The menus employ a "panel navigation" system, a la Windows 8. I like how there's a season mode in addition to the online/offline franchise modes. The navigation controls really call into question the design of the PS4 controller. A lot of times you need to hit that poorly-designed "option" button to proceed when a "start" button would have made more sense.
Visually, the game is impressive. The player mannerisms are dead-on, and purists will appreciate details like catchers flashing signs, fielders kicking dirt, and umpires making emphatic strike out calls. I love those crisp throws from the outfield. The batter and pitcher views give you a fair angle for judging pitches. The umpire may or may not call a pitch over the plate as a strike - just like real baseball! When a ball is hit deep the camera remains behind the plate, making it hard to see what's happening because the outfielders are so small.
The Show 14 falls short in terms of gameplay and controls. Whoever designed the default "pulse" pitching meter failed to take into account that high-definition screens have inherent input lag, making this spastic mechanism unusable. When you can't even throw a change-up over the plate to avoid walking in a run, something is very wrong. You can fall back on the "classic" pitching mode, but that also has faults. Once the ball is hit, it's hard to tell which fielder you control and the throw meter is not intuitive. The hitting controls are solid, but there are an inordinate number of foul balls, which really drags things out.
Played on the default broadcast mode, a game takes as long as the real thing, so the "fast mode" is a no-brainer. The Show can be pretty exciting when it's the bottom of the 9th inning and the other team has the tying run on third. Most of the time however it's unremarkable, and even a five-inning contest can seem awfully long. It's ironic, but I think the main weakness of MLB 14 The Show is how close it mirrors real baseball. © Copyright 2014 The Video Game Critic.
Once I actually could play the game I warmed up to it in a hurry. The players, stadiums, and fans look phenomenal. Using the replay feature I was able to zoom in close enough to see hair on player's arms and wrinkles on their faces. The only thing they can't seem to get right are the eyes, which look like marbles rolling around.
On the field the action is fluid and seamless, but it's the little details that make all the difference. Runners hustle down the line to beat out throws. Pitchers react in disbelief to walks and batters argue strikeouts. Infielders apply shifts for power hitters and fans reach over railings to snag foul balls. Players high-five each other in the dugout after a homerun and sometimes even gather around home plate! The slick television-style presentation shows scenes of batters warming up on deck and split-screen views of the pitching matchup.
The Show is easy to pick up and play. The pitching gauge looks tricky but is very forgiving. You can swing with a press of a button, but it's hard to generate much offense. In fact, it seems like most of the runs come via the home run. The new "prepopulated pitch count" feature lets each batter begin with a random count like 2-1 or 3-2. It sounds like the dumbest thing ever but becomes habit-forming because it speeds up the game so much.
The two-man commentary flows nicely but tends to fall behind fast-developing plays. During one game two runners who had already scored become "stuck" while heading back to the dugout, and when the inning was over I discovered those runs didn't even count! Despite the occasional glitch I like how MLB 15 The Show strikes a balance between arcade and realism. The game also conveys the aura of being at a real ballpark, and you can't ask for much more than that. © Copyright 2015 The Video Game Critic.
Since that was taking too long so I started a new season with my team the Orioles. Funny how you customize every aspect of each game except for the stuff you care about. I can adjust the weather conditions but not the time of the game? I guess Sony just doesn't have the technology. The Show's user interface sucks. Sometimes you press X to advance, but sometimes it's the option button (worst button ever). After sitting through all those updates you'd think my roster would be up to date, but not even close!
Once the players finally take the field there's a lot less to complain about. The player models may not be up to NBA 2K16 (PS4, 2015) standards but their stances and mannerisms are dead-on. The game reflects reality, so when slugger Chris Davis strolls to the plate the defense goes into a shift. Fielders will actually reach into the stands to snag foul balls! Between innings you'll enjoy photo-realistic views of the town where the game is being played. The only thing missing is Adam Jones' bubble gum.
The controls are intuitive and the tutorial screens are helpful. The golf-style pitch meter offers just the right balance of skill and randomness. For those who prefer a more arcade-y experience The Show 16 offers a "quick counts" feature, and while the idea of pre-loading the count with random balls and strikes may amount to heresy to some, it sure does keep things moving!
The television presentation is fine right up until you hit the ball. The camera remains firmly behind the plate for deep flies, so you can barely make out the fielders much less enjoy home runs clearing the fence. And don't get me started about the online mode. The only way I could connect with a friend was via the "leaderboard" screen (a big WTF) and we never could get our headphones to work. MLB The Show 16 might be a case study in bad design, but at least they got the baseball part right, and that's kind of a big deal. © Copyright 2016 The Video Game Critic.
The Show tries to strike a balance between arcade and realism but falls short. Much like Madden and NBA 2K, the contests turn into a grind. The controls are too complex and the pacing is slow. I reviewed this with three friends who all had the exact same lukewarm reaction. My buddy Eric (the baseball purist) noticed all sorts of oversights: logos too small, fans in the groundskeeping areas, strange lulls in the play-by-play, etc. Is every game a sell-out?
Like previous versions of the game there's an inordinate number of passed balls on third strikes. And just when you thought the controls weren't complicated enough, you can now call time-out from the batter's box or make your pitcher step off the mound. I can't imagine anyone actually wanted those. Also new is your ability to launch a "power throw" from the outfield in just six easy steps!
For those looking for something more accessible a new "retro mode" harkens back to the old days of Sportstalk Baseball (Genesis, 1992) and Ken Griffey Major League Baseball (SNES, 1994). The gameplay is simple and it feels good to freely slide your batter around the batter's box. Only two buttons are used, making you wonder why it was necessary to overload the controls to begin with. I enjoyed the breakneck pacing of this mode, so it's a shame you can't play a season in retro mode.
The fact that retro mode is the clear highlight illustrates just how unwieldy and unexciting The Show has become. And don't get me started about the bugs. During one game I had two runners stranded at third, but when the ball was thrown to that base, one magically scored! If you're looking for a new baseball game, MLB The Show 17 is pretty much the only game in town. I purchased my copy when it went on sale, and I'm glad I waited. © Copyright 2017 The Video Game Critic.
Each game kicks off with a slick TV-style presentation with Phil Simms and Jim Nance providing pre-game analysis. I like how the starting players are flashed along the bottom of the screen, and the use of video clips to introduce quarterbacks is a nice (but underused) feature. On the field the players look sharp but not noticeably better than last year. Players with long hair like Riley Cooper appear to have straw sticking out of their helmet.
The number of moves you can execute is astronomical, but a proper manual should have been provided to reference the buttons. One notable new feature is the "defensive rush" which allows you to shed your blocker with a well-timed button press. It adds an arcade flavor that's been missing from Madden since... well... forever. The new play-calling interface is a nightmare, offering a single "suggested" play by default. The play explanations shown with these are helpful, but I prefer to have the entire playbook at my disposal. Unfortunately, accessing that requires digging through layers and layers of horrendous menus that pop-up and jostle around on their own accord. It's so time-consuming and nauseating I started to settle for the suggested plays. It's also really easy to accidentally choose the wrong play while trying to expedite the automatic replay. Play selection is even worse on defense since you sometimes don't even have enough time to select a play!
The new kicking meter is a mess with those hideous rainbow-colored lines. I do like the uptempo pace of the game and the way players behave realistically. Colin Kaepernick will run all over your ass and Ben Roethlisberger will usually hang in the pocket (for better or worse). The coaches are prominently featured in cut-scenes and their reactions are amusing.
Still, Madden 15 is missing a lot of elements of real football. There's no chain measurements and penalties are practically non-existent. The stadiums look flashy but there are no cheerleaders. Players rarely bobble catches, help each other up, or congratulate each other. The half-time show is worthless and the post-game show is practically non-existent. The commentary is weak, with Phil Simms offering pearls of wisdom like "It's better to be ahead than behind". For a "next-gen" sports title, EA has shown me nothing. Madden 15 is yet another disappointment from EA, but when you have an NFL-sanctioned monopoly there's really no point in trying very hard. LATE NOTE: My lawyer just informed me I inadvertently signed over my entire 401K to EA. Bastards!! © Copyright 2014 The Video Game Critic.
One interesting new feature is the new catch controls. Now you can fight for the ball (triangle), focus on possession (X), or run-after-the-catch (square). The problem is, sometimes you'll hit square but end up diving on the ground immediately after catching the ball! There are now five ways to throw the ball which is overkill. More useful are the icons that flash over linemen on defense, allowing you to get added "push" if your timing is right. Unlike previous Maddens, passes are frequently batted into the air and often picked off. The runningbacks seem to have a better grip on the turf and I like how they can regain their balance. The coaches look true to life but why are they always standing by themselves?
But where are the celebrations, cheerleaders, and ten-yard measurements? Where are the commentators and fan cut-aways? It seems like every year EA subtracts as much as they add. There are hardly any penalties which really take its toll on the realism. The halftime show is crap. Why don't we see highlights of other games in progress?
And then there are the bugs. I've witnessed kickers kick the ball sideways, receivers signal first-down in the wrong direction, and Joe Flacco indicating a false start penalty for his own team. The announcers are frequently wrong, especially when it comes to coaching challenges. Did anybody test this game? What was EA doing all year besides counting money? And those who take Madden online are in for additional suffering. It has to update 100 things every time you play, and the interface for connecting with a friend makes no sense. There were multiple times when the game completely locked up while loading. I was actually thinking about rating Madden 16 about average until my friends pointed out, "it's not an average game if you can't play the thing!" © Copyright 2015 The Video Game Critic.
The television-style presentation offers some really striking views of the stadiums. A new kicking meter was a good idea, but the one they came up with is a slow, clunky piece of [expletive]. In terms of audio EA spared no expense by hiring two commentators you've never heard of. They love to yammer on about the age of the players instead of staying on top of the action. You can never tell if a pass was caught, dropped, or intercepted!
As usual there are glitches galore, including automatic coach's challenges when you're just trying to call a timeout. The only thing worse than initiating an unwanted challenge is listening to the commentators chide you for the rest of the game about your poor coaching. Speaking of coaches, these guys look positively bizarre. Is that supposed to be Rex Ryan or the hunchback of Notre Dame?!
The confusing menus are cluttered with unwanted options like "weekly training", "play defense only", and "sim to mid season". Who asked for this junk? In franchise mode the default setting is "play the moments" instead of a full game! WTF? Instead of focusing on superfluous crap maybe EA could let me play the preseason or fix the broken save system.
Madden 17 spends most of its CPU cycles checking for roster updates, which might be justifiable if the rosters weren't terribly out-of-date! I have Jets QB Ryan Fitzpatrick leading the Browns and Ben Watson (on injured reserve for a month) playing tight end for my Ravens! And you can't even start a new franchise without reinstalling the whole game! Electronic Arts could at least pretend they're making an effort. Where are the cheerleaders? Where are the chain measurements? It's time EA had some competition. This NFL-sanctioned monopoly is a total racket - a pigskin sham! It's a ham sham. © Copyright 2016 The Video Game Critic.
As a football purist I feel obligated to play simulation, although its realism is suspect considering there's no penalties. When starting a new season the game pummeled me with so many prompts and unnecessary features I was hitting X like I was playing Track and Field (NES, 1987) for crying out loud. This not only caused me to miss the entire preseason but opening day kickoff as well. The action on the field feels pretty tight despite sporadic frame rate and clipping issues.
Before snapping the ball I find it hard to tell which players the passing icons are supposed to be lined up with. Close camera angles make it hard to tell if your running back is heading for trouble while trying to round the edge. Likewise the low passing view makes it a challenge to survey the field. Interceptions are ubiquitous. At least punts don't always bounce into the end zone like they've done every other year. The kicking meter kind of sucks though. At the end of one game I hit X to kick a field goal with four seconds left, but the clock kept running while that slow-ass meter was moving. Wouldn't you know time expired before the ball was even snapped?
In terms of graphics, Flacco looks a lot less like Frankenstein this year but coach Harbaugh looks like he's gained 20 lbs and hasn't slept in a week! I noticed a few new animations like ankle tackles and basket catches that look pretty cool. There are some strange sights too, like receivers who rub up against defenders like a cat on a scratching post. Despite the NFL loosening restrictions on celebrations they tend to be so low key in this game you won't even notice them.
The presentation is definitely like a TV broadcast, right down to fading to a commercial every five minutes. The play-by-play is pretty good and they even talk about the team's previous week's performance. The new Longshot mode begins as a heartfelt drama with a Varsity Blues vibe, but degenerates into a sleazy reality show. It's never clear if your choices are really affecting the story at all. Madden 18 is what it is. Besides the rosters there's no good reason to upgrade, but isn't that always the case? © Copyright 2017 The Video Game Critic.
I have to admit the running controls feel extra responsive - almost touchy. This tips the scales heavily toward the running game. The passing game suffers from more pick-offs than my Aunt Judy in the grape section of the produce aisle! The kicking meter is absolute garbage but at least it's possible to down the ball just short of the goal line. Due to the NFL's new stance on celebrations you now get dances in the end zones and showboating on the field, but nothing worth watching.
There seems to be an injury on every other play but you never see trainers on the field so they must not be very serious. The halftime show is a non-event, offering little more than the scores of other games "in progress". The new franchise mode seems promising, allowing you to dive right in without messing with preseason or training camp. I loved the idea of downloading the latest Raven roster until I noticed the wrong quarterback was starting and I couldn't substitute him!
I got tired of fighting with the convoluted menu system. After selecting "advance week" I inexplicably found myself in mid-season. There are so many defects in Madden 19 I don't know where to start. The camera often pulls way back before the snap so you can't tell what the [expletive] is going on during the play. I've witnessed plays called dead while ball carrier is still on his feet! One time the camera zoomed under the stands and I found myself in some kind of football twilight zone. In fairness, EA has only been working on Madden for 30 years. I'm sure if the NFL just gives them another 30 they'll get it right. © Copyright 2018 The Video Game Critic.
he player animations feel more unpredictable, so you never know when a receiver is going to regain his balance and waltz into the endzone. The controls can be downright touchy at times, especially when you're trying to go up the middle and the ball carrier is lurching left and right. Running backs tend to bounce between linemen like a pinball! Defenders seem to hit with more force, sometimes hurling the ball carrier into the ground. You can select your touchdown celebration via the right stick but they tend to be pretty lame. I have yet to witness a single legitimate "wow" moment in this game.
EA has been conservative with their development, shoring up their core gameplay without adding any notable new features. On the field the action is polished but it lacks the flair of network TV. The commentators are extremely talkative - maybe to a fault. Sometimes it sounds like they're in their own world, oblivious to what's happening on the field. The halftime show is practically non-existent, and where are the cheerleaders? When are the chain measurements? EA really needs to upgrade their crappy kicking meter. I nailed a 59-yarder with no problem!
One thing I'll say for the game is it's fair. If you see a receiver breaking free, you can hit him with pinpoint precision. If your tight end is tied up but you throw it his way you're probably looking at an interception. I do find it annoying how quarterbacks either throw a good pass or eat the ball. Maybe they should throw an inaccurate pass while under duress? The pacing is crisp, partly due to the automatic clock runoff after each play, and the game is always a challenge, whether playing a friend or the season mode. With Madden 20, EA has once again succeeded in putting together a playable, albeit unremarkable football game. What they failed to do is give gamers a reason to care. © Copyright 2019 The Video Game Critic.
The weak physics doesn't help. Your shark takes to the air like Superman and homes in on targets like a heat-seeking missile. It all feels very fake and automated. The controls make heavy use of the shoulder buttons to dash, bite, and tailwhip. Once you have a person (or fish) in your jaws you flick the right thumbstick around to thrash until the blood turns red. The body itself disappears which is very unsatisfying. You can also flop up onto the beach and drag oblivious sunbathers into the surf one by one.
The game has two views: surface-level which shows your dorsal fin knifing through the water, and an underwater view which exposes a whole new world. Maneater claims to be an open-world RPG and in fact you do develop from a baby shark into a super-shark. But the game is poorly designed. At one point the screen was telling me to press X to equip my sonar, but X is to jump! I finally stumbled upon a menu option to equip the sonar, but then it told me I could only do that in a grotto. Why does it have to be so complicated? And why would a shark be equipping anything?
You're constantly flipping to your map which is a real piece of [expletive]. Early on I found myself confined to a swamp seemingly disconnected off from surrounding areas. When a blinking icon appeared on the Caviar Key Gate, I assumed I had unlocked a new area but I couldn't get through. As it turns out, the surrounding areas were accessible the whole time!
Maneater is also quite buggy, with a lot of unsightly frame drops and abrupt load screens. The game clearly has memory issues. I will give Maneater credit for its sense of exploration. You'll see some amazing sights above the waterline such as lighthouses, cruise ships, skyscrapers, and amusement parks. The scenery looks dazzling as day turns to night. When underwater I enjoyed hunting down collectables and discovering hidden secrets.
The audio does a fine job of making you feel submerged with muffled sounds and bubble effects. There's a narrator who chimes in on occasion, trying to be funny but failing miserably. Maneater isn't a good game but if you feel the urge to kill robotic people with a robotic shark, the world is your oyster. © Copyright 2020 The Video Game Critic.
On the slopes I found myself grappling with the least-intuitive controls ever devised. Much like EA sports titles, the designers seemed intent of shoehorning every possible function into the two thumbsticks. The left thumbstick is overloaded with so many extraneous controls like speed checks and reverts that you can't even steer! Trying to line up with ramps or rails is frustrating, especially with your huge boarder blocking your view. Trying to perform tricks? Forget it. I played through all the tutorials and still had no idea what I was doing. Executing flips requires you "charge" your jump, but you rotate so slowly that landing on your feet is a matter of pure luck. And once you wipe out, you can't get up! Oh sure you can move the sticks and push buttons but you just wallow in the snow like a pathetic loser.
The square button resets you back to the top of the hill, and the fact that it's the most useful button in the entire game speaks volumes. Assigning it to the square was a dumb move however because you're constantly hitting it by accident. And I haven't even gotten to the graphics yet. With apologies to Rutger Hauer in Blade Runner "I've seen things... you people wouldn't believe." Mountains that flicker into view. Trees that grow snow as you approach. After crashing into a tree, my crumpled body once folded into the shape of a pretzel. On another occasion I watched in amazement as my snowboarder fell and plowed down the entire length of the hill on his face at full speed.
I've played bad snowboarding games before, but unlike Steep (Ubisoft, 2016) there's nothing nefarious going on here. Infinite Air is just grossly incompetent and clearly rushed out the door in time for snowboarding season. Any sense of quality control lost in time... like tears in the snow. © Copyright 2018 The Video Game Critic.
Martha is Dead's storyline is intriguing to say the least. Set in a small Italian village during the 1940's, a girl finds her twin sister floating dead in a lake and inadvertently ends up assuming her identity. It's a dark, disturbing premise set against an unsettling World War II backdrop.
The dialog is Italian with English subtitles. Played from a first-person perspective, the game portrays the era of history in a convincing manner. The excellent cinematography manages to turn a scenic daytime location into an ominous place of gloom and doom at night. The sheer artistry of this game, especially with regard to the nightmare imagery, is pretty spectacular.
Your world is mainly limited to a spacious house, nearby woods, and a lake haunted by a ghostly lady. As you explore you'll collect items and piece together clues. The central mechanism of the game is your camera. When a photo icon appears you'll want to take a picture with perfect framing, lighting, and focus. You then need to visit your darkroom to develop it. While compelling at first, the routine starts to get a little tedious, especially when they only yield vague clues.
The pacing is leisurely but things do get intense at times. The storyline is ambiguous enough to keep you guessing, but with enough hints to string you along. I was genuinely enjoying myself until a series of bugs effectively derailed my entire experience.
The first glitch I encountered was pretty amazing. Somehow I found myself lodged inside of my character's body, looking down her dress at the floor, and up her shirt at the ceiling. Forget out-of-body experiences - this was an inner-body experience! I somehow managed to reset my view, but soon after found myself staring at a fatal blue error screen.
When I resumed I noticed a lot of fundamental flaws. The details of the map are very tiny and hard to make out. You can zoom out but not in! The game's dark visuals make it really hard to locate things. For example, the game alerted me I had arrived at a graveyard in the woods, yet finding nearby gravestones took a lot of effort.
After becoming hopelessly stuck it dawned on me that the game had become glitched past the point of no return. Consulting the internet, I learned that you not only have to perform specific actions, but in a certain order as well. One day I will return to Martha is Dead, starting over from scratch. I just hope my next game doesn't end up like Martha, dead in the water. © Copyright 2022 The Video Game Critic.
Marvel Pinball Epic Collection offers ten tables spanning popular franchises like Spider-Man, Antman, Captain America, Iron Man, Blade, Dr. Strange, Venon, Hulk, and the Avengers. Like Star Wars, the boards feel grounded in "real life" thanks to mechanical contraptions and realistic physics. There's even an old fashioned dot matrix display in the corner. Naturally there's plenty of video game "magic" like animated characters moving around the tables.
Most tables offer multiple sets of flippers, tiered levels, and minigames. I found the triggers that activate the flippers feel more comfortable than the Switch controllers. You can toggle between several views but I prefer "follow the ball" which gives you the closest vantage point. I have mixed feelings about the table designs. Venom is so crowded it made me feel claustrophobic, and the ramps on the Hulk table are too wide. Amazing Spider Man hits the sweet spot with ample eye candy and a design that actually lets you get into a rhythm. Antman has this cage thing you can knock around for points. The thing is, just about all the tables have that same high-tech look. Blade is an exception, providing a welcome respite with its dark, vaguely Halloween vibe.
The games also suffer from "too many balls syndrome". Although technically you get three, once you add in bonuses and saved balls it can add up to eight or more. That said, the action is exciting and it's neat to see new table features open up as you progress. The pumping soundtrack is amazing and there are plenty of voice samples (although not from the original actors). You can play online but local high scores are saved as well. I got a little weary of its superhero themes but I have to admit this collection does a lot of things right. © Copyright 2020 The Video Game Critic.
Exploring the city is entertaining in and of itself, especially with changing time-of-day and weather conditions. Strolling around Times Square at night is mesmerizing, and I actually recognized one thoroughfare by Central Park as the route for the Macy's Thanksgiving Day Parade I saw on TV! Cutscenes and phone dialog are expertly weaved into the action as not to interrupt the flow of the game.
The combat system is like an "above the rim" version of the Batman Arkham games. There's a lot of precision darting and frantic dodging, culminating with a slow-motion finishing blow. Incredible moves include pinning a guy against a wall with webbing, snatching weapons, and spinning a barrel around while knocking down all criminals in the vicinity. It's crucial to stake out guarded areas and web up a few unsuspecting thugs before they can detect your presence. I never got tired of systematically taking out gangs.
The controls are rich but the game displays frequent prompts and provides hints on the load screens. Your map reveals endless activities outside of your main mission like locating lost backpacks, snapping pictures of landmarks, and fixing transmission towers to fill in your map. For once I actually wanted to attempt the optional missions to crank up my stats and abilities. Heck, even the circuit puzzles are fun.
One bone of contention is how the designers sprinkled in stealth missions featuring Spider-Man's girlfriend Mary Jane and his young protege Miles. While these tend to slow things down they also provide good exposition and Miles' encounter with Rhino is the scariest part of the game. The story concludes with an epic multi-stage boss finale, followed by enough endings to make Peter Jackson blush.
I don't know how many hours I sunk into Spider-Man but it was hard to walk past my TV without picking up a controller. Upon completing the story I felt like giving the game a standing ovation, but maybe I should reserve that for the developers, as I never even had to apply a single patch to this game. That's worth celebrating. © Copyright 2019 The Video Game Critic.
Besides sharp high definition graphics this MediEvil has a few other tricks up its sleeve. For starters the game is much easier than previous installments. Your weapons don't disintegrate when you use them and a lot of the puzzles that used to be mandatory are now bonus quests. For example, finding new music for the ghostly organist in the mausoleum is not necessary to complete the stage. The problem is, if you don't seek out enough of the extra stuff you won't be able to progress.
The controls feel responsive enough and the hack-and-slash action is okay. The spooky graveyard has a nice Halloween vibe even if it's just arranged like a maze. One thing that hasn't improved much at all is that camera. You'd think by now the game could provide optimal angles but nope. The developers just threw up their hands and said "here - you do it!" The right thumbstick lets you swing it around but the angle is always so tight it's hard to get your bearings. Still, MediEvil is a decent, family-friendly Halloween romp if you haven't experienced it already. If you have, you're in for a serious case of deja-vu. © Copyright 2020 The Video Game Critic.
When I first fired up Micro Machines World Series the first thing I noticed was three of the four modes were online only. Since I don't have Playstation Plus at this time the local mode was my only option. I will admit that racing against the CPU can be fun. The short elimination races incorporate weapons like shotguns, hammers, and nerf-darts. Nerf must have sponsored this game because I see their logo everywhere.
The graphics are clean but frankly I was expecting something a little more realistic. Some of the liquid effects look cool, but otherwise the game looks cartoonish. Slice-of-life environments include a kitchen, pool table, backyard, and garage workbench. You really need to get a lap or two under your belt to get familiar with each track. The physics feels right and the camerawork isn't bad either.
What's missing is a sense of progression. No matter how well I perform I only have the option of quitting or playing again. After a dozen races I checked my "bio" only to discover I had earned one XP, with 1500 required to advance to the level. Guess I won't be making much progress offline!
The game does support four-player local racing, and this would be gangbusters if only you could complete a lap without the game crashing! And this was after applying updates! The days of racing toy cars may be back, but the days of buying quality software appear to be long gone. © Copyright 2017 The Video Game Critic.
I realize a game with "craft" in the title probably wasn't going to be my cup of tea, but readers asked me to review this for completeness sake. Since making its debut on the PC in 2009, Minecraft is one of the best-selling and popular games of all time. Its tutorial walks you through the process of mining raw materials, smelting blocks in a furnace, crafting furniture, and eventually constructing a modest abode. The tranquil music is relaxing but I didn't find the blocky, pixelated graphics particularly appealing. When you remove a chunk from the middle of a tree, the top remains in place, suspended in mid-air.
Monsters like giant spiders emerge at night and you can make weapons to fend them off. The building process is every bit as tedious and time-consuming as I feared. I've heard Minecraft called "Virtual Legos", but at least with Legos you don't have to build your own blocks.
I will admit the scope of the game is impressive, limited only by your imagination and the low-resolution graphics. That said, I could barely muster the patience to sit through the tutorial. I toyed around with the split-screen mode with my friend Jonathan, who mentioned the game might be better suited to a PC and mouse.
Apparently many consider Minecraft an outlet for their creativity. It's possible to build elaborate mansions or even entire kingdoms. Some may find it rewarding, but it's more of an activity than a game. It's not for me, but if you find the concept appealing, Minecraft's pixelated world is your oyster. © Copyright 2015 The Video Game Critic.
The tutorial mode got me through the basics but I quickly lost patience. The little button symbols are so damn tiny I couldn't tell the circles from the squares! Do the developers test on 80 inch monitors?! The fighting action feels very crisp and deliberate. The R1 button now lets you amplify your attack or interact with the environment, so I use it all the time.
One poorly-named new feature is "fatal blows" which take the place of the old "x-ray" attacks. These become available when your health falls below 30%, letting you stage a cheap comeback. These lengthy fatality-style animations are fun to watch at first but can get a little tired. It's somewhat disorienting to watch a character continue fighting after just being gutted and impaled through the skull three times. This happens in story mode all the time.
Speaking of which, it's probably the closest we'll ever get to another Mortal Kombat movie. There's so much dialog it makes me want to grab a beer! Mortal Kombat 11 tries to be an inter-generational title, mixing "offspring" characters like Cassie Cage and Jacqui Briggs with zombified oldies like Lui Kang and Kung Lao. Marginal characters from the past like Jade, Noob Saibot, and Kabal have returned. Bad guys include the insect-like D'Vorah, cowboy Erron Black, and the creepy Kollector with his six scrawny arms.
I enjoyed the klassic tower mode but the stages are very understated and not the least bit memorable. Gems earned in various modes let you buy from "the Krypt" but sadly this feature is now only available if you're logged into a server. Why? Because it's tied into their online store and the publisher is hoping you'll spend real money instead of unlocking stuff. What a krock! Mortal Kombat 11 is still a AAA fighter, but certain aspects of the game left me with a bad taste in my mouth. © Copyright 2019 The Video Game Critic.
I love the ability to interact with the environments, whether it's vaulting off a nearby rock or hurling a discarded shield at your opponent. Crowd-pleasing X-ray attacks let you savor each bone snap and skull crush. The gruesome fatalities are sure to bring a smile to your face, and the "easy fatalities" are genius. The level of violence is so over the top you can't take it seriously.
Mortal Kombat X also remains true to its roots, maintaining the same basic gameplay, mythology, visual style, and tongue-in-cheek tone. Veteran characters like Johnny Cage, Sonya, Jax, and Liu Kang have aged and now sport gray hair and wrinkles. Some of their grown children are new characters, like Cassie Cage and Jacqui Briggs.
I love the new additions. Kotal Khan looks like a hulking Aztec king and Erron Black is a Wild West-inspired gunslinger. D'vorah is a twitchy insect woman and Takeda is a ninja with a bladed whip. Ferra/Torr is a "combination" character consisting of a Leatherface behemoth with a kid riding on his back. It looks hilarious when the kid gets knocked off and quickly scrambles to get back on. Older characters have been reimagined, including a creepy floating Ermac and a far more repulsive Reptile.
Most fighting franchises are intent on getting players online (*cough*Capcom) but Mortal Kombat X respects its offline fans. The story mode nicely ties together all the characters while filling in some of their history. The classic tower modes are back in force, including a new "test your might" tower that's sure to give you carpal tunnel. The Krypt is now far more than a place to unlock goodies, but a full adventure in and of itself! The game records your complete off-line history including character usage, records, and high scores. Expertly designed and amazing to behold, Mortal Kombat X sets the new standard for excellence in fighting games. © Copyright 2015 The Video Game Critic.
The premise is that you're in a dystopian USSR where rampant drug use has turned citizens into mindless zombies. You'll fight these strung-out junkies, scientists, and military types. The characters are more realistic than your typical beat-em-up, making the violence all the more unsettling.
There are four playable characters: Sergei, Natasha, Ivan and Boris. They possess all the standard attacks, including charges, jump kicks, throws, and punch combinations. The controls are responsive. When an enemy is on the ground, you can kneel over him and keep bashing him in the head. This is not for the faint of heart!
Evil Dead has nothing on this game. You can use shotguns to blow enemy heads clean off. You can slice them up with a chainsaw or toss them into a meat grinder. You can even beat somebody over the head with... an accordian!? Okay - this time they've crossed the line!
The stages are set in the most depressing places imaginable from homeless camps to dank prisons to rat-infested sanitariums. Throughout the game there are indications that perhaps what you're seeing isn't real, as if someone or something is pulling the strings of a psychological nightmare.
One unique feature is your ability to extract venom from certain writhing enemies, to be used later to recharge your health or revive a comrade. You can also send the action into a wavy, psychedelic frenzy, but if you're playing with another person they will not be pleased.
Considering the subject matter is a total downer, I was surprised how receptive my friends were to this. The two-player mode is good but the four player mode is very confusing. There are too characters crowding the screen, all rendered in the same drab colors. Some sort of player indicator would have been helpful.
The highlight of the entire game may be its pumping techno soundtrack. Ominous, loud, and unrelenting, it fills the room with a sense of sheer desperation. Mother Russia Bleeds in some ways reignites the argument about whether a video game can be art. You may or may not enjoy this, but you have to admit it leaves quite the impression. © Copyright 2022 The Video Game Critic.