The controls are a bit stiff, requiring you to hold the joystick at a 45-degree angle. The audio effects are faithful to the arcade, but the graphics are lacking. Q*bert is pixelated and has holes for eyes, making him look like a zombie! The "shaded" sides of the cubes are ugly pixelated patterns instead of solid colors - what's up with that?
When Q*bert escapes from Coily via a flying disc, the animation is jerky, and worse yet there's an unnecessary pause before you resume play at the top of the pyramid. Clearly Parker Bros. didn't put a whole lot of effort into this project. Q*bert's timeless gameplay is hard to resist, but this home translation is a little weak. © Copyright 2008 The Video Game Critic.
Qix is brilliant by design, but this version is not the best. For one thing, the helix is only about half as big as it should be, and it's rendered in cycling colors instead of a rainbow pattern. When touched by an enemy your diamond doesn't instantly explode, but silently blinks as a slow software routine clears out any lines you were in the progress of drawing before contact occurred. This ten-second pause is followed by a belated explosion sound effect. Pretty lame!
The collision detection is also fishy at times. On the bright side, the controls are comfortable, since you can use any Atari joystick. There are several skill levels and an alternating two-player mode. It could have been better, but a second-rate Qix is better than no Qix at all. © Copyright 2007 The Video Game Critic.
For those too young to remember the early days of the home computers, a popular style of game in the early 80's were "text adventures". These allowed you to type in simple two-word commands (Ex. GET HAMMER, PRESS BUTTON), and then read about what happened via text. More often than not, the computer would respond with "I don't know how to do that" or "You can't do that now". It was really easy to get stuck!
At least this game presents you with colorful, comic-book style illustrations between commands. I was hoping to see Hulk kick some ass, but the object of the game is to collect gems. You begin as Bruce Banner tied to a chair in an empty room, which is a pretty helpless predicament (hint: shake). Once freed, you can explore two sparse rooms, and if the Internet is any indication, few people ever got further than that.
I could forgive Hulk's trial and error gameplay if the game made any sense, but it does not. The first time you step outside you're instantly crushed by gravity. Come again? Later, in order to obtain a hidden gem you need to dig a hole, and then dig again. And who in their right mind would ever think of lifting a huge dome to uncover another gem?
The Incredible Hulk is as bad as the movie - and I'm talking about that Ang Lee version. The one in which Hulk had to fight a cloud. My friends decided to finally call it quits after Hulk got defeated by ants. Yes, ants. By that point the only command we wanted to type was "FORMAT DISK". © Copyright 2011 The Video Game Critic.
The concept is to have your explorer traverse contiguous screens filled with tiered levels, ladders, and bridges. The idea is to obtain a key or crown, and then high-tail it back to the first screen. The scenery conveys a remarkable sense of depth and creativity, with dazzling stage designs and gorgeous color schemes. Perhaps inspired by MC Escher, certain pathways twist upon themselves in impossible ways, hence the title.
As you dash through each screen you'll weave around zombies, giant spiders, wriggling snakes, and rolling orbs. Making contact with one, even for an instant, will drain some of your hit points. You have no weapon but can drop an infinite number of crosses behind you. Enemies can't pass them, and tend to get caught up on them. You can get stuck on them too, strangely enough.
It's a little tedious to finagle your way up the ladders but fun to sprint across a wide-open area as enemies converge. Monsters don't block you, so sometimes it pays to just run right through them and incur the minimal damage.
Collecting scrolls imbues you with defensive spells like protection, freeze, and confusion. These are highly effective but only last a few seconds, so you need to employ them strategically. These necessitate using the keyboard, although simply slapping the space key will activate the next spell in the queue.
What takes Realm to a new level of greatness is its superb two-player co-op. Not only it is twice as frantic, but when your partner dies, it's possible to revive him just by touching him! That's a mechanic that didn't become common until about twenty years later.
Realm of Impossibility blends wondrous visuals with an exciting style of play I've never seen duplicated. Just make sure you use a comfortable joystick because this game will put your hands through the ringer! © Copyright 2022 The Video Game Critic.
Precise and responsive, these controls might just be the best I've ever experienced. This computer edition plays exactly like its Atari 2600 cousin but offers a few nifty bells and whistles like craggy valley walls and mountain scenery. New enemies include hot-air balloons, missile-firing helicopters, and tanks that lob mortars from the river bank. Blasting a tank as it creeps over a bridge and watching it plunge into the watery depths has to be one of the most satisfying moments in gaming. With all the eye candy of the Atari 5200 and the crisp controls of the Atari 2600 edition, River Raid is a slice of gaming nirvana. © Copyright 2019 The Video Game Critic.
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Screen shots courtesy of Atari Mania, Video Game Museum, Retroist, Giant Bomb, YouTube, Moby Games