You'll have to constantly replenish your ammunition by shooting icons that appear in place of fallen soldiers. At any given moment there are plenty of vehicles and soldiers running across the screen to fire at. The action is frantic, but take care not to shoot the occasional prisoner or medic squad. So what's wrong with using the Zapper light gun? Well, besides the constant clicking noise, the gun causes too much flashing on the screen. Stick with a normal controller however and you'll definitely have a good time. © Copyright 2002 The Video Game Critic.
The fighting action feels pretty standard as you punch, back-punch, and kick your way through waves of soldiers that appear two or three at a time. The key to beating these guys is keeping them separated. If you get sandwiched you're going to take some hits. Keep kicking and punching until enemies fly off the screen. I found the jump-kick to be hard to perform and not very effective. One unique feature is how you can enter huts, trucks, and caves in the background. If you clear them out you're awarded a prize like brass knuckles or a bullet-proof vest. Unfortunately when you lose a life you also lose any items acquired.
Occasionally you'll face a soldier with a machine gun, and it's satisfying to take it from him and shoot the guy with his own gun! Some soldiers have grenades but they are so dumb they tend to throw them in the wrong direction. I noticed some graphical breakup in P.O.W. (especially during boss encounters) but it doesn't affect the gameplay. A bigger issue is that enemies and tactics don't change appreciably over the course of the game. That said, I found myself returning to P.O.W. quite often, always looking to top my best score. © Copyright 2017 The Video Game Critic.
Pac-Man is timeless fun but in this case I feel like the controls could be better. As much as I love the NES control pad it totally sucks with this game! I found myself constantly missing turns and colliding with ghosts head-on. Using a quality joystick like the NES Advantage helps a little, but it still feels a little off during advanced levels when the action gets hectic. If you're looking for Pac-Man, you'll find it here, but this is not the best Pac-Man. © Copyright 2018 The Video Game Critic.
Each stage offers a completely different layout, although several tend to be influenced by the classic 2D games. The white one is my favorite; it looks like a winter wonderland! Since the mazes are more sprawling the game feels slower because you have a lot of ground to cover. Alerts are displayed when a fruit or power-up is available, since the center of the maze may not be in view at the time.
There are up to nine ghosts (!) in each stage, but they seem less tenacious than the four in the original Pac-Man. You can rack up some insane multiplier bonuses by chomping them all up. When the eyes of an eaten ghost travel the same path as Pac-Man, it looks like he's wearing glasses! In addition to bonus fruit there are power-up pills. Most of these have subtle effects, save for the speed demon icon that lets you move twice as fast.
Each game begins with the option of skipping to an advanced level a la Millipede (Atari 2600, 1984). The fact that you earn a big fat bonus up front for doing this (up to 150K) seems a little unfair. The game has happy-go-lucky music in the tradition of the series but the intermissions are not particularly memorable. That's the problem with the game in general. Despite all the extra bells and whistles I'd be just as happy to play the original Pac-Man instead. © Copyright 2018 The Video Game Critic.
Your goal is to toss a paper on the doorstep of each subscribing house, or toss papers directly into their mailboxes for bigger points. The houses are conveniently color-coded with subscribers in light-colored homes and non-subscribers in ominous red houses. What makes the game extra fun is how you earn points by breaking windows, hitting gravestones, knocking over trash cans, and just creating chaos in general. Your paper supply is limited but you'll find extra bundles at random.
Paperboy is challenging because you're confined to the lower right corner of the screen with little room to maneuver and a small turn radius. Riding on the street gives you little time to react to oncoming cars and storm drains. The sidewalk has its own share of hazards like dogs, construction crews, and runaway lawnmowers. There's one house where a crazy woman bolts out of the front door with a knife! If that's not alarming enough, you'll encounter death himself - the grim reaper!
At the end of each street is an obstacle course. I'm glad this is just a bonus stage, because it's hard to line up your bike correctly with the ramps. Paperboy's gameplay is super fun and loaded with surprises. And even if you fail, at least it's not the end of the world. © Copyright 2016 The Video Game Critic.
As with all pinball games, the action begins slowly but once you get into a groove you can rack up some serious points. Each table features mini-games like pool, slots, and a "catch the animals" challenge. These offer a nice change of pace but they kick in too frequently, disrupting the flow of the pinball action. One innovative feature is the ability to relocate your flippers to the high and low areas of the table by simply pressing up or down. That's kind of cool (I guess) but far too easy to do accidentally.
There's nothing worse than inadvertently moving the flippers out of the way just as the ball heads down the drain. Why not just have two sets of flippers? The three tables offer substantial replay value but it's the RPG mode that puts this cart over the top. Featuring a slew of fantasy tables with impressively textured landscapes, you'll take aim at mythical creatures and bosses, purchasing power-ups between encounters. Pinball Quest is a pinball title that goes beyond the call of duty, offering an original twist you won't find anywhere else. © Copyright 2017 The Video Game Critic.
I like the look of those shimmering blue waters. While engaged in a sea battle you must carefully maneuver your ship to avoid incoming cannonballs while launching your own. Invading an unfriendly town involves exchanging fire with forts. Interior land battles require you to strategically position groups of your men, although the actual fighting seems mostly automatic.
Many battles culminate with a sword fight between you and the opposition's leader. The duels aren't much to look at, and like the sea battles they tend to drag on for too long. The graphic depictions of towns and taverns are well done, but the images appear in small windows that leave little room for detail. I was disappointed that when I visited the tavern in the Spanish city of Santiago I talked to the same blonde bartender I met in Fort Royale.
The game is text-heavy and sometimes you're presented with an entire screen of text to read. Patient gamers will savor the layers of strategy which provide ample opportunity to spread influence, betray treaties, marry a wench, and discover buried treasure. Less patient gamers however are likely to lose interest due to the sluggish sea battles and repetitive nature of it all. Fighting the wind at sea or moving men across land can be painfully slow.
The cartridge offers eight slots of saves, and wouldn't you know, mine are full from the adventures of previous owners! How long do these batteries last anyway? Pirates has remarkable depth for an NES title, but I'd advise pirate lovers to pursue subsequent versions of the game with faster gameplay and better eye candy. © Copyright 2020 The Video Game Critic.
Worst yet, you'll pull your hair out trying to navigate the endless labyrinth of jungle screens, which all look the same and contain numerous dead ends. Just completing the first stage will test the patience of even the most seasoned gamer. Subsequent levels contain some good-looking first person shooting action, but these prove equally frustrating and hardly worth the effort. Platoon looks great, but Sunsoft should have gotten someone to play test this thing before inflicting it on the masses. © Copyright 2003 The Video Game Critic.
Play Action Football's play-calling screens are well designed, letting you select from eight plays and four formations. A high-angle view of the players moving into formation is accompanied by an annoying helicopter sound effect. A "high" view is used for passing plays, but a closer angle is employed for running plays.
The action on the field unfolds slowly, thanks to the players' turtle-like speed and passes that float in the air for an eternity. The controls are pretty good however, borrowing a page or two from Tecmo Bowl. You can tap the A button to avoid tackles on offense, or speed up on defense. Pressing both A and B switches you to the nearest defender. The kicking game is solid, but the football looks absolutely huge as it sails through the goal posts. No wonder there are so many bounces off the posts!
My first game of Play Action Football got off to an inauspicious start as both the CPU and myself ran back kick-offs for touchdowns. And if that wasn't unrealistic enough, we both missed our extra points as well! Play Action Football tries to incorporate voice synthesis, but it's unintentionally comical. When the referee yells "First down!" it sounds like he's saying "Prison!" And before each snap, instead of "Ready, set, hut!" the QB seems to be shouting "Goodie, set, hut!"
Surprisingly, Play Action is equipped with an NFL Player's Association license, so actual player names and faces are displayed on the bottom of the screen! I have to give Play Action credit for incorporating some cool bells and whistles you don't even see in some modern football games. For example, when a player gets hurt, trainers come out onto the field with a stretcher.
And when a first down is in doubt, the officials bring out the chains to measure up close! There's even some cheerleader action during halftime. As usual, Nintendo incorporates a lot of little musical jingles into the game, which are actually quite catchy and memorable. There's no way this can possibly compete with excellent Tecmo Bowl games, but Play Action Football represents a decent effort on Nintendo's part. © Copyright 2006 The Video Game Critic.
Popeye must traverse three screens of platforms in an attempt to collect items tossed out by Olive Oyl at the top of the screen. In the first screen it's hearts, in the second it's musical notes, and in the third (pirate ship screen) it's letters that spell out "HELP". Making your life harder are bouncing skulls, swooping buzzards, and a marauding bully by the name of Brutus.
Avoiding Brutus is largely a game of cat-and-mouse, but eating your spinach lets you turn the tables on him, delivering a mighty punch that sends him bouncing around the screen. Just be sure to keep moving because Brutus is quite nimble for his size, and can pounce on you unpredictably.
Each screen offers its own unique elements, like a trap you can trigger or a teeter-totter that catapults you to a higher platform. The music is also first-rate. Not only does each screen feature its own catchy jingle, but a lively rendition of the Popeye theme plays when you eat your spinach. Some might contend Popeye is a second-tier platform title, but I haven't had this much fun on my NES in a while. © Copyright 2008 The Video Game Critic.
The stage select screen lets you choose between six locations including an atrium, sewers, and a space shuttle launch pad. The stages tend to look very similar but I like how there are alternate routes and secret areas. A few (like the waterfalls) have flickering scenery that's kind of unsightly.
Your primary weapon is a boomerang. Not only does it inflict serious damage but you can throw it in any direction - including diagonally! Once powered-up you can unleash them in a rapid-fire fashion that's very satisfying. The ability to knock down drones while hanging off ladders is especially fun. The fluid controls make it easy to traverse platforms and leap to and from ladders. Just be sure you're on the very edge on a platform before initiating your jump. This game is not forgiving.
About halfway through each stage you'll rendezvous with a team member to obtain an ID card. Why is his face blue? An onslaught of enemies include soldiers, pink gorillas, and robots that look like ED-209 from Robocop. Many adversaries have shells that make them frustratingly impervious to attack. Instead of clearing out each room you'll be wise to make a quick exit as converging enemies nip at your heels.
Power Blade could use more checkpoints. It's infuriating when you travel deep into a stage only to fall and have to restart from the beginning. Still, the tuneful NES synth music keeps your adrenaline flowing. I wish the game had a score but at least there's an easy-to-enter password which allows you to make progress in small chunks, stage by stage. You can really get into a zone playing Power Blade, especially once you get familiar with the layouts. I'm not saying you should break your piggy back for it, but you probably won't regret it. © Copyright 2019 The Video Game Critic.
In the opening stage Arnold appears to be decked out in pink pants and white boots. Wait what?! Oh that's right - this was made in the 80's! Falling into the first pit will leave you hopelessly stuck, despite the breakable wall and a supply of grenades! Apparently somebody forgot to test this level. It was probably the same guy who forgot to test all the other levels. In fact, the stages are so poorly constructed that a "self destruct" mechanism had to be included. But since it's accessed from the pause screen, you're more likely to accidentally blow yourself up (gah!).
Some stages offer multiple paths but I'd recommend taking the high road to avoid crawling rocks, scorpions, and crazy people. Subterranean areas force you to jump between narrow ledges, but the jumping controls aren't bad. Enemies occupy some ledges, but if you wait they tend to fall off on their own. The initial encounter with Predator is anti-climatic, as you simply shoot him 14 times as he somersaults around.
After every few stages you're subjected to what the instructions call "the big mode". These stages were clearly developed as a separate game, but the manual tries to rationalize them as some kind of "ethereal zones." The oversized characters look impressive but the orb-dodging gameplay is pointless. Predator has no score but there is a continue option. This game is technically deficient, but Predator fans may still want to check out this so-bad-it's-bad film adaptation. © Copyright 2014 The Video Game Critic.
The game screen consists of a picture window in the center, text commands lining each side, and a dialog box along the bottom. Typical commands are move, look, check, talk, take, use, give, and buy. Less obvious options are hit, praise, dump, and "Percy". The game is broken up into chapters, with passwords allowing you to save your progress between them.
The well-designed user interface makes it easy to enter commands, using one button used to select and another to back out. I found the illustrated cartoon graphics somewhat endearing, but there's minimal animation and the happy-go-lucky music got on my nerves.
I could have embraced a quirky game like this if it made any sense but it does not. Most of the puzzles are illogical. To extract a coin from a fountain you need to "check" the fountain and then "hit" it? How did people ever make progress before the internet? Like Infocom's classic Zork text adventure series, your actions are heavily constrained ("don't give anything away now").
Even when you choose the right action it's often necessary to execute "talk" or "check" multiple times to get the desired result. In one case I had to check a trash can in a bathroom twice to discover a donut! What is this - a Seinfeld episode?? Princess Tomato is a cute, innocent adventure but its trial and error gameplay is impenetrable without a FAQ. © Copyright 2019 The Video Game Critic.
Scavenger Hunt's title screen features the most obnoxious rendition of the Addams Family theme I've ever heard. If you could imagine a band being forced to play the song underwater, that's what it sounds like.
You play the role of a nimble, high-jumping Pugsley who pounces on ghosts, bats, rabbits (?), and scurrying Jawas. The controls are super responsive, and sometimes you can bounce off three or four enemies in a row. Good times!
You begin outside of a mansion. To the left are spooky gallows and to the right is an entrance to an underground area. Upon entering the house you have a variety of doors to choose from, each taking you to a different stage. I find it odd how many of these doors take you to exterior locations. Each location has a family member tucked away for you to rescue.
I have a few issues with this game. The stages are repetitive and just go on and on. Also, they just don't fit together logically. You might jump out of a hole and end up in a very unexpected location, like the beginning of a lengthy stage you had already completed.
Pugley's Scavenger Hunt also gave me a case of deja vu. Bumping blocks. Cannons with faces. Green pipes. Secret rooms of goodies. Wait a minute! Is this a Super Mario Bros. (Nintendo, 1984) knock-off? And the enemies are so damn random: spiders, goblins, tea kettles, monkeys on unicycles, and even knights riding ostriches a la Joust (Atari 7800, 1988). You collect gems, hearts, and... candy canes?
Pressing start calls up a status screen showing who you've rescued so far, your score, password, etc. Upon beating a boss, you're provided with a short password, but that spooky font is practically illegible! Pugley's Scavenger Hunt has become somewhat rare over the years and is kind of expensive. I would not recommend breaking your piggy bank for this one. © Copyright 2023 The Video Game Critic.