The bright stages are jam-packed with areas to explore and secrets to uncover. They're like little amusement parks! The idea is to collect seven hard-to-reach wanted posters, and obtaining each is like solving a little puzzle. It's fun to scour every nook and cranny for sandwich icons. So far this game sounds pretty good, huh?
Unfortunately Taz is hampered by all the usual issues that plagued early polygon titles. Poor depth perception makes it hard to leap between platforms, and it doesn't help that Taz can only jump about one foot! If you come up a little short you can desperately claw your way up a ledge, something I find myself doing all the time. The camera requires constant adjusting and over time will make you feel nauseous!
The worst part of the game are the dogcatchers that materialize out of nowhere and snatch you with their nets. Cheap hits abound. A crocodile will leap out of a nearby pond and land directly on top of you. Crates spring extendible boxing gloves to punch you. Walk anywhere close to an electric fence and a bolt of energy leaps out to shock you. Everything in this game, living or otherwise, wants you dead.
Taz could have been moderately fun if you could freely explore without getting whacked every two seconds. The uptempo guitar music is good but it loops incessantly! The multiplayer modes are the video game equivalents of nails on a chalkboard as you mash buttons to "race" shopping carts through angular mazes. I tried to like Taz: Wanted, but it's one of those games that actively resists any attempt to enjoy it! © Copyright 2023 The Video Game Critic.
The camera always provides a nice angle of your shot, and holding the A button expedites the sequence so you don't have to wait for those long, slow rolls. The courses are simple and plain, but at least you have twelve to choose from (nine real, three fantasy). The golfer animation is silky smooth, and the facial close-ups look nearly photographic. Besides Tiger and a few other pros, there are also some humorous characters including a sumo wrestler and an old man who doesn't move his body at all when he swings.
The swing setup screen is well organized, but I hate how the "distance" information alternates with the general hole stats. Something that important should remain on the screen at all times! The X button provides a nice zoom to the spot you're aiming for, but hitting for a proper distance is tricky and can be frustrating for new players. Exceptional shots are dramatized by slow-motion effects and a thumping heartbeat.
The game has some bizarre sound effects, and at one point I thought I was being attacked by a roving band of spider monkeys. Likewise, the generic rock music seems very much out of place for a golf game. If you're looking for replay value, however, Tiger Woods delivers. Besides the standard fare (skins, match play, stroke, tournament), there are several addicting single-player modes.
"Tiger Challenge" lets you compete against individual players to open additional golfers, courses, and other prizes. The "Scenarios" mode provides 50 specific tough challenges covering a wide range of strategic situations. You constantly open new features and earn awards. More realistic than Hot Shots but with an arcade sensibility of its own, Tiger Woods PGA Tour 2003 really makes a name for itself. © Copyright 2004 The Video Game Critic.
The weapons tend to be suited to the particular time period, and they go well beyond the standard fare, including twin Tommy Guns, bouncing lasers, crossbows, and homing missiles. TS2's gameplay is pretty standard, but I was impressed by its frenetic pacing and silky smooth animation. The heart of the game lies in the "arcade mode", offering dozens of short, predefined scenarios for one to four players. Some of these exhibit a strange sense of humor. One stage is overrun with pyromaniac monkeys setting everyone ablaze, and another causes each combatant to "shrink" upon respawning.
The configuration menu is rich, and you can even create your own stages using a mapmaker feature. TS2's graphics are sharp and clean, but not especially detailed or realistic. The character models look cartoonish, but this allows for a wide variety of facial expressions - something you rarely see in this type of game. The frame-rate is uncommonly smooth, even on the split screen. A decent control scheme utilizes both thumbsticks, and I like how enemies react to where they're shot. Zombies tend to lose their heads, and cowboys dance around when you shoot them in the feet.
One side effect of the high-speed mayhem is that it can be hard to aim with precision. One of my friends went as far as dismissing the game as too spastic. Enemies tend absorb a lot of bullets, and it's often hard to tell when they're dead, so you tend to pump more lead into them than necessary.
TS2's music is exceptional and appropriate for each stage, including a jazzy score for 1932 Chicago, religious hymns in Notre Dame, and electronic music for Planet X. It took a while for me to fully appreciate this one, but Time Splitters 2 is a well-constructed shooter that's both goofy and fun. Some may find it shallow, but never underestimate the all-important monkey factor. © Copyright 2007 The Video Game Critic.
Future Perfect offers the same brand of first-person shooting action, except with more realistic graphics, better stages, and more sophisticated missions. The story mode takes the player through a variety of time periods and diverse locations including a futuristic wasteland, a Scottish castle, and cold-war Russia. There's even a haunted house stage! Your character is a bad-ass space marine named Cortez who is cast from the same mold as Vin Diesel. The missions focus on shooting, but simple puzzles and driving sequences add variety.
The story is very tongue-in-cheek, with each stage providing you with a memorable sidekick. The animation is remarkably smooth, and some of the explosions incorporate remarkable "time ripple" effects. The attention to detail is commendable. When you're up in a castle tower, you can actually look out windows to enjoy panoramic views. The controls are okay, but they would probably be better if you didn't have to use a GameCube controller. The right stick is touchy to aim with, and pressing the clunky right trigger to swing a weapon is awkward.
A split-screen co-op mode is included, supporting up to four players. Some of the playable characters are a riot, including robot R-110 ("Eat my laser! Eat it!!"), the evil genius ("Me and my pussy are going to have lots of fun"), the bizarre "Deerhaunter", and an agitated monkey. Some of the more interesting arenas include Venice, a disco, and a flying zeppelin. A nice "wide screen" option makes the most of the screen's real estate, and thanks to the option of adding computer "bots", the game plays a mean solo death match. As icing on the cake, Future Perfect even includes a "map maker" that lets you construct your own levels! First-person shooters don't tend to age well, but this would have to rank as one of its best on the GameCube. © Copyright 2009 The Video Game Critic.
These tubes are constructed of metal frames and glass, allowing you to see the outside. The tracks are set in jungles, factories, and oceans, but you only catch fleeting glimpses of your surroundings, and there's not much to see. The framerate is exceptionally smooth and I never felt like I was going to get ill as I whisked through the tubes. The tutorial is pretty elaborate, but what the [expletive] is a "sub vernier"?
Tube Slider is more confusing than it needs to be. Before each race you're presented with a choice between "turbo" or "boost", and the difference is subtle. There are no weapons but you can suck energy from other racers by following them closely. So you'll sling-shot past a guy, and then he'll sling-shot past you and... what's the point? While careening through the tube you seem to move faster when on the "bottom", but it's not always clear where the bottom is!
This game is disorienting. Colliding with another vehicle and getting spun around is the kiss of death, as it's really hard to catch up again. The techno soundtrack has a few decent beats but playing this game made me feel like I was turning into a zombie. The four player split-screen is watered-down and just plain dull. In the end, Tube Slider feels like an outdated tech demo with a mediocre game built around it. © Copyright 2019 The Video Game Critic.
You begin by selecting between six of the most hideous "children" I've ever seen in a video game. Then your guide, Woody Woodpecker, provides a short introduction. Could they have come up with a more annoying and unlikable guide? I doubt it. Whenever I hear that high-pitched voice, I just feel nauseous. The theme park itself doesn't look bad, with its lush scenery and crowds of people walking around, but navigating the place is a real chore!
You're extremely limited as to where you can move - there are invisible walls all over the place! You'll see all sorts of interesting buildings you'd like to explore, but as I learned - if you want to go there, you can't. The fixed camera angles are disconcerting, and it's sometimes even hard to locate your kid amidst the other pedestrians. Entering an attraction lets you play a mildly amusing mini-game, like riding a bike in the side-scrolling ET stage, or shooting targets in the first-person Wild West level. Other attractions, like Water World, simply consist of watching about five-seconds worth of not-so-special effects. I didn't get to try all of the attractions, because most of the time Woody Woodpecker says, "You can't get in here because there's too many people". What the [expletive] is that all about? When Woody won't let you in, there's not much to do except pick up trash around the park.
Can you believe it? Instead of experiencing the wonders of Universal Studios, I'm forced to collect trash instead! Who designed this thing? You can stop and talk to people, but it's pointless, as they just utter rubbish like "Hello", and "This is exciting!" Exciting? What game are they playing?! There's also an idiotic movie trivia game, which offers really bad multiple-choice questions about inconsequential films like Dragon Heart, Patch Adams, and Back to the Future 3. Due to a bug in the game, occasionally the choices aren't even displayed on the screen! Universal Studios Theme Park Adventure is an absolute travesty - the video game equivalent of raw sewage. I'm usually quite amused when I review bad games, but this one just left me feeling disgusted. © Copyright 2006 The Video Game Critic.
Viewtiful Joe's rich graphics resemble a 3D graphic-novel, with bold outlines and vivid color. The storyline leaves much to be desired, but in terms of raw gameplay, Viewiful Joe is certainly unique. A "danger" symbol is displayed when an enemy is about to attack, allowing you to duck or jump in time to set up a devastating counter. Beating up the robots is enormously satisfying because punches and kicks send metal parts flying in all directions.
There's a lot of button-mashing in this game, and it will take its toll on your hands. But the game's real "hook" is Joe's ability to slow down time in order to dodge bullets or perform Matrix-like attacks. Not only is this fun to execute, but it adds a whole new dimension to the action. You later acquire additional abilities like "Mach speed" or "Zoom in" which play a key role in puzzle-solving as well as combat.
Unfortunately, the game's difficulty is uneven, and I wish Capcom had included a "medium" difficulty to go along with the "Adult" and "Kid" skill levels. Viewtiful Joe is a refreshing change from all the cookie-cutter 3D platform games out there, but I didn't find it especially addictive once the novelty wore off. Also, the name "Viewtiful Joe" really sucks in my opinion. Still, I'll give Joe credit for its good looks and innovation. © Copyright 2003 The Video Game Critic.
The controls are extremely responsive, and Wario scuttles around quickly to keep things lively. New moves are introduced gradually, including a shoulder charge, ground pound, and a devastating piledriver! I especially enjoyed swinging a dinosaur around by the tail, knocking out all others in the vicinity. Defeated foes drop coins, and the way Wario can suck them up with his mouth is just plain disturbing! Each stage features dozens of hidden objects, but you can progress through the game by simply defeating the bosses. Tedious "puzzle rooms" challenge you to snag elusive red gems, and you'll need good depth perception to beat them.
The goofy bosses tend to be oversized beasts, including a lizard with a knob on his tail that Wario can conveniently latch onto. I like how you can use coins to buy continues and pick up right where you left off. Less fun is falling off a ledge and having to beat down a bunch of ghost dogs to return to the surface. I really enjoyed Wario World's early stages, but by the time I reached the obligatory ice stages, I began to grow weary of it all. I really hate that obnoxious pause screen, which plays that irritating "nah nah na-nah nah" sample over and over. Wario World isn't consistently good, but there's still some fun to be had with this GameCube original. © Copyright 2009 The Video Game Critic.
The gorgeous courses incorporate exotic beaches, autumn lakes, arctic ice floes, and a bright resort town at night. Granted, some of these come across as remixes of those in the original game. Not only does each course provide alternate routes, but some actually change with each lap.
Nintendo really put a lot of effort into the water effects, evident by the smooth undulating waves and glimpses of colorful coral and undersea life. Adding excitement are variable weather conditions, including driving rain and violent thunderstorms. Racing through a storm is fun. As waves crash over you and raindrops obscure your view, you get the feeling of being absolutely drenched.
The controls feel kind of weird as you really need to "fight" the waves in order to maintain your position. Be careful not to smack into the colored buoys that you're supposed to be weaving around. There's nothing more frustrating than leading the pack during the final lap before plowing into the final buoy, allowing everyone else to pass you by!
The single-player championship mode is addictive. I noticed there's a different commentator for each racer, but they tend to spout pointless stuff like "Alright keep doing it just like that!" Thankfully they can be turned off. There's also a four-player split-screen mode to entertain friends.
One issue I have with Blue Storm is that if you're not familiar with the course, it's hard to locate the next buoy! They often tend to be off one side of the screen, far out of view. It doesn't help that the courses are designed with a lot of narrow channels and sharp turns. The C-stick lets you slightly alter your view, but it's impossible to manipulate while racing. The problem is exacerbated in the four-player splitscreen where your vision is further constrained.
Otherwise this game is pretty fantastic and a must-play for the summer months. I appreciate how it records best times, even noticing a guy (SMJ) I haven't seen in 20 years! The waves in Blue Storm will battle you tooth and nail, but once you get "into the zone" it provides an adrenaline rush few racers can match. © Copyright 2023 The Video Game Critic.
Control is tricky at first, but once you get the hang of it, it feels natural. You can get by using the main analog stick, but expert players will also use the "C" stick to rotate the cube more efficiently. There's plenty of technique involved, and floating power-ups and bonuses spice up the action. The game ends when a column of animals becomes too long.
Zoocube's single major flaw is how a column turns gray as it's about to reach its limit. This makes it hard to make out the animals on the stack, complicating matters at the worst possible time. Zoocube has its share of special modes and multi-player games, but the shapes are much smaller and hard to discern on the split-screen. The new age music playing in the background is absolutely amazing, and combined with the cerebral gameplay, it puts you into a trance-like state. Zoocube is one-of-a-kind, and guaranteed to appeal to men and women of any age. © Copyright 2003 The Video Game Critic.