The graphics are plain and the controls feel mushy and unresponsive. At one point my friend Brent asked if he was even playing. The collision detection is so erratic you can't even tell if your leg drop landed on an opponent or missed completely. Fortunately, unlike other wrestling games the matches don't tend to overstay their welcome. Life meters deplete fairly quickly and it's easy to pin your opponent by pressing B and C.
I challenged a few friends and found the game to be unintentionally comical. For some reason our guys kept leaving the ring only to turn around and come right back. I guess my biggest disappointment is the lack of pageantry you'd expect from the WWF. Where are the flashy introductions, commentators, and interviews? The crowd doesn't move at all and sounds like a water faucet. Super Wrestlemania should have been a fun romp but its clunky controls and bland presentation tend to undermine the thrill of this "sport". © Copyright 2020 The Video Game Critic.
The graphics are high caliber, and some of the monsters look truly frightening. A creepy organ plays a haunting refrain in the background. The unique health meter is in the form of a head that loses flesh with each hit. In terms of presentation, Warlock has a lot going for it, so it's a shame that the game plays so poorly.
Although you can hurl "magic blasts" and an orb that acts like a boomerang, these can only be aimed at certain angles, and it's hard to hit advancing monsters. This problem is aggravated by numerous cheap hits and monsters that materialize from out of nowhere on both sides of you. Most players will give up in frustration and miss out on most of the great visuals Warlock has to offer. © Copyright 2003 The Video Game Critic.
As you traverse the maze-like stages, the scrolling direction tends to change abruptly, sometimes forcing you into a corner with no room to escape. Frequent power-ups allow you to switch weapons, and you'll learn that certain weapons are far better suited to particular stages. One weapon I hated was the irritating "fire" weapon, which shoots in the opposite direction of where you press the directional pad.
By far your best option is the side-cannon attachment that can be repositioned on the fly via the C button. I do like how taking a hit reduces your weapon power instead of destroying your ship outright, and the high score is displayed on the top of the screen, giving you something to shoot for. Some of the music has that vintage 16-bit quality, but much of its sounds like bubblegum pop from the 1980s. In the final analysis, Whip Rush is playable but certainly not one of the better Genesis shooters. © Copyright 2006 The Video Game Critic.
The grass court looks terrific and properly worn to dirt along the baselines. A tilted overhead camera angle provides an optimal view but the player animation is on the choppy side. The smoothly-animated tennis ball scales to huge proportions when hit high into the air. It also tends to be floaty, so even if you whiff on your first swing you might still be able to chase it down!
The audio boasts referees who yell the score, players that grunt, and that sweet resonating sound of the ball hitting off your racket. The green ball girls look like a bunch of Keebler Elves scrambling around to gather loose balls. One animation I despise is how after winning a point your player will dance around, running back to his position while waving his hands in the air. After a match the camera pans upward, revealing nothing but a green wall. Odd!
The physics could be better. Balls don't so much bounce as die when they hit the surface. This might be expected on grass but it's not much better when you select hard or clay courts. Playing the CPU is frustrating because he tends to play the net and your lob shots don't drift deep enough to go over his head. Wimbledon is far more enjoyable when playing a friend, or better yet with four players. Its shortcomings seem far less glaring when everybody is in the same boat. © Copyright 2021 The Video Game Critic.
You'll fly through a cavern, an underwater shipwreck, an ornate temple, and a retro-futuristic factory. Stage five looks more like something you'd see under a microscope with its squishy membranes and floating cells. I love the diversity but the scenery looks somewhat grainy and indistinct. Wings of Wor surprised me with its special effects that include wavy underwater currents and an earthquake that rocks the screen. Everything in the world wants to kill you including gargoyles, floating knights, seagulls, squid, and even clouds with faces. The spiders in the first stage scared the living [expletive] out of me!
The shooting action is rather conventional and some areas feel drawn out with repeating enemies and scenery. The bosses are surprisingly easy to defeat. The first is a huge locomotive with a face that consumes almost the entire screen. After such a dramatic entrance it's downright comical when you quickly dispatch him by shooting him point-blank in the face. Each stage has its own distinctive harmonized musical score. This game flew under many radars, but it's worth tracking down. With simple gameplay and frequent surprises, Wings of Wor is a little slice of 16-bit heaven. © Copyright 2011 The Video Game Critic.
Your first encounter is with a drone which can only be defeated by a series of well-timed jump-kicks, and the controls are reprehensible! Wolverine can jump, kick, and punch, but the button mappings make zero sense and are not configurable. Wolverine has some pretty fancy moves like spin and lunge but you're more likely to perform them by accident. Why am I getting my ass kicked by these nerdy scientists?! How many slashes does it take?! This reminds me of the lightsabers in the Star Wars games; one good slash really should do the trick.
Missing sound effects make it hard to tell when an enemy has been defeated. And it gets worse. Would you believe Wolverine can't walk up steps? He has to hop up them instead, and can't even jump onto a ladder! On the other hand, stepping on fire and broken glass incurs no damage. The first robotic boss might not be so bad if I could keep Wolverine facing the correct direction. Hope you enjoyed that battle because you'll need to beat that robot multiple times.
The graphics aren't bad but they are repetitive. Stage two's snowy landscape is visually appealing but bringing down that massive helicopter is an exercise in futility. The single feature I thought this game had going for it - a progress meter - turned out to be a timer! My friend Brent didn't think this game could be that bad, but he was at a complete loss for words. Wolverine is beyond bad - this is straight-up incompetent. © Copyright 2019 The Video Game Critic.
Although your view is limited, there always seems to be a teammate just off-screen ready to receive a pass. The gameplay is much deeper than its predecessor - there are now headers, penalty kicks, corner kicks, and penalty cards. You even get to see a replay of each goal. There are 32 teams and plenty of customization options.
If there's one area where the game stumbles badly, it's in the sound department. The background music is fair, but the crowd sound effects are unbearable. The disjointed, incomprehensible "chants" sound like a poor radio reception. Sound is NOT the system's strong suit, and Sega shouldn't have attempted to be so ambitious. Other than that, this soccer game is definitely worth checking out. It also provides multi-tap support. © Copyright 2002 The Video Game Critic.
An innovative new "catcher's view" provides the hitter with a wide-open view of the strike zone, with the batter standing just off the edge of the screen. Unfortunately, the emphasis on realism takes its toll on the gameplay. The action isn't nearly as fast or smooth as SportsTalk, and there are too many lulls in the action. Two button presses are required to throw a pitch, and the batter must "aim" using a circular target. You're constantly waiting for the pitcher to get the ball back, and for some odd reason the scoreboard is displayed before every batter.
Unless you're a purist who thrives on the finer points of the game, World Series can be downright tedious. Throws tend to be inordinately high arcing, turning the most routine grounders into close plays at first base. The height of the baseball is represented by a huge shadow, which looks pretty cheesy. I still recall my friend Bobby commenting, "Look at the size of that shadow", causing me to second-guess my $60 investment.
Fortunately, the game excels in its attention to detail. The SportsTalk announcer is back and he has a lot more to say. The scoreboard displays humorous animated cartoons in addition to the box score. Other neat little touches include fielders who toss the ball towards the mound after the third out. You can even hear vendors shouting "get 'yer hot dogs" in the stands. World Series Baseball certainly covered its bases in terms of getting the details right, but it took a step back in terms of gameplay. © Copyright 2006 The Video Game Critic.
New options include multiplayer leagues, the ability to draft and trade players, and teams of "all-time great" players. But the most notable new feature is the ability to "celebrate" during home run trots. My friend Eric used to totally abuse this feature, cartwheeling all the way around the bases (which I must admit was pretty hilarious).
The SportsTalk announcer was apparently canned and replaced with another guy who says next to nothing. A PA announcer introduces each batter, but he speaks too slowly ("Next up. For the Yankees...") A disjointed "water faucet" sound effect serves as the crowd noise. The pace of the game hasn't improved at all. You'll still need to wait for the pitcher to compose himself before each pitch, and the scoreboard is shown before each batter, which is irritating as all hell. In the final analysis, World Series 95 is just a modest upgrade. © Copyright 2006 The Video Game Critic.
The graphics are a slight letdown. As a sequel to Castle of Illusion, I was expecting the visuals to be bigger and bolder, but they're not. The characters appear slightly smaller, and the colors look washed out. The varied stage locations include a forest, volcanic mountains, library, and a sunken pirate ship. There's also a magic carpet ride with controls and sound effects that bring Joust to mind.
On land, Mickey wields a magic blanket to defeat blue soldiers and wandering flames, and utilizes devices like teeter-totters to reach high places. The two-player mode incorporates additional stages that emphasize the teamwork aspect. These are slow and a bit tedious at times, but generally easy and fun. The stage designs are fairly predictable, save for a few clever touches like the spider that weaves his web as you walk across it.
The kinder, gentler musical score is pure Disney, but the sound effects could use some work. I can tolerate the scratchy voice samples, but that tinny "thunder" sounds awful. A password feature is included, but the use of playing cards instead of letters makes it tough to record the code on paper. This might not be the best Mickey Mouse adventure you'll ever experience, but the reasonable difficulty and cooperative play make it worthwhile for gamers looking for something relaxing. © Copyright 2007 The Video Game Critic.
You can control four X-Men, including Gambit, Cyclops, Wolverine, and Nightcrawler. Each has their own special powers, and in addition, you can call on Rogue, Archangel, Iceman, Storm, and Jean Gray for backup (they basically clear the screen for you). The characters look a bit pixelated, and their pictures on the menu screen are so poorly drawn that you can't even tell which one is which!
The backgrounds, depicting futuristic worlds, are rather generic and dull. The sound is the worst, with bad music and annoying, cheesy sound effects (enemies "pop" when they die). Control is fair, except for Nightcrawler's teleport ability, which is very flakey and ineffective.
One unique feature is the ability to switch characters at any time, but the difficulty is excessive, even on the easy level. There are plenty of cheap, unavoidable hits, and it's tough to get back life once you've lost it. There is a also two-player simultaneous mode that doesn't work too well. © Copyright 2000 The Video Game Critic.
Colorful stage backdrops include the Pyramids of Egypt, snow-covered Hymalayan mountains, and London Bridge on a stormy night. Sadly, the gameplay is frustrating and repetitive. Although your whip moves with fluid motion in any direction, it inflicts minimal damage on sword-throwing thugs and other converging enemies. Since you can't squat down while using it, you're pretty much a sitting duck. You'll face the exact same goons over and over again, and shooting them with a gun provides your only relief.
But the worst aspect of the game are the irritating small creatures like birds, snakes, scorpions, monkeys, and even fish that hound you from all sides. Not only are they impossible to avoid, but targeting them is an exercise in futility! Egypt is a nightmare, because after stumbling through all sorts of tedious hazards, a big windstorm can come along and sweep you all the way back to the beginning! It makes you feel very helpless in a game that never really gives you a fighting chance to begin with. © Copyright 2008 The Video Game Critic.
The hole overview screens are so muddy and indistinct, they appear to be knitted in wool! And can somebody tell me why my golf ball has a red shadow? The controls are horrible. First you place a cursor over the ball, hold the A button, and then pull it back like you're shooting a rubber band. There's a dotted line connecting the cursor to the ball but it's hard to see. Even large obstacles are difficult to discern. Once I thought my ball was going to sink into a pool red paint but it bounced off of it instead. What the [expletive] am I looking at?!
The animation is choppy and you can never predict what direction the ball will bounce. Having a fixed number of strokes adds challenge, but it feels pretty hopeless when you begin a complicated maze of a hole with only three strokes remaining. One hole actually incorporates a pinball table, giving Zany Golf the dubious distinction of being both the worst golf game and worst pinball game!
The carnival-style music is unappealing but thankfully it can be shut it off. While you're at it, do yourself a favor and shut the whole damn thing off. Zany Golf may have been passable on the Amiga but on the Genesis it's just one big dumpster fire. Note: I had to use a Game Genie to get this to run on my Genesis. © Copyright 2018 The Video Game Critic.
At first your enemies are human, and it's not uncommon to encounter a dozen in a large room. One effective (cheap?) strategy I found was to retreat to the nearby doorway and pick them off one by one. Eventually you'll encounter more exotic life forms including the obligatory face-grabbers. When things get hectic the frame rate slows, making it harder to aim. Fortunately the hit detection is super forgiving so if you're aimed in the right general direction, your target erupts into a fountain of chunky blood. Once you start taking hits however you'll get tossed around in a really disorienting manner.
A counter indicates how many enemies remain on the current floor, and a female voice keeps you apprised of your status ("Floor secured. Proceed to the next level.") I like how dead bodies remain when you return to an old room. The cheesy music that plays on the elevator is hilarious, but why does the elevator return me to floors I already cleared? A password is provided but the game has no score. A simple looping beat plays throughout and it got on my nerves after a while. Zero Tolerance was an impressive technical feat in 1994, but it might be hard to find a good excuse to play it now. © Copyright 2016 The Video Game Critic.
Although designed to run on the European Megadrive, this cartridge works fine on my Genesis. The game itself is a side-scrolling shooter that probably doesn't get enough credit. The scenery is your typical space station fare and there are some cheesy bosses including one that resembles a clown face. There are some odd enemies including one I refer to as "nervous robot pants".
The best part of Zero Wing is its weapons. Two side cannons provide shielding and additional firepower, allowing you to unleash a wide barrage of missiles. I like how these cannons squeeze together as you navigate narrow passages. Three types of weapons are available, each powered up to three levels. The green homing missiles are most effective, and it's fun to watch these small, slow-moving projectiles consume their targets. Once they're equipped you'll go to great lengths to avoid the red (wide) and blue (laser) icons. I also tend to avoid the speed icons because advanced stages require you to squeeze through some narrow passages.
One novel feature of Zero Wing is the ability to grab an enemy ship and hold it in front of you as a shield. Just don't grab anything too large or it will drag you down! The game also features a toe-tapping musical score with that trademark Genesis twang. I always regarded Zero Wing as a novelty first and foremost, but I'm beginning to realize this is a better-than-average shooter. © Copyright 2017 The Video Game Critic.
Our hero has the ability to karate chop enemies, but most of the time he has an ample supply of throwing stars to toss at crabs, robots, electric eels, and floating cameras? As you ride in hot air balloons and leap between clouds you'll collect bonus items like apples and ice cream cones. It's moderately fun to play for score, especially with the generous bonuses you rack up between stages.
What hurts the game is its overloaded control scheme. The B and C buttons have multiple functions, which is confusing. One original feature in the "super dive", and the manual clearly illustrates how to perform this in six easy steps! The move is an integral part of the game but painfully difficult to perform. Most of the time you'll slam right into a wall. I also noticed that some stages seemed designed to keep the fun to a minimum.
The "cliff zone" for example features multiple bosses (c'mon), a reticule that randomly targets you (gah!), and slime-covered ledges that will have you slipping all over the place (just stop it!). Later stages are a mixed bag, ranging from a fast jet-ski sequence to a tedious factory stage. What keeps the game afloat is its forgiving nature. You'll earn a ton of free lives, but when you don't even want them, that indicates a problem. Zero the Kamikaze Squirrel is a by-the-numbers effort, and its one truly original feature falls flat. © Copyright 2013 The Video Game Critic.
One or two players can battle these evil minions by tossing everyday objects like tomatoes, plates, pop-sickles, and footballs. The whimsical soundtrack perfectly complements the action, and an easy-to-read password is provided after every few stages. Zombies Ate My Neighbors is a good game, but if you cut your teeth on the SNES version, you're bound to be disappointed.
First off, the right side of the screen is reserved for scoring and the radar display, forcing the main play area to be somewhat squished. The graphics don't look nearly as sharp as the SNES, and the certain visual effects are missing altogether. For example, monsters don't turn blue when you freeze them with a fire extinguisher.
But the audio is the biggest letdown. The music is muted and some sounds have been reduced to simple beeps. The bass-heavy effects that rocked the SNES just sound harsh. My friend Scott remarked, "it gets more and more disappointing with each sound effect!" The only way this edition improves upon the original is the red blood that drips down the "game over" screen, as opposed to that cheesy purple goo of the SNES edition. © Copyright 2010 The Video Game Critic.