The Sonic & Knuckles cartridge has an unusual shape due to its innovative "lock-on" technology. In addition to functioning as a stand-alone Sonic game with two playable characters, the cartridge lets you stack on Sonic the Hedgehog 2 or 3, giving you the ability to play as Knuckles in those games. Sonic and Knuckles represents the last of the great 2D Sonic games. You can expect vibrant stages, pin-point controls, toe-tapping music, and a ton of play value. The opening Mushroom Hill stage offers inviting Autumn colors and the Lava Reef stages harkens back to the Marble zone of Sonic 1. Other stages like the Flying Battery are less memorable, and Sandopolis is downright aggravating with its repetitive paths, converging ghosts, and annoying timers. The addition of Knuckles the Echidna is the best aspect of the game. This red creature has the ability to glide, climb, and break through walls by touching them. In fact, the stages seem specifically designed with Knuckles in mind. The frenetic gameplay will keep you on your toes, but the pacing is often disrupted by annoying hazards like vines that ensnare you and chickens that blow you into spikes. Eggman does not play a role in all boss encounters; you'll sometimes face a robot (like a giant hand) or magical creature (like a sand golem). The bonus stages are mostly rehashes, and the new "electric ball" stage is confusing. There are times when Sonic & Knuckles feels like leftover odds and ends from the original trilogy, but I still enjoyed it. So what's it like to use Knuckles in Sonic 2 and 3? Pretty awesome actually! Knuckles actually takes over the title screen in Sonic 2, and his ability to climb tall walls lets you reach previous unexplored areas. In the more "open" stages like Emerald Island, Hilltop, and Oil Ocean, you can use him to climb to a high point and glide over much of the stage. I was able to get through the Casino Zone in record time. The lock-on function works great, but it's no surprise the concept never really caught on. Not only does it require a lot of planning ahead, but you have to be pretty confident the franchise is going to be around long enough to support it! The technology may go down as a footnote in video game history, but I love how Sonic & Knuckles breathes new life into two old favorites. © Copyright 2014 The Video Game Critic.

Sonic the Hedgehog rode to success on a string of stellar 2D titles, but in 1996 the world was changing. 3D polygons were superseding 2D sprites, and it was time for this hedgehog to evolve. Enter 3D Blast, which is the most technically superior 16-bit Sonic... and least fun! The intro features a full-motion video, which was unheard of on a 16-bit machine. It's pixelated as hell but still a sight to behold. The game itself employs 2D objects rendered to have an amazing pseudo-3D appearance. The Marble Madness-inspired zones are multi-tiered platforms with angular hills and valleys. To complete each stage you'll free little birds by pouncing on robotic animals. These cartoonish creatures include bumblebees, alligators, monkeys, crabs, and penguins. After gathering the birds you deposit them in a basketball-like hoop. Impressive bonus stages let you run on rickety bridges over lava. The game sounds like a blast, but after a few seconds of play it's clear that something is wrong. Your momentum is way too strong, making the controls feel slippery and imprecise. Add in unforgiving collision detection and a lack of depth perception, and you have a recipe for disaster. Even the simple act of pouncing on a hovering bee becomes an exercise in frustration as you frantically hop around the general area. I like how you can't fall off platforms, but sometimes you'll need to hop between small floating blocks, which is painful. The new traps and mechanisms are aggravating. I hate bouncing on trampolines on the side of hills, and Sonic's new "twirl" move makes him look like a freakin' ballerina. There goes his street cred! 3D Blast is just plain tedious at times, especially when you find yourself wandering in circles, searching for the last robot. The first two stages are tolerable thanks to their modest difficulty but the fun hits a wall in the "spring stadium" zone. It's hard to tell where you can or can't go in this hideous red and yellow nightmare. The lack of fun is palpable as you get bounced between bumpers and tossed onto beds of spikes. Most people will quit at this point, which is a shame considering a scenic snow zone is right around the corner. The soundtrack is kind of cheesy and there's no save feature. I can understand what Sega was trying to do with Sonic 3D Blast, but that doesn't make it any easier to stomach. © Copyright 2013 The Video Game Critic.

I remember when Sonic Spinball was first released more or less as a stop-gap measure to tide gamers over until Sonic 3. Spinball's flashy intro shows Sonic gliding over water while approaching an ominous mountain shaped like Dr. Eggman. Once the actual game begins however, those vibrant 3D effects give way to a bland, flat sewer stage. Each "pinball table" consists of similar-looking areas connected via a confusing network of tubes. Sonic feels lethargic due to controls that lack the crisp, responsive feel fans are accustomed to. Sonic can walk over certain platforms, but most of the time he's bouncing around while tucked into a ball. This game lacks the speed of real pinball, so Sonic feels floaty, and sometimes seems to move in slow motion! The idea is to hit switches and activate doors to make the chaos emeralds accessible. Upon gathering all three you'll engage in an easy boss battle. Sonic Spinball is repetitive and confusing. It's hard to grasp the stage layouts and your objectives are never clear. Trial and error is the order of the day as you use the flippers to propel Sonic all over the place, nudging him on rare occasion. Many targets are annoying "warps" that have Sonic moving in circles. The collision detection is lousy, as it's not uncommon to see Sonic pass part-way through the flipper. Despite its technical shortcomings, Spinball is somewhat addictive. Whether you're trying to complete the game or just play for high score, the challenge is substantial. Spinball also packs a hidden surprise in the form of mini-pinball bonus stages. Not only are its screen-sized boards simple and fun, but their smooth animation and crisp controls make the main game look shabby by comparison! Sonic Spinball doesn't lend itself to quick games, so the lack of a save option or password is glaring. The music sounds so generic, you'll swear you've heard it in another Genesis game. I love the blue hedgehog as much as the next gamer, but this Sonic title reeks of mediocrity. © Copyright 2011 The Video Game Critic.

Has there ever been a game as instantly playable and supremely enjoyable as Sonic the Hedgehog? Designed to be Sega's answer to Nintendo's Super Mario Bros., Sonic made a huge splash. You're still jumping between platforms and pouncing on enemies, but Sonic is bigger, better-looking, and much faster! The opening stage is the easy, breezy Green Hill zone, which is remarkably pleasing to the eye. The tropical vegetation and amazing waterfall backdrops make you feel eager to explore. The degree of detail is commendable with flowers that dance in the sun and platforms that dip slightly under the weight of your landing. The sense of speed is exhilarating as you bound around loops and roll through winding tunnels at breakneck speeds. Patient gamers can explore alternate paths and search for hidden areas, but the old adage "curiosity killed the hedgehog" does apply. The one-button controls are simple, responsive, and forgiving. Still, I'm not crazy about the rolling spin attack, which is awkward to execute and not very useful. Holding a single ring will shield you from most dangers, and trying to collect 100 rings to earn a free life is always a fun challenge. Dr. Robotnik (aka Eggman) is a memorable villain. Having transformed animals into robots, he provides Sonic with an army of imaginative adversaries like mechanical bees, fish, crabs, and bats. During each boss encounter Eggman shows up in a different mechanical contraption. If Sonic prevails, he hops on a metal container to release imprisoned animals like chicks and bunnies. The game consists of six zones with three acts each. The second stage (Marble zone) forces you to take a slower, more deliberate approach as you traverse lava-filled ruins. The Spring Yard zone has a pinball vibe as Sonic bounces between bumpers and flippers. The Labyrinth zone is a water-filled chamber which forces you to gulp air bubbles every so often. Its slow-motion water effects were groundbreaking for their time, but the zone feels a little slow and tedious now. The flashy Star Light zone and industrial Scrap Brain zone are more uptempo, but frequent drop-offs can cause you to deplete lives quickly. Psychedelic bonus rounds challenge you to snag gems while bouncing around a rotating maze, and collecting all six gems is necessary to truly finish the game. Sonic's music is sensational. Each stage has its own catchy, multi-track theme song, and these add another dimension to the fun. There's no password feature but you can earn continues along the way. Sonic the Hedgehog set a standard for platformers so high that even he would struggle to surpass it. © Copyright 2014 The Video Game Critic.

The first game was a hard act to follow, but Sonic the Hedgehog 2 adds interesting elements that push the fun to new heights. The title screen introduces Sonic's new sidekick, a fox named Tails. Tails actually has two tails - an unfortunate byproduct of living too close to a nuclear reactor. In theory Tails can be controlled by a second player, but it's hard to keep him on the screen. Sonic is now armed with a "spin-dash" move that lets him "rev up" before taking off like a bullet. It's a huge step up from the rolling spin attack of the first game. In fact, you'll wonder how you ever got along without it! Sonic 2 offers ten zones with two acts each. The Emerald zone follows closely in the footsteps of the Green Hill zone from the first game, with inviting vegetation and shimmering water that reflects the clouds and mountains in the distance. If you liked the loops in the first game, wait until you get a load of the corkscrews in Sonic 2! The Chemical Plant is an industrial-themed zone with a striking red skyline, and the gorgeous Aquatic Zone depicts flooded ancient ruins. The difficulty is low and the zones are short, so it's not hard to make considerable progress. One exciting new addition are the half-pipe bonus stages which were positively jaw-dropping in their time. Although the 3D graphics are somewhat chunky, they still make you feel like you're on a rollercoaster as you gather rings while avoiding bombs. The excellent musical score meets the lofty standards set by the first game. The coop aspect was a nice thought, but in practice the fast action doesn't lend itself to that kind of gameplay. If a second player isn't around, the CPU takes control of Tails to a very minimal extent. Unhelpful and distracting, he may even contribute to the occasional slow-down. Sonic the Hedgehog 2 also includes a split-screen "racing" mode but its visuals are distorted (smushed) and frankly it's nothing to write home about. Sonic 2 isn't quite as polished as the original game, with occasional graphical and collision glitches (I once got stuck in the Chemical Plant). Still, Sonic the Hedgehog 2 packs more fun and imagination that most 2D platformers can only dream of. © Copyright 2014 The Video Game Critic.

Sonic the Hedgehog 3 opens with an impressive title screen rendered in the pseudo-3D style of Donkey Kong Country. It might not seem like a big deal now, but back in the day my friends were freaking out when they saw that thing! Before you begin you're prompted to select one of six battery-backed-up save slots. Considering the previous two Sonic games offered no way to save your progress (not even a password), this was a pretty big deal. You also have the option to play as Sonic, Tails, or both (second player can control Tails). The ability of Tails to helicopter in the air provides a unique experience, and even the boss battles are different! Sonic 3 tries to incorporate a storyline of sorts, with an opening scene that introduces Knuckles the Echidna after Sonic and Tails crash-land onto Angel Island. This island is a lush, tropical paradise that Dr. Robotnik soons transforms into a raging inferno (we can't have nice things!). The stages are gorgeous and I like how they flow into each other. Still, stages like Hydrocity and Marble Gardens feel a little repetitive, and sometimes you don't know if you need to move left or right. The fact that there are arrows pointing the way in some areas is never a good sign! New gadgets like spinning tops are kind of confusing, as are the new enemies disguised as spikes. There's a tricky encroaching wall sequence in Hydrocity zone that can cause you to lose all of your lives if you're not careful. Sonic 3 doesn't feel very long, but the difficulty is up there and it's hard to rack up points. The exploratory aspect of the game is terrific thanks to multitudes of alternate routes and hidden areas that really enhance the replay value. New power-ups let Sonic become a fireball, attract rings, or be encased in a bubble. These are great - while they last, which is usually not long. The new bonus stages let you run around a large sphere while gathering blue balls and avoiding red ones. While certainly challenging, these stages are not visually impressive and kind of annoying. The two-player split-screen head-to-head mode has been "fixed" so the distortion is gone, but it's still kind of meh. Sonic the Hedgehog 3 delivers the same tried-and-true gameplay we love, but it was starting to become clear that the developers were running short on ideas. © Copyright 2014 The Video Game Critic.

The original Splatterhouse (Turbografx-16, 1990) was a gory hash-n-slash side-scroller. Parents hated it and kids loved it. Splatterhouse 2 expands upon the premise by incorporating more stages, creepy special effects, amazing bosses, and a much-needed password mechanism. The developers were clearly influenced by classic horror flicks like Friday the 13th, Halloween, Hellraiser, and Nightmare on Elm Street. The intro sets the mood nicely as a camera pans over a stormy countryside as a dark mansion slowly moves into view. You begin outside of the house, and it's clear that these ghouls have not been keeping up with their yard work. As monsters approach you can literally punch them in half, and it does wonders for the self esteem (yours - not theirs). Most ghouls look like walking masses of quivering muscle and come in a delightful assortment of shapes and colors. There's no shortage of splattering blood and guts, but it tends to be green, so parents shouldn't have an issue with it. Splatterhouse 2 lets you do stuff you rarely get to do in real life, like bludgeon an alien with a giant dinosaur bone. The first boss arrives early in the form of an obese creature that spews green acid. He's followed by the obligatory elevator stage, and this is where things start to get a little repetitive. You gradually figure out how to defeat each creep, but their attacks tend to nickel and dime your life bar. By the time you encounter a boss (like that hideous giant face) you're half dead. As stages progress the monsters can absorb more and more hits, causing the fun factor to diminish. The digitized sound effects and scary music are good but not great. Splatterhouse 2 doesn't feel as a fresh as the original, but at least it stays true to its spirit. © Copyright 2013 The Video Game Critic.

The first two Splatterhouse games were a celebration of macabre fun and gratuitous gore, and Splatterhouse 3 tries to take the series to the next level. Once again our mask-wearing hero "Rick" must save his girlfriend Jennifer by beating freaky creatures to a bloody pulp. Next time these monsters might want to consider kidnapping the girlfriend of somebody less mentally unstable. Splatterhouse 3's graphics are pretty good. In fact, some of the digitized cut-scenes are among the most impressive you'll see on the Genesis. I especially enjoyed the scene with the text "the monster emits a foul smell and moves closer to Jennifer". Unlike the previous games where Rick could only move sideways, he can now move all around the screen. He has a bunch of new attacks like jump-kicks, combination punches, throws, and head butts. Splatterhouse 3 even gives you a map so you can choose your own route through the mansion. This would have added a lot of replay value if the rooms weren't all the same! This game is just a series of protracted brawls with the same gang of slimy creatures that take too long to defeat. And just when you thought you've cleared a room, a new set of ghouls drop in from the ceiling. Gah! You can strike several at a time, and pinning them against walls is effective. The problem is, these creatures can take a hell of lot of abuse, and some bosses require about 100 hits! It is nice how creatures exhibit damage as you wear them down. Some will have the top of their heads collapse halfway through the battle, which is gruesome but fun. Rooms not full of ghouls contain flying books and disembodied hands that chip away at your life. The rooms are furnished but there's not much to see. Splatterhouse 3 doesn't bother to keep score so it's just a matter of persevering until the end. The game has a few good ideas, but its repetitive fighting action proves to be its undoing. © Copyright 2013 The Video Game Critic.

It was groundbreaking for its time, and in terms of fun, no other baseball game for the Genesis can touch SportsTalk Baseball. Boasting arcade-style graphics, smooth action, and intuitive controls, this is ideal for the casual player looking for a quick game. The pitching and batting controls are as simple as pressing a button. When fielding, you can dive for grounders, leap for line drives, and even snatch homeruns from the top of the wall! Runners can lead off and steal, but don't forget to hit that slide button as you approach second base! Despite featuring major league players, Sega inexplicably did not obtain the MLB rights. Having the teams referred to by their city isn't an issue, but those homemade logos look cheesy as all hell! I suppose that explains why the guy on the box is wearing a generic green helmet. Three fictional stadiums are available: White-Sky Dome, Blue-Moon Stadium, and Red-Sun Stadium. SportsTalk's gameplay is solid all around, but its true claim to fame is its live commentary. This feature was amazing in 1992, and it's still quite entertaining today. The commentator (who looks like Larry King) keeps up with the action fairly well, and it's quite amusing when he lags behind. Since his voice doesn't affect the action on the field, you can just continue playing as he rambles on about the last play. For a good laugh, have a fielder tag an occupied base several times in succession, causing the commentator to exclaim "Safe! Safe! He's safe. Safe! He's safe. Safe!" Playing head-to-head is great, but the single-player mode is respectable as well, with aggressive CPU-controlled opponents that even try to steal bases. SportsTalk lets you play a whole season via the battery backup, but its menu interface is woefully slow and clunky. One bizarre "feature" is the game's "domination" rule, which abruptly ends the contest when one team goes up by ten runs. What the heck is that all about? Another issue is the lack of an instant replay. Oh well, this is a 1992 game, so I guess you can't ask for too much. But if you're looking for pure fun, Sportstalk Baseball is definitely the way to go. © Copyright 2006 The Video Game Critic.

For many years I've taken this game for granted, but after recently playing similar games on other systems like Final Fight (SNES) and Burning Fight (Neo Geo), I've gained a whole new appreciation for this classic side-scrolling brawler. Streets of Rage takes the Double Dragon-style of gameplay to a whole new level, with more attacks, realistic-looking characters, and interesting backdrops. Two players can fight side-by-side, and there are three characters to choose from, including a muscle-bound blonde guy (Axel), the high-kicking black dude (Adam), and a hot chick in a red miniskirt (Blaze). The punch and jump buttons let you execute a surprising variety of moves, including throws, jump-kicks, head-butts, and body slams. The "special attack" button calls in a police car which fires a cannon that rains down fireballs on everybody but somehow doesn't harm the good guys one bit. There are a wide variety of thugs to beat the crap out of, but after a while they start repeating, showing up in different-colored outfits. You'll face fire-jugglers, dominatrixes, guys with turtle-like jackets, and a parade of generic thugs. At the end of each stage, some pumping "boss music" kicks in as you face a metal-clawed punk, a Cro-Magnon man, a fire-breathing fat guy, or some acrobatic ladies. Speaking of music, the Genesis isn't known for its audio, but the music in Streets of Rage is simply amazing. Each of these catchy techno jams gets under your skin and really pumps the adrenaline. In terms of graphics, the characters are nicely animated and the scenery is quite detailed, especially the gorgeous city skylines. You can smash up some of the scenery (like phone booths) to reveal power-ups and weapons. And like most fighting games, it's perfectly acceptable to eat strange food you find laying in middle of the road. Weapons include baseball bats, pipes, and - my favorite - the bottle. Not only can you smash it over some goon's head, but then you can stab him with the broken end! The gameplay is remarkably tight in terms of control and design. Bad guys don't require an inordinate number of hits, and the stages are just the right length. Streets of Rage is an absolute classic that seems to get better with time. Play it and love it. © Copyright 2004 The Video Game Critic.

Boldly original and loaded with surprises, Strider delivers a genuinely thrilling platform adventure. Armed with a sword, our hero must slash his way through a Russian palace, the Siberian wilderness, a flying airship, and even a dinosaur-infested Amazon jungle. Strider Hiryu is a nimble guy, with the ability to scale walls, vault, slide, and even monkey-swing under platforms. Is there anything this guy can't cling to? I love it when he just misses a platform, yet grabs the ledge with one hand and quickly hoists himself up. In addition to battling soldiers, wild animals, and freaky robots, Hiryu must face some the most memorable bosses ever seen in a video game. The mechanical ape and skeletal T-Rex are classic. Strider's graphics are great but its animation is less impressive and somewhat choppy. A simple white arc represents a swing of your sword, accompanied by a simple clang sound. Enemies you strike are split in half before they silently vanish. The lack of sound effects is glaring at times, but I do enjoy the elegant organ soundtrack. Most objects tend to be rendered with large sprites, and Strider himself makes for a rather large target. The difficulty is substantial, and you need an intimate knowledge of the stage layouts to avoid their many hazards. Strider can also smash pods to release mini droids that fight by his side - a novel concept for its time. Although the crux of the game involves slashing everything in sight, the stages exhibit remarkable variety. Each has a unique design and new set of enemies, so the action never gets stale. And you don't have to deal with those "repeating environments" which plague so many other platformers. With its graphic artistry and imaginative stages, Strider is one of the most entertaining platform games you'll ever play. © Copyright 2008 The Video Game Critic.

Oh how the mighty have fallen. I really loved the original Strider with its unbridled creativity and frenetic "grab-onto-anything-and-everything" gameplay. By comparison, Strider Returns feels slow, confusing, and uninspired. Worst of all, its unreasonable difficulty level will have you ditching the controller in disgust. On the surface, Strider Returns doesn't seem much different. It's a side-scrolling platform game with a hero that can slash quickly and repeatedly to defeat his robotic and alien foes. The first thing I noticed was how much slower Strider moves in this game. His sword animation has improved however, and he has a bit more range. There are no mini-robots to help him out, but he does have the ability to throw stars at times. It doesn't matter, because you'll be lucky to survive the very first stage! Yes the "Forbidden Forest" is an unpleasant ordeal fraught with cheap hits and blind jumps. Green plants sprout from below your feet, spelling instant death. You'll hit your head on seemingly easy jumps, sending you plunging to your death. Upon defeating the first boss, the room begins raining fire, often draining your last ounce of life. Such brutal treatment would be bad enough in stages 6 or 7, but this is the first stage we're talking about here! The second stage places you in a maze-like castle with ropes and pulleys all over the place. I found myself going in circles, and I was pissed! After the generic "girders in the sky" of stage three, I could almost predict the obligatory "alien lair" was right around the corner (yep - that's stage four!). The controls could be tighter, and there are a lot of little glitches - like being able to slash through solid stone walls - and kill what's on the other side! And I have no F-ing clue what that [expletive] orb meter is all about. Strider Returns also attempts some voice synthesis with unintentionally hilarious results. Even the box cover is deserving of ridicule, with a horrible illustration that suggests the title "Gymnast Wars". Strider Returns is really only good for one thing, and that's for making you appreciate the original Strider. © Copyright 2008 The Video Game Critic.

When my friend Tuan brought this cartridge over to my house back in the day, we thought it was the greatest thing. Like any respectable racer, it features a hot blonde in a bathing suit on the title screen. It's not easy to convey the thrill of high-speed racing with 16-bit technology, but Super Monaco GP does a pretty decent job. Like Pole Position, the illusion of speed is conveyed with rotating colors and scaling sprites. Most of the action takes place on the lower third of the screen, where you can see your hands turning the steering wheel. The rear-view mirror that runs across the top is extremely useful for blocking cars trying to pass. The GP mode is pure arcade excitement as you jockey for position while striving for a high score. An alarm sounds if you're in danger of slipping past the position limit, and it's exciting to shake off challengers. World Championship mode is a series of races with progress saved via a 32-character (!) password. The idea of selecting a rival is cool but the races are too long. Learning the tracks is key, but you're also going to need to master manual transmission to squeeze maximum performance out of your car. Super Monaco GP is a good-looking game. The cars look fantastic but they're all the same color except for your rival. Seeing the sparks fly under the chassis is a really neat effect. The stereo sounds of cars whizzing by are great, but I especially love that chain-smoking voice that encourages you with "C'mon!" and "Keep it up!" The tracks feature digitized backdrops which add realism but look a bit washed out. Monte Carlo is the best with its layers of buildings and sailboats in the harbor. The menu screens are loaded with impressive digitized images that capture the spirit of being at the track. Super Monaco GP is pure arcade racing satisfaction. © Copyright 2015 The Video Game Critic.

I played my share of superhero games during the 16-bit era yet have zero recollection of this. I guess it just wasn't very popular. Playing it now however I can appreciate its simple, old-school style. Superman reminds me of an NES game. The first stage seems hopelessly generic as our hero bounds across rooftops, punching the same foes over and over. It doesn't take long to learn the attack patterns of the hovering robots, circling pods, jetpack flyers, and green guys who run directly at you. Flying saucers present the most danger, approaching from awkward angles and requiring four hits to destroy. A single super-punch will do the trick but it takes so long to wind up, by the time you throw it you're swinging at air. I like how jumping lets you punch upward, and coming down on enemies lets you damage them under your heel! The collision detection is pretty unforgiving though, so if two enemies converge you're guaranteed to take at least one hit. Halfway through the first stage Superman finds yourself flying up an endlessly tall building while being harassed by flying drones and plunked by falling rocks. Your laser heat vision looks cool but all it does it push objects around the screen. Lame! At the top of the building you'll face off against the Prankster - a villain who tosses explosive playing cards. Sadly, by the time you reach him you only have a sliver of life left! The excessive difficulty is unfortunate because the later stages prove more interesting. Bust out the Game Genie to see Superman break down doors in an apartment complex, fight his way through subway cars, and shoot leaping shark-men at sea. Subsequent bosses include Metallo, Brainiac, and Mxyzptlk (not a typo). There are even some side-scrolling shooting stages that would kick ass if Superman's eye lasers weren't so weak! The soundtrack is notable because the best tunes were composed by the guy who did Streets of Rage. On balance this game is mediocre at best. It gets by on its old-school charm, but you'd expect a superhero of Superman's stature to pack a far bigger punch. © Copyright 2021 The Video Game Critic.

Sylvester and Tweety makes you feel like you're playing an actual cartoon, and isn't that what you want in a game like this? The characters are large and the animations are as familiar as they are entertaining. I love how Sylvester suspiciously sneaks up the stairs or struggles to maintain his balance while walking across a clothesline. The game is divided into six "episodes" set in a house, yard, train, alley, lab, and ocean liner. The introductions, musical scores, sound effects, and artistic backdrops are all remarkably faithful to the classic Warner Bros. cartoons. There's even some impressive voice synthesis ("Hello... breakfast!") Playing as Sylvester, your goal is to catch Tweety, but when you get close he tends to flutter off. The stages reprise classic cartoons, including the one where Tweety transforms into a big yellow "Mr. Hyde" monster. In addition to superb graphics, the game has a few innovative elements. You can hold down A to activate your "Tweety vision" binoculars to zero in on his latest location. The idea of positioning boxes isn't original, but being able to precariously stack two or three certainly is! The levels are loaded with sometimes-hard-to-get bonus items which add replay value. Occasionally you'll encounter annoying adversaries like a gray bulldog or the broom-wielding granny, and it's hard to enjoy the game when they relentlessly hound you. On rare occasions you can hide, and seeing Sylvester pretending to be a baby in a carriage is hilarious. If only the game played as well as it looks! It's impossible to jump downward from a ledge, which is frustrating when the object you need is directly below. The controls are conducive to over-jumping, and the iffy collision detection rarely works in your favor. In advanced stages Sylvester is constantly running into walls and bumping his head. Sylvester and Tweety has some issues, but fans of the cartoons can still bump up the grade by a letter. Note: The level 4 warp code listed in the manual is wrong, and should be AAA BBB ABC. © Copyright 2014 The Video Game Critic.