stage is set in Miami at night during a raging storm, culminating with a boss encounter with a helicopter.
The game recommends employing a stealth approach but I prefer the bull-in-the-China-shop approach. Hey - it works in the movies! The auto-aim makes it easy to pick off bad guys and there are shiny things lying around that explode when shot. The game feels a little undercooked. Taking cover can be effective, but there were times I felt as if I was stuck to the scenery, unable to pull myself away to avoid a grenade. You're told to hold X to dash but you need to push in the left stick to do that. The objectives are confusing. Once I was told over the radio to jump off the boat and I didn't even know I was on one!
When low on life, that vintage 007 "barrel of a gun" graphic encroaches onto the screen, which is a nice touch. Quantum's multiplayer is online only (which sucks) but if you're up for a single-player campaign, Quantum of Solace will get your blood pumping.
James Bond 007 Notes says: A lot of good ideas, but poorly executed. Like the batmobile driving aspect.
Goldeneye 007 (Activision, 2010)System: Wii
The original Goldeneye rose to popularity on the strength of its four-player split-screen mode which was pretty innovative for its time. The multiplayer in this new Goldeneye is... weird. Using the Wii-mote to aim on a split-screen is strange but unique. It's hard to find your opponents in the expansive level and it's a shame you can't add CPU "bots".
On the other hand I really loved the exciting single-player missions, which are jam-packed with mayhem and destruction. The difficulty is easy enough for FPS novices to grasp, and checkpoints are generously placed. The shooting action is similar to Call of Duty with an auto-aim mechanism and red-around-the-edge-of-the-screen health indicator. Be sure to pump a few rounds in each enemy, because the first shot or two usually doesn't kill them - it just pisses them off!
Your smartphone has a series of useful apps including the ability to activate security mechanisms remotely and perform facial recognition. The facial recognition software is so good that it even works if you aim the camera at the back of a person's head! The exotic scenery includes a rainy dam, a snow-swept Siberian radar base, and the colorful skyline of Dubai. The Barcelona nightclub has a cool vibe with pumping dance music and trippy lighting effects.
My copy of the game included a shiny golden controller which is really nice. It's lightweight, has comfortable grips, and uses a standard button configuration. It really is by far the optimal way to play this game.
Goldeneye is the most enjoyable first-person shooter I've played on the Wii, but at times it feels more like a last-generation title. The henchmen all look like clones and the AI is weak. Graphical glitches include guns suspended in mid-air. There are a lot of strategically-placed red exploding barrels, and while they're the biggest video game cliche in the world, I find them impossible to resist. Goldeneye 007 is a real throw-back, and depending on your taste in games, that may be a good or bad thing.
Multiplayer Notes: This strange Goldeneye remake has some really funky controls which let you aim by holding the Wii-mote. I like the way it feels, but it lacks precision. Fortunately you can press a trigger to zoom in and stabilizes your aim. I don't hate this game, but the lack of bots makes me sad.
007 Legends (Activision, 2012)System: Wii U
Let's begin with the ill-conceived premise which inexplicably places the current Bond (Daniel Craig) in a hodgepodge of old movie scenarios that incorporate classic characters like Goldfinger, Pussy Galore, Oddjob, and Blofeld. Judy Dench plays the role of M.
I love Craig as Bond but inserting him into past adventures doesn't make any sense. When are these missions even supposed to take place?! It feels like the designers originally intended to incorporate all of the past Bond actors but could only secure the rights to Daniel Craig.
But that's the least of this game's problems. The stage designs are confusing. The game leads you around by the nose but you really never have any idea where you're going or for what purpose. You're sometimes asked to hit targets so small and distant, you can even make them out.
The controls are abysmal. I hate how the A button is used to duck, and why is it so hard to aim?! My gunsight is all over the place. Worse yet, enemies absorb bullets like a sponge. They can shoot me through glass yet I can't hit them.
I opted for this Wii U version of Legends assuming all my weapons and gadgets would be at my fingertips on the control pad screen. I wasn't wrong, but it really doesn't buy you anything. All the gun icons look exactly the same, from the handgun to a sniper rifle. Your watch is supposed to indicate enemy proximity but it's hard to read with all those tiny red dots.
The multiplayer is a [expletive] joke. Legends inexplicably does not support Wii-motes! This means I was limited to the control pad and a pro controller I just so happen to own. While I was initially impressed by the split-screen graphic fidelity, the expansive arenas made it a chore to locate my single opponent.
007 Legends is rough. Weird graphic glitches abound, like flags frozen in the air. Bond is forced to use a lot of cell-phone functions that are both tedious and boring. In one area I needed to scan a gas canister for toxins, but couldn't do it because I was standing too close to the thing.
When Electronic Arts had the 007 license in the early 2000's they released a string of games progressively more polished and easy to play. When Activision took the reigns it appears they started back at square one. Now it finally makes sense why there hasn't been a new Bond game in nearly a decade.
Multiplayer Notes: Another bust. For some reason Legends does not support the Wii-mote controllers. This leaves you with the control pad and if you're lucky enough to have one - a pro controller. I could barely even play this! And despite some shiny visuals, having just two people in expansive levels means you'll be lucky to even find each other. Grade: F